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한국중국산문학회> 중국산문연구집간> 『萬曆野獲編·果報』 飜譯 및 註釋(2)

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『萬曆野獲編·果報』 飜譯 및 註釋(2)

A Translation and Annotation of 『Wanliyehuobian·Guobao(萬曆野獲編·果報)』(2)

채수민 ( Chae Sumin ) , 이승신 ( Lee Seungshin )
  • : 한국중국산문학회
  • : 중국산문연구집간 12권0호
  • : 연속간행물
  • : 2022년 06월
  • : 44-64(21pages)
중국산문연구집간

DOI

10.22419/TJCPCOM.12.3


목차

Ⅰ. 들어가며
Ⅱ. 경태 연간의 역적들(景泰間逆黨)
Ⅲ. 조소보(趙少保)가 여섯 대신의 제사를 지내다(趙少保祭六大臣)
Ⅳ. 아들을 얻기도 하고 잃기도 하다(得子失子)
Ⅴ. 아들을 죽이다(戮子)
Ⅵ. 지방관이 기생을 데리고 놀다(守土吏狎妓)

키워드 보기


초록 보기

Wanliyehuobian(萬曆野獲編) is a highly regarded academic material for providing valuable materials to researchers in fields such as history and literature. Based on the vast historical data in this book, researchers have been conducting in-depth research.
“Wanliyehuobian·guobao” out of Wanliyehuobian’s 28th volume consists of 15 episodes. In this paper, the four episodes of “Jingtaijiannidang(景泰間逆黨)”, “Zhaoshaobaojiliudachen(趙少保祭六大臣)”, “Dezishizi(得子失子)”, “Luzi(戮子)”, “Shoutulixiaji(守土吏狎妓)” are translated and annotated.
Looking at the form of causal retribution shown in these five episodes, there are cases where good deeds are accumulated and good retribution is received, and there are cases where bad deeds are committed and bad retribution is received. However, most of them are directly responsible for what they have done. All the causal retribution presented by Shen Defu(沈德符) has a characteristic that results in the actor himself, centering on the current world. This demonstrated the concept of Confucian causal retribution that values the present world's right and punishment, which is different from the causal retribution of inevitable reincarnation between the past life, the present world, and the next world in Buddhism.

UCI(KEPA)

간행물정보

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  • : KCI등재
  • :
  • : 반년간
  • : 2234-4861
  • : 2713-6574
  • : 학술지
  • : 연속간행물
  • : 2011-2022
  • : 136


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117~18世紀中韓伍子胥接受比較研究 以散文為中心

저자 : 朱文亮 ( Zhu Wenliang )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 8-22 (15 pages)

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초록보기

In the 50 years since the Imjin War, there have been frequent wars in the Northeast Asia. Major changes have taken place in the international situation, where Joseon has formed a triangular relationship with the Ming and Qing (later Jin) Dynasties. The late Ming survivors, the early Qing, and Joseon literati together bear the national enmity and personal hatred; their hearts are full of righteous indignation and a sense of revenge. Wu Zixu, who was synonymous with revenge, attracted much attention from both Chinese and Joseon literati at that time. This paper takes the prose of Chinese and Joseon literati from the 17th to 18th centuries as the research object, and attempts to examine the similarities, differences, and specific characteristics of Chinese and Joseon literati's acceptance of Wu Zixu. During this period, the acceptance of Wu Zixu by Chinese and Joseon literati appeared to be wide, in-depth, and meticulous. As a historical figure in China's pre-Qin period, compared with Chinese literati, there is a certain lag in the acceptance by Joseon literati, and there are subtle differences. Chinese literati inherited the style of critique from Song Dynasty, focusing on "loyalty to Wu" and "revenge", criticizing the former while affirming the latter. The Joseon literati of the same period focused on the discussion of "loyalty to Chu", "filial piety" and "revenge" based on the maintenance of the authority of the patriarch and presented a total negation. This should have a lot to do with the ideology of the ruling class in Joseon and the international situation it was in at that time. At the same time, it is precisely because Wu Zixu is a foreign historical figure, that Joseon literati can use their imagination and propose ideal character settings for him.

