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영남중국어문학회> 중국어문학> 解读朱天文<世纪末的华丽>中的女性服饰书写

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解读朱天文<世纪末的华丽>中的女性服饰书写

陆华湘
  • : 영남중국어문학회
  • : 중국어문학 88권0호
  • : 연속간행물
  • : 2021년 12월
  • : 147-165(19pages)
중국어문학

DOI


목차

Ⅰ. 绪论
Ⅱ. 服装符号的文学书写
Ⅲ. 朱天文女性服饰书写的原因
Ⅳ. 朱天文女性服饰书写的特点
Ⅴ. 朱天文女性服饰书写与人物形象的塑造
Ⅵ. 结论

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In the field of study of Chinese literature overseas, Taiwanese literature has been receiving the attention of scholars from the mainland and at home and abroad for its unique cultural connotation and unique aesthetic style. The development of women's novels in Taiwan is as follows: the1950 s was the foundation period of women's literature in Taiwan, most of them came from mainland China, the1960 s was the main part of modern literature wave of women's literature in Taiwan's women's consciousness began in1980 s. Thus, the new feminist literature in Taiwan plays an important role in the history of Taiwan's literary creation. In the late 1980s, Taiwan's socio-economic transformation took place, with Taipei showing a postmodern state of society, and the role of women in society changed accordingly. Women are no longer confined to raising children with their husbands at home, but they are beginning to enter society and work. In 1990, a collection of Zhu Tian's short stories, The End of the Century, was published, which contained 11 works, one of which bears the same name as the book. “Flamboyant at the End of the Century” was selected as one of the top 10 Chinese novels of the 20th century and won the 4th Newman Prize for Chinese Literature in the United States. The novel narrates the romance between Mia, the heroine's professional model, and her lover, Lao Duan. Chu Tien-wen wrote a modern version of a myth, an allegory, a story of two of the most typical professions in a metropolis in Taipei, and a delusional novel explaining the relationship between dress and body, appearance and substance, women and men. The author tries to explore the difference between Zhu and other contemporary writers' writing of women's clothing through textual descriptions of social phenomena. Women in dress are the main points of description in dress culture, and dress is closely connected to women and influences each other. From another point of contact, the author also summarizes the value and significance of Zhu Tianwen's writing by discussing the characteristics of women's clothing, the reasons for women's clothing writing, and the relationship between characters and characters' desire.

UCI(KEPA)

I410-ECN-0102-2022-700-000962140

간행물정보

  • : 어문학분야  > 중어중문학
  • : KCI등재
  • :
  • : 연3회
  • : 1225-083x
  • :
  • : 학술지
  • : 연속간행물
  • : 1980-2022
  • : 1820


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Problems that threaten humanity such as resource depletion, environmental pollution, ecosystem destruction, and abnormal climate are occurring simultaneously around the world. Not only that, as the war against the virus is prolonged, people's anxiety about an uncertain future society is increasing. Due to this, the narrative dealing with the oldest future world dystopia imagined by mankind, that is, a dark and imperfect world, is again the subject of discussion. Discussing the dystopian narrative that predicts the future and presents the agenda for the present dilemma is inevitable in the present situation.
Thus, this study examines the dystopia world of the Folding Beijing of Hao Jingfang, a Chinese science fiction novel. It won the 2016 Hugo Award for Best Novelette. A 'Folding Beijing' that separates space and time using cutting-edge technology is a world where clear inequality is revealed. It is also a world that does not show how the various ethical issues that can be revealed before and after the construction of the 'Folding Beijing' are solved in an instant, but can be reminiscent of totalitarianism that controls human thought and actions. This study paid attention to this point and analyzed why the world of Folding Beijing, except for space, has to be dystopia and whether construction of 'Folding Beijing' is possible in reality in connection with various phenomena currently revealed in Chinese society.

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6解读朱天文<世纪末的华丽>中的女性服饰书写

저자 : 陆华湘

발행기관 : 영남중국어문학회 간행물 : 중국어문학 88권 0호 발행 연도 : 2021 페이지 : pp. 147-165 (19 pages)

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In the field of study of Chinese literature overseas, Taiwanese literature has been receiving the attention of scholars from the mainland and at home and abroad for its unique cultural connotation and unique aesthetic style. The development of women's novels in Taiwan is as follows: the1950 s was the foundation period of women's literature in Taiwan, most of them came from mainland China, the1960 s was the main part of modern literature wave of women's literature in Taiwan's women's consciousness began in1980 s. Thus, the new feminist literature in Taiwan plays an important role in the history of Taiwan's literary creation. In the late 1980s, Taiwan's socio-economic transformation took place, with Taipei showing a postmodern state of society, and the role of women in society changed accordingly. Women are no longer confined to raising children with their husbands at home, but they are beginning to enter society and work. In 1990, a collection of Zhu Tian's short stories, The End of the Century, was published, which contained 11 works, one of which bears the same name as the book. “Flamboyant at the End of the Century” was selected as one of the top 10 Chinese novels of the 20th century and won the 4th Newman Prize for Chinese Literature in the United States. The novel narrates the romance between Mia, the heroine's professional model, and her lover, Lao Duan. Chu Tien-wen wrote a modern version of a myth, an allegory, a story of two of the most typical professions in a metropolis in Taipei, and a delusional novel explaining the relationship between dress and body, appearance and substance, women and men. The author tries to explore the difference between Zhu and other contemporary writers' writing of women's clothing through textual descriptions of social phenomena. Women in dress are the main points of description in dress culture, and dress is closely connected to women and influences each other. From another point of contact, the author also summarizes the value and significance of Zhu Tianwen's writing by discussing the characteristics of women's clothing, the reasons for women's clothing writing, and the relationship between characters and characters' desire.

