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한국로렌스학회> D. H. 로렌스 연구> 몸을 사유하기: D. H. 로렌스와 장-뤽 낭시(Jean Luc-Nancy)

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몸을 사유하기: D. H. 로렌스와 장-뤽 낭시(Jean Luc-Nancy)

Thinking Bodies: D. H. Lawrence and Jean-Luc Nancy

윤영필 ( Young-phil Yoon )
  • : 한국로렌스학회
  • : D. H. 로렌스 연구 30권1호
  • : 연속간행물
  • : 2022년 06월
  • : 37-55(19pages)
D. H. 로렌스 연구

DOI


목차

1. 들어가며
2. 낭시의 몸의 존재론: 몸의 열림과 드러남
3. 로렌스와 몸, “우주의 살아 있는 연속체”
4. 몸의 온전성과 파편성, 고유한 몸과 낯선 몸
5. 나가며
주
인 용 문 헌

키워드 보기


초록 보기

In the midst of overflowing discourses on the body, this paper aims to compare Lawrence’s thinking of the body with that of Jean-Luc Nancy and gain a new understanding of the nature of the body. Pointing out that the body is not an object of knowledge, but an experience in itself, both of them emphasize that the body is open to itself and to other bodies. For Nancy, the body, an open space where existence takes place, is not a substance. It always comes to its presence; it is an aperture, a self in departure, repeating its movements of arriving and withdrawing. Also a body cannot exist alone; it co-exists; it is exposed to other bodies, always already in touch with them. Lawrence, with his relational thinking and his firm belief in the ever-flowing, living present of being, shares these ideas and explores how man can achieve a harmonious relationship with his circumambient universe, avoiding the disastrous damages brought about by the death of the body in the modern society. There is, however, an unbridgeable gap between their thoughts. While Lawrence lays stress on the integrity of embodied self, Nancy argues that the body, constituted by fragmentation of parts and division of senses, is never completely whole nor proper. This discord reminds us of the elusiveness of the body that demands continual efforts to keep our thinking in contact with it.

UCI(KEPA)

간행물정보

  • : 어문학분야  > 영문학
  • : KCI등재
  • :
  • : 반년간
  • : 1226-4318
  • : 2713-9670
  • : 학술지
  • : 연속간행물
  • : 1991-2022
  • : 449


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30권2호(2022년 12월) 수록논문
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KCI등재

1공존과 서술: D. H. 로렌스의 『아아론의 지팡이』(Aaron's Rod)

저자 : 박시영 ( See-young Park )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 30권 2호 발행 연도 : 2022 페이지 : pp. 1-25 (25 pages)

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초록보기

D. H. Lawrence's Aaron's Rod records the main character Aaron Sisson's breaking away from 'home' and the subsequent nomadic adventure in a strange country. The abrupt dislocation, as if a total negation of 'home', creates a structural rupture in the novel. The second half of the novel is featured by the intrusive and self-referent narrator. The disjunctive and jerky narration exposes the failing authoritative narrative which cannot configure Aaron's adventure. Yet the structural complicity of Aaron's Rod defeats any easy application of postmodern narratology which is predicated on the notion of the novel as a linguistic autonomy constitutive of the endless deferral of meaning. This structural oddity rather reveals the nature of the writer's quest for a new mode of representation, which revolves around the concerns about community and individuality. The conflation of structural oddity and theoretical engagement with community invites Jean-Luc Nancy's reflection on 'unworking' and totalitarianism in connection with the Western metaphysics. Nancy's totalitarianism denotes the tendency to view a community as an embodiment of the essence or spirit. Nancy suggests the immanence of totalitarian worldview will be destroyed by reviving 'a thinking of community'. Nancy calls this process 'unworking' of community, which belongs to the anti-philosophical tradition of 'ungrounding'. In so doing, Nancy alludes 'unworking' to the 'unended and unending' literature. Here Nancy's anti-philosophical notion of literature, with a strong resonance of Lawrence's reiteration of the novel as a means to debilitate totalitarianism, sheds new light on the the intrusive narrator of 'word-user'.

KCI등재

2신화의 파괴자/구원자, D. H. 로렌스: 「뱀」, 「네가 나를 만졌어」, 「해」의 상호텍스트성 분석

저자 : 우정민 ( Jung Min Woo )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 30권 2호 발행 연도 : 2022 페이지 : pp. 27-58 (32 pages)

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D. H. Lawrence is one of the writers whose oeuvre has to be perceived as one organic system. In other words, intertextuality is the very key to grasping his often paradoxical, sensational, and controversial works of art. For example, “Snake,” one of the representative animal poems published in Birds, Beasts, and Flowers (1923), “You Touched Me,” a weird wedding story published in England, My England (first written in 1919, published in 1920 and 1922), and “Sun,” another bizarre story in The Woman Who Rode Away and Other Stories (written around 1920 to 1922, published in 1926 and 1928) share the writer's life-long ambition to create mythology of his own: the myth which attempts to revolutionize the fixed mind that has long been exposed to the tradition of Western civilization. As a radical mythologist, whose goal is to play with the grand narratives and deconstruct the conventional belief system, he re-writes the story of Genesis with a view to rescue the demonic creature “snake” into the real world. In this paper, I would demonstrate that he performs the role of a mythologist which Roland Barthes explores in his 1957 collection of essays, Mythologies; and by understanding the intertextuality of Lawrence's mythopoeic narratives, I would argue that he creates a world where what he calls “a revolution for fun” takes place.