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2驪姬는 어떻게 악녀가 되었는가? 『國語』의 인물 형상화 수법을 중심으로

저자 : 이기훈 ( Lee Kihoon )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 23-43 (21 pages)

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(기관인증 필요)

초록보기

In this paper, the perception of Li-Ji in previous literature and the method of shaping Li-Ji characters in 『GuoYu』is analysed. After the first appearance of Li-Ji in 『GuoYu』, Li-Ji was mentioned as an example of various arguments in various literature. It can be broadly classified into three types: “Beauty(紅顔),” “Calamity(禍水),” and “cry of remorse(悔泣).” In the past literature, it was confirmed that the examples used as the epitome of “Calamity” were the most common.
『GuoYu』is a book produced to promote the monarchs and nobles of the time, so it has a narrative intention to further highlight the person who is on the alert. In other words, Li-Ji is using various sentence techniques to make the character more vicious. First, it is “the method of comparing good and evil” that describes words and actions in contrast to the prince at the opposite point. Second, it is “the methods of virtual imagination” that describes the scene of seducing a Xian-Gong in the bedroom as an imagination. Third, it is “the Method of destiny prediction” that shows a sinister nature with divination and suggests that it will eventually ruin the country.
This method of shaping the 『GuoYu』made the character Li-Ji the epitome of “disaster,” and it can be confirmed that most of the literature has not deviated from it.

KCI등재

3『萬曆野獲編·果報』 飜譯 및 註釋(2)

저자 : 채수민 ( Chae Sumin ) , 이승신 ( Lee Seungshin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 44-64 (21 pages)

다운로드

(기관인증 필요)

초록보기

Wanliyehuobian(萬曆野獲編) is a highly regarded academic material for providing valuable materials to researchers in fields such as history and literature. Based on the vast historical data in this book, researchers have been conducting in-depth research.
“Wanliyehuobian·guobao” out of Wanliyehuobian's 28th volume consists of 15 episodes. In this paper, the four episodes of “Jingtaijiannidang(景泰間逆黨)”, “Zhaoshaobaojiliudachen(趙少保祭六大臣)”, “Dezishizi(得子失子)”, “Luzi(戮子)”, “Shoutulixiaji(守土吏狎妓)” are translated and annotated.
Looking at the form of causal retribution shown in these five episodes, there are cases where good deeds are accumulated and good retribution is received, and there are cases where bad deeds are committed and bad retribution is received. However, most of them are directly responsible for what they have done. All the causal retribution presented by Shen Defu(沈德符) has a characteristic that results in the actor himself, centering on the current world. This demonstrated the concept of Confucian causal retribution that values the present world's right and punishment, which is different from the causal retribution of inevitable reincarnation between the past life, the present world, and the next world in Buddhism.

KCI등재

4茅坤 『唐宋八大家文鈔』의 비평용어 '典刑'에 관한 연구 曾鞏의 '序文'을 중심으로

저자 : 김미라 ( Kim Mira )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 65-87 (23 pages)

다운로드

(기관인증 필요)

초록보기

This study is about the critical terminology “Dianxing(典刑)” used in Mao Kun(茅坤)'s literary anthology Tangsongbadajiawenchao(唐宋八大家文鈔), which aims to analyze and examine its meaning and application cases in terms of style criticism and character criticism. First, as a literary anthology, it will be explained that Mao Kun's Tangsongbadajiawenchao has classical characteristics and expresses his critical significance.
Next, I try to examine the origin of critical terminology “Dianxing(典刑)” and define its meaning. Finally, I try to analyze the text of proof as the main text, which is about Mao Kun, has most frequently used the critical terminology “Dianxing(典刑)” which is for Zeng Gong(曾鞏). And I focused on Xuwen(序文) and the stylistic definition and try to examine how its creative examples have applied. In addition, I try to analyze it, which is applied to Zeng Gong(曾鞏)'s “Xuwen(序文)” criticism of later writers and Mao Kun's one, to examine the similarities and differences between them, and to identify his impact.