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7명이동(名而動)구문의 화용 의미 분석

저자 : 박향란

발행기관 : 영남중국어문학회 간행물 : 중국어문학 88권 0호 발행 연도 : 2021 페이지 : pp. 167-187 (21 pages)

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This study analyzed the pragmatic meaning of the structure of 'nouner(而)-verb'. In this structure, nouns and verbs have the relationship of topic and comment, in which er(而) performs the role of scalar focus particle behind the topic.
Nouns in front of the er(而) acts as the extreme value of scalar, which is comprehensive. The structure of 'noun-er(而)-verb' can appear in both realistic and non-realistic situations, and has the meaning of concession with the negation of expectation.
In other words, since the attributes of the noun component are not consistent with what the speaker expects, twist, contrast, and emphasis are derived. The structure of 'noun-er(而)-verb' is the product of subjectification, which reflects the speaker's evaluation or emotion in a certain situation. Subjectification is connected to the subjectivity in the form of language, while subjectivity is also related to the the attribute of the noun component in front of er(而).
The higher the level of sentience in the noun in front of conjunction (而) gets, the higher speaker's empathy is, compared to the inanimate noun, when human-related animate noun appears. This makes speaker's evaluation or judgment more distinct than the delivery of objective facts.

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8구문문법으로 본 중국어 성어의 부사어, 보어 구문

저자 : 김영인

발행기관 : 영남중국어문학회 간행물 : 중국어문학 88권 0호 발행 연도 : 2021 페이지 : pp. 189-222 (34 pages)

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This study first identified the features of Chinese idioms that can only appear in adverbial position and Chinese idioms that can only appear in complement position, and the features of idioms that can appear in both adverbial position and complement position.
Based on this, I discussed the formation of typical adverbial idiom constructions and typical complement idiom constructions, also covered the expansion to atypical constructions.
Adverbial idiom constructions and complement idiom constructions basically form typical constructions by adopting idioms that match the semantic features of the constructions. Also, the constructions do not stop at forming the typical constructions, but expands to the atypical constructions. In other words, the constructions are expanded by adopting idioms whose lexical features are inconsistent with the features of the constructions, or extending the constructions in a way that do not inherit the prototypical features of the constructions. It can be seen that some idioms can appear in both adverbial and complement positions due to the expansion of constructions.

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9空间维度形容词“LONG/SHORT”的词汇类型学研究

저자 : 金采里

발행기관 : 영남중국어문학회 간행물 : 중국어문학 88권 0호 발행 연도 : 2021 페이지 : pp. 223-248 (26 pages)

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Drawing on the theoretical framework and methodology of the Moscow Lexical Typology Group (MLexT), this paper examines the usage of the basic meanings of the spatial dimensional adjectives “LONG/SHORT” in thirteen languages.
Among the thirteen languages investigated, the basic meanings of “LONG/SHORT” in all Asian and European languages can indicate the distance between any two points in space, including “one-dimensional linear objects”, “two-dimensional flat objects” and “three-dimensional objects with outstanding features”. This reflects the cognitive commonality of different countries from different regions and cultures. The basic meanings are the same in the thirteen languages, reflecting the stability of core vocabulary. However, when “LONG/SHORT” is used to describe a “three-dimensional object with an outstanding height”, there are differences among the thirteen languages. In Asian languages, “LONG/ SHORT” cannot describe “stature” except for Mongolian and Indonesian. In Indonesian, only “SHORT” can be used to describe “stature”, while in Mongolian, both “LONG/SHORT” can be used to describe it. Except for English, almost all European languages can use “LONG/SHORT” to describe “stature”. In English, only “SHORT” can be used to describe “stature”.
We have thereby demonstrated cross-linguistic semantic commonalities and verified the feasibility and applicability of the MLexT theory in lexical typology. Meanwhile, the differences between different languages in different regions and the same region also reveal the differences in the socio-cultural context of human cognition.

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10중국 고대의 올빼미 이미지에 대한 소고(小考)

저자 : 이연주

발행기관 : 영남중국어문학회 간행물 : 중국어문학 88권 0호 발행 연도 : 2021 페이지 : pp. 249-275 (27 pages)

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In this paper, we tried to investigate the images on owl in ancient China through the examination of literature and language as well as by way of the study of unearthed wares. For the Neolithic period and the Shang dynasty, when the documents did not exist or were rare, we followed the owl image by way of wares unearthed, and for the West Zhou and subsequent era we examined the literature and the language. For the study, we have added a short introduction on owls and its appearance in human history.

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