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서울대학교 종교문제연구소> 종교와 문화> 한국 비결가사 연구 : 비결에서 비결가사로의 전환과 전개

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한국 비결가사 연구 : 비결에서 비결가사로의 전환과 전개

A Study on Korean Divinatory Prose-poetry : Transition and Development from Chŏng’s Predictions to Divinatory Prose-poetry

박병훈 ( Park Byoung Hoon )
  • : 서울대학교 종교문제연구소
  • : 종교와 문화 41권0호
  • : 연속간행물
  • : 2021년 12월
  • : 1-33(33pages)
종교와 문화

DOI

10.46263/RC.41.1.


목차

Ⅰ. 머리말
Ⅱ. 비결에서 비결가사로: 정감록과 동학
Ⅲ. 비결가사의전개: <궁을가>에서 『격암유록』까지
Ⅳ. 비결가사의 특성: 공공재로서의 비결
Ⅴ. 맺음말

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초록 보기

This paper aims to see how thoughts of Chŏng’s Predictions (鄭鑑錄) changes to divinatory prose-poetry (秘訣歌辭). The opportunity for this transformation was achieved through Eastern Learning (東學), and the thoughts of Chŏng’s Predictions are critically accepted and transformed and developed into the divinatory prose-poetry. Like the Chŏng’s Predictions, the divinatory prose-poetry is the prose-poetry that informs the time of danger in the future and suggests ways to get out of that danger. Divinatory prose-poetry suggests a new interpretation of the meaning of secret phrases or secret words hidden in the existing Chŏng’s Predictions. The theme and content of the divinatory prose-poetry are closely related to the secrets of the existing Chŏng’s Predictions. While accepting the prophetic signifier that is familiar and important to the popular audience, it goes through a process of appropriation that converts the signified into the content of the new religion. The divinatory poetry accepts and subverts the thought of Chŏng’s Predictions. The subject is the following divinatory prose-poetry: The Song of Kung-ŭl (弓乙歌), The Song of Gathering Medicinal Herbs (採芝歌), The Song of knowing to stop (知止歌), prose-poetry in Kyŏgamyurok (格菴遺錄). This thesis aims to estimate the writing date of these prose-poetry and investigate the transition and development process.

UCI(KEPA)

I410-ECN-0102-2022-200-000931088

간행물정보

  • : 인문과학분야  > 종교학
  • : KCI등재
  • :
  • : 반년간
  • : 1976-7900
  • :
  • : 학술지
  • : 연속간행물
  • : 1995-2022
  • : 345


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1970年代以後現代日本社會においては新宗敎を中心とした宗敎ブームが廣く生じたが, そのなかで特に注目すべき新しい現象としていわゆる「水子供養」を擧げることができよう。今日水子といえば一般に死産兒や落胎兒あるいは幼いときに死んだ子供たちをさす。從來水子供養に関する硏究の觀點は大きく三つの流れ, すなわち佛敎·神道·新宗敎などと結び付けて解釋する宗敎的な觀點, 落胎をめぐった女性の選擇權を强調するフェミニズム的な觀點, そして水子供養の商業的側面または豊かな社會における不安などの社會心理に焦点を当てる社會學的な觀點に區分できる。本考ではこれらのなか水子供養の宗敎的文脈やその意味に対する考察とあわせて文化論的な解釋を試みることにする. その際ことに傳統的な日本的地藏觀念および「賽の河原」に関わる民俗信仰との接點に注目する。先行硏究では「水子地藏」のことを当たり前の前提とするがゆえに「水子供養において地藏が重要な媒介として登場する脈絡は何か」あるいは「水子地藏が子供のイメージとして表象される理由は何か」ひいては「水子供養から伺えるような日本的感性は何か」というような問いに対しては殆んど問題にしていなかった。このような問題提起に基づく本考の目的は, まずは宗敎的文脈を中心に水子供養をめぐる様々な觀點をまとめてから, 日本的な地藏信仰と水子供養との關係を求め, しかも窮極的に水子供養においてあらわれてくるような獨特の日本的な感受性を「物の哀れ」という日本人の代表的な美意識と関連させて解明することにある.

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This paper investigates Merold Westphal's understanding of postmodernism, as well as how he appropriates it to religion, especially Christianity. In this study, I will: (1) explore Westphal's understanding and interpretation of postmodernism; (2) investigate Westphal's hermeneutics of finitude as a framework for appropriating postmodernism; and (3) critically consider how Westphal appropriates postmodernism to Christianity by introducing John D. Caputo's criticism of Westphal's understanding of postmodernism. In doing so, I will examine the meanings and limits of Westphal's thought. Ultimately, this study will provide a deeper understanding of Westphal himself as an important figure in the philosophy of religion in our time. This will enable a clearer reflection on the advantages and insights that religious believers and communities can gain when applying postmodernism to their religious faith and understanding.

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