KCI등재

5懷才不遇한 인재에게 주는 조언 『사기』 「굴원가생열전」의 행간읽기

저자 : 양중석 ( Yang Joongseuk )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 88-101 (14 pages)

다운로드

(기관인증 필요)

초록보기

Active research is being conducted not only in China but also in Korea about the famous Chinese poet Qu Yuan. His continued interest in and research on Qu Yuan is closely related to his image of a “patriotic poet.” Sima Qian contributed greatly to the formation of the image of the patriotic poet Qu Yuan. The Qu Yuan and Jia Yi included in the same biography by Sima Qian were both excellent poets. They all acted loyally, but were criticized and died prematurely. In their biography, Sima Qian shows the result of a monarch who did not listen to his loyal servants. At the same time, Sima Qian suggests a path for a subject who is not recognized by the monarch. “You don't necessarily have to stick to just one master.” His thoughts were dangerous to be written outrightly, so he wrote them carefully. Sima Qian's unconventional thoughts like this represent his position on Li Ling.

KCI등재

6文學傳統과 唐詩의 創新

저자 : 김지영 ( Kim Jiyoung )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 102-120 (19 pages)

다운로드

(기관인증 필요)

초록보기

The emergence of any kind of literary phenomenon will be faced with the choice of society and the choice of literature. The synergy of the two choices can form a new friendship in literature. As far as the selection process of literature is concerned, the objects of choice include the innovation where literature provides the possibility space, and the chosen subject transforms this virtual space into a realistic path. The latter always plays a leading role. The innovative performance of Tang poetry surpassed that of Song, Yuan, Ming, and Qing poetry, and the poetry of High and Middle Tang was excellent. The poems of the early and late Tang Dynasty all reflect the result of this selection and optimization.

KCI등재

7중국 초기 산문의 '敎化性' 특징과 그 장르적 계승관계 고찰 箴銘 산문의 형성과정을 중심으로

저자 : 權錫煥 ( Kwon Seokhwan )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 121-134 (14 pages)

다운로드

(기관인증 필요)

초록보기

The purpose of this study is to investigate the hypothesis that the genre containing “敎化性domestication,” one of the characteristics of China's early pros, was expressed as “admonished and inscription(箴銘).”
Even if the sentences before the letters were verbally transmitted and cited, if they expanded their vitality as one of the later genres, they can also be included in the realm of prose. The early edification sentences were pre-textual media but appeared as “testimony of truth” by the philosophers and scholars of the Warring States Period. However, the reason why these styles failed to spread to future generations is that they could not expand to individual genres as they were absorbed into the philosophers and scholars of the Warring States Period and media. This is because strong reason overwhelmed the transcendent world, and their language was superior to the language and power of the gods.
The text before the writing reached the Han Dynasty secured its genre characteristics with “moral prose” called “admonished and inscription (箴銘)”, which maintained its vitality until the end of the Qing Dynasty.

1
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KCI등재

117~18世紀中韓伍子胥接受比較研究 以散文為中心

저자 : 朱文亮 ( Zhu Wenliang )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 8-22 (15 pages)

다운로드

(기관인증 필요)