KCI등재

3로렌스와 메를로 뽕띠의 세잔론

저자 : 최선령 ( Sun Ryoung Choi )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 30권 2호 발행 연도 : 2022 페이지 : pp. 59-78 (20 pages)

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This paper aims to explore some similarities between Maurice Merleau-Ponty and D.H. Lawrence in terms of their evaluation of historical achievements of Paul Cézanne. Merleau-Ponty holds the basic view that human perception arises from the interaction between the human body and the object, not from the Cartesian cogito. In “Cézanne's Doubt,” he also points out that Cézanne is faithful to the phenomenon itself and takes the actual perceptual point of view. Merleau-Ponty sees reality as something active and inexhaustible, and argues that Cézanne made his lifelong struggle to grasp and represent reality as it is. Similarly, Lawrence says that Cézanne's apple realizes the “appleyness” because it is presented just like it “really exists” breaking away from scientist, objectivist, or anthropocentric assumptions of the apple. Lawrence and Merleau-Ponty also have something in common in that they emphasize that human body inextricably intervenes in the act of perception. Nevertheless, unlike Merleau-Ponty, Lawrence relatively devalues the achievement of Cézanne's later watercolor paintings, and this is because Lawrence is mainly committed to criticizing idealism in “The Introduction to These Paintings.” While Merleau-Ponty's arguments are fundamentally based on the theoretical researches of the “primordial perception,” Lawrence directly goes into the kernel of Cézanne as a man and painter, and makes us keenly feel his struggle and appreciate the rarity of his achievement. In spite of these differences, Lawrence's view that imagination is basically “physical and intuitive perception,” obviously has a significant affinity with Merleau-Ponty's phenomenological approach which demands a return to “living experience.”

1
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KCI등재

1『아들과 연인』의 반성장 서사 연구

저자 : 우정민 ( Jung Min Woo )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 30권 1호 발행 연도 : 2022 페이지 : pp. 1-35 (35 pages)

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This essay intends to re-read D. H. Lawrence's 1913 novel Sons and Lovers as an anti-Bildung narrative of an abject. The abject, according to Julia Kristeva, lies (or abandoned) in a place where the distinction between subject and object, or self and other, is lost, and arises to be purified by embracing the attraction and repulsion toward the unnamed desire and passion embedded in the course of abjection. In fact, this novel has been generally known as one of the greatest Bildungsroman written by a young genius that explores the problematic psychological dynamic between mother (the other) and son (self). However, what I claim as anti-Bildung aspects of the novel do not so much oppose the general meaning of growth and development as violently, painfully, and artistically transcend it. In particular, the final version of the author's manuscript (eventually published in 1992) reveals such anti-Bildung features in both content and form. In this paper, I would argue that this autobiographical Bildungsroman is a modern tragedy of the abject whose Bildung undergoes deconstruction by embracing the death of the old ego and giving up the lineal distinction of self vs. other, and finally realizes the meaning of being truly alive in life and art.

KCI등재

2몸을 사유하기: D. H. 로렌스와 장-뤽 낭시(Jean Luc-Nancy)

저자 : 윤영필 ( Young-phil Yoon )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 30권 1호 발행 연도 : 2022 페이지 : pp. 37-55 (19 pages)

다운로드

(기관인증 필요)

초록보기

In the midst of overflowing discourses on the body, this paper aims to compare Lawrence's thinking of the body with that of Jean-Luc Nancy and gain a new understanding of the nature of the body. Pointing out that the body is not an object of knowledge, but an experience in itself, both of them emphasize that the body is open to itself and to other bodies. For Nancy, the body, an open space where existence takes place, is not a substance. It always comes to its presence; it is an aperture, a self in departure, repeating its movements of arriving and withdrawing. Also a body cannot exist alone; it co-exists; it is exposed to other bodies, always already in touch with them. Lawrence, with his relational thinking and his firm belief in the ever-flowing, living present of being, shares these ideas and explores how man can achieve a harmonious relationship with his circumambient universe, avoiding the disastrous damages brought about by the death of the body in the modern society. There is, however, an unbridgeable gap between their thoughts. While Lawrence lays stress on the integrity of embodied self, Nancy argues that the body, constituted by fragmentation of parts and division of senses, is never completely whole nor proper. This discord reminds us of the elusiveness of the body that demands continual efforts to keep our thinking in contact with it.

KCI등재

3로런스의 '자유'와 체제적 인종주의

저자 : 한기욱 ( Ki Wook Han )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 30권 1호 발행 연도 : 2022 페이지 : pp. 57-85 (29 pages)

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This paper attempts to examine D. H. Lawrence's thoughts on freedom, which are closely interconnected with his signature ideas such as 'the spirit of place', 'escaped slaves', and two versions of democracy--i.e. a true or false democracy. The term 'escaped slaves' was critically used by Lawrence mainly towards the White people settled in America, but it used to indicate in reality those Black people who escaped from slavery in the South. When applied to an 'actual' escaped slave, the term can be objectively descriptive, having not necessarily negative meaning only. Nevertheless Black people are not either exempt from the critical point embedded in Lawrence's usage of the term, since just freeing oneself from the bondage in that institutional sense does not amount to true freedom, which involves the task of overcoming not only slavery but also systemic racialism. I will explore Melville's Benito Cereno and Toni Morrison's Beloved in terms of the Lawrentian concept of 'escaped slaves' together with the discourse of systemic racism. The critical point will be focused on how the main characters in each work can make or hinder the way towards true freedom and overcoming systemic racism.

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