초록보기

In the 50 years since the Imjin War, there have been frequent wars in the Northeast Asia. Major changes have taken place in the international situation, where Joseon has formed a triangular relationship with the Ming and Qing (later Jin) Dynasties. The late Ming survivors, the early Qing, and Joseon literati together bear the national enmity and personal hatred; their hearts are full of righteous indignation and a sense of revenge. Wu Zixu, who was synonymous with revenge, attracted much attention from both Chinese and Joseon literati at that time. This paper takes the prose of Chinese and Joseon literati from the 17th to 18th centuries as the research object, and attempts to examine the similarities, differences, and specific characteristics of Chinese and Joseon literati's acceptance of Wu Zixu. During this period, the acceptance of Wu Zixu by Chinese and Joseon literati appeared to be wide, in-depth, and meticulous. As a historical figure in China's pre-Qin period, compared with Chinese literati, there is a certain lag in the acceptance by Joseon literati, and there are subtle differences. Chinese literati inherited the style of critique from Song Dynasty, focusing on "loyalty to Wu" and "revenge", criticizing the former while affirming the latter. The Joseon literati of the same period focused on the discussion of "loyalty to Chu", "filial piety" and "revenge" based on the maintenance of the authority of the patriarch and presented a total negation. This should have a lot to do with the ideology of the ruling class in Joseon and the international situation it was in at that time. At the same time, it is precisely because Wu Zixu is a foreign historical figure, that Joseon literati can use their imagination and propose ideal character settings for him.

KCI등재

2驪姬는 어떻게 악녀가 되었는가? 『國語』의 인물 형상화 수법을 중심으로

저자 : 이기훈 ( Lee Kihoon )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 23-43 (21 pages)

다운로드

(기관인증 필요)

초록보기

In this paper, the perception of Li-Ji in previous literature and the method of shaping Li-Ji characters in 『GuoYu』is analysed. After the first appearance of Li-Ji in 『GuoYu』, Li-Ji was mentioned as an example of various arguments in various literature. It can be broadly classified into three types: “Beauty(紅顔),” “Calamity(禍水),” and “cry of remorse(悔泣).” In the past literature, it was confirmed that the examples used as the epitome of “Calamity” were the most common.
『GuoYu』is a book produced to promote the monarchs and nobles of the time, so it has a narrative intention to further highlight the person who is on the alert. In other words, Li-Ji is using various sentence techniques to make the character more vicious. First, it is “the method of comparing good and evil” that describes words and actions in contrast to the prince at the opposite point. Second, it is “the methods of virtual imagination” that describes the scene of seducing a Xian-Gong in the bedroom as an imagination. Third, it is “the Method of destiny prediction” that shows a sinister nature with divination and suggests that it will eventually ruin the country.
This method of shaping the 『GuoYu』made the character Li-Ji the epitome of “disaster,” and it can be confirmed that most of the literature has not deviated from it.

KCI등재

3『萬曆野獲編·果報』 飜譯 및 註釋(2)

저자 : 채수민 ( Chae Sumin ) , 이승신 ( Lee Seungshin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 44-64 (21 pages)

다운로드

(기관인증 필요)

초록보기

Wanliyehuobian(萬曆野獲編) is a highly regarded academic material for providing valuable materials to researchers in fields such as history and literature. Based on the vast historical data in this book, researchers have been conducting in-depth research.
“Wanliyehuobian·guobao” out of Wanliyehuobian's 28th volume consists of 15 episodes. In this paper, the four episodes of “Jingtaijiannidang(景泰間逆黨)”, “Zhaoshaobaojiliudachen(趙少保祭六大臣)”, “Dezishizi(得子失子)”, “Luzi(戮子)”, “Shoutulixiaji(守土吏狎妓)” are translated and annotated.
Looking at the form of causal retribution shown in these five episodes, there are cases where good deeds are accumulated and good retribution is received, and there are cases where bad deeds are committed and bad retribution is received. However, most of them are directly responsible for what they have done. All the causal retribution presented by Shen Defu(沈德符) has a characteristic that results in the actor himself, centering on the current world. This demonstrated the concept of Confucian causal retribution that values the present world's right and punishment, which is different from the causal retribution of inevitable reincarnation between the past life, the present world, and the next world in Buddhism.

KCI등재

4茅坤 『唐宋八大家文鈔』의 비평용어 '典刑'에 관한 연구 曾鞏의 '序文'을 중심으로

저자 : 김미라 ( Kim Mira )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 65-87 (23 pages)

다운로드

(기관인증 필요)

초록보기

This study is about the critical terminology “Dianxing(典刑)” used in Mao Kun(茅坤)'s literary anthology Tangsongbadajiawenchao(唐宋八大家文鈔), which aims to analyze and examine its meaning and application cases in terms of style criticism and character criticism. First, as a literary anthology, it will be explained that Mao Kun's Tangsongbadajiawenchao has classical characteristics and expresses his critical significance.
Next, I try to examine the origin of critical terminology “Dianxing(典刑)” and define its meaning. Finally, I try to analyze the text of proof as the main text, which is about Mao Kun, has most frequently used the critical terminology “Dianxing(典刑)” which is for Zeng Gong(曾鞏). And I focused on Xuwen(序文) and the stylistic definition and try to examine how its creative examples have applied. In addition, I try to analyze it, which is applied to Zeng Gong(曾鞏)'s “Xuwen(序文)” criticism of later writers and Mao Kun's one, to examine the similarities and differences between them, and to identify his impact.

KCI등재

5懷才不遇한 인재에게 주는 조언 『사기』 「굴원가생열전」의 행간읽기

저자 : 양중석 ( Yang Joongseuk )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 88-101 (14 pages)

다운로드

(기관인증 필요)

초록보기

Active research is being conducted not only in China but also in Korea about the famous Chinese poet Qu Yuan. His continued interest in and research on Qu Yuan is closely related to his image of a “patriotic poet.” Sima Qian contributed greatly to the formation of the image of the patriotic poet Qu Yuan. The Qu Yuan and Jia Yi included in the same biography by Sima Qian were both excellent poets. They all acted loyally, but were criticized and died prematurely. In their biography, Sima Qian shows the result of a monarch who did not listen to his loyal servants. At the same time, Sima Qian suggests a path for a subject who is not recognized by the monarch. “You don't necessarily have to stick to just one master.” His thoughts were dangerous to be written outrightly, so he wrote them carefully. Sima Qian's unconventional thoughts like this represent his position on Li Ling.

KCI등재

6文學傳統과 唐詩의 創新

저자 : 김지영 ( Kim Jiyoung )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 102-120 (19 pages)

다운로드

(기관인증 필요)

초록보기

The emergence of any kind of literary phenomenon will be faced with the choice of society and the choice of literature. The synergy of the two choices can form a new friendship in literature. As far as the selection process of literature is concerned, the objects of choice include the innovation where literature provides the possibility space, and the chosen subject transforms this virtual space into a realistic path. The latter always plays a leading role. The innovative performance of Tang poetry surpassed that of Song, Yuan, Ming, and Qing poetry, and the poetry of High and Middle Tang was excellent. The poems of the early and late Tang Dynasty all reflect the result of this selection and optimization.

KCI등재

7중국 초기 산문의 '敎化性' 특징과 그 장르적 계승관계 고찰 箴銘 산문의 형성과정을 중심으로

저자 : 權錫煥 ( Kwon Seokhwan )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 12권 0호 발행 연도 : 2022 페이지 : pp. 121-134 (14 pages)

다운로드

(기관인증 필요)

초록보기

The purpose of this study is to investigate the hypothesis that the genre containing “敎化性domestication,” one of the characteristics of China's early pros, was expressed as “admonished and inscription(箴銘).”
Even if the sentences before the letters were verbally transmitted and cited, if they expanded their vitality as one of the later genres, they can also be included in the realm of prose. The early edification sentences were pre-textual media but appeared as “testimony of truth” by the philosophers and scholars of the Warring States Period. However, the reason why these styles failed to spread to future generations is that they could not expand to individual genres as they were absorbed into the philosophers and scholars of the Warring States Period and media. This is because strong reason overwhelmed the transcendent world, and their language was superior to the language and power of the gods.
The text before the writing reached the Han Dynasty secured its genre characteristics with “moral prose” called “admonished and inscription (箴銘)”, which maintained its vitality until the end of the Qing Dynasty.

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