논문 상세보기

영미문학연구회> 안과밖> 『길 위 1번지』, AI 제임스의 소설 : 「소설의 기술」과 인공신경망 알고리즘의 글쓰기

KCI등재

『길 위 1번지』, AI 제임스의 소설 : 「소설의 기술」과 인공신경망 알고리즘의 글쓰기

1 the Road, a Fiction by AI James?: “The Art of Fiction” and Writing by Artificial Neural Networks

윤미선 ( Yun Misun )
  • : 영미문학연구회
  • : 안과밖 50권0호
  • : 연속간행물
  • : 2021년 05월
  • : 124-154(31pages)
안과밖

DOI

10.46645/inoutsesk.50.4


목차

1. 들어가며
2. 굿윈의 창작기계의 구성과 인상주의 서사
3. 「소설의 기술」에 담긴 인공신경망 알고리즘
4. 인공신경망의 시각중심주의와 「소설의 기술」의 회귀적 수정
5. 맺으며

키워드 보기


초록 보기

This article explores the implications of 1 the Road (2018), a fiction produced by an artificial neural network, for the debate on machine creativity. Unlike most of the recent deeplearning writing programs, its creator Ross Goodwin traveled with this neural network machine from New York to New Orleans in a Cadillac equipped with a surveillance camera, a voice recognizer, and GPS. The AI thus had continuous feeds of fresh images and sounds, not unlike a novelist who hits the road searching for an experience. I argue that we can better understand this attempt of 1 the Road when discussed alongside Henry James’s realist notion of fiction in his essay “The Art of Fiction” (1884). Even though James is often considered an arch-humanist in his belief that fiction is an expression of the unique personality of a novelist, his idea of experience offers a way of understanding Goodwin’s machine as a creative writer. Its algorithmic operation―processing the new sense data via the CNN algorithm and producing the result as writing via the RNN algorithm―is strikingly similar to the workings of the novelist’s mind in James’s view. I do not argue that those sense data are unmediated, and this fact is reflected in the CNN’s algorithm that imitates the human mind. In fact, James asserts that sensory data are the result of mediated selection, which can only be seen through the final result, the writing itself. What I propose is that regardless of whether the machine has a so-called “consciousness,” its writing can affect the reader in similar ways as does a text written by a human being. As long as it works as a linguistic medium to relate the “experience,” which is the algorithmic process of selection and transcription, it is a creative writer.

UCI(KEPA)

I410-ECN-0102-2022-800-000525575

간행물정보

  • : 어문학분야  > 영문학
  • : KCI등재
  • :
  • : 반년간
  • : 1226-3761
  • : 2765-5695
  • : 학술지
  • : 연속간행물
  • : 1996-2022
  • : 948


저작권 안내

한국학술정보㈜의 모든 학술 자료는 각 학회 및 기관과 저작권 계약을 통해 제공하고 있습니다.

이에 본 자료를 상업적 이용, 무단 배포 등 불법적으로 이용할 시에는 저작권법 및 관계법령에 따른 책임을 질 수 있습니다.

53권0호(2022년 11월) 수록논문
최근 권호 논문
| | | |

KCI등재

1디지털 시민성과 21세기 공적 영역

저자 : 임동균 ( Im Dong-kyun )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 12-39 (28 pages)

다운로드

(기관인증 필요)

초록보기

This essay investigates the characteristics of the contemporary public sphere and offers suggestions for enhancing digital citizenship in today's platform society. It underscores the irony that, despite the vast expansion of the public domain, democracy has declined in most contemporary democracies. This paper suggests that the current public sphere is distinguished by four features, including democratic openness, fragmentation, homogenization, and mediatization, and provides explanations for each. It also explains how fragmentation, homogenization, and mediatization contribute to anti-democratic tendencies in the online public sphere. This paper then investigates the concept of digital citizenship and proposes methods for democratizing the online public sphere by utilizing individuals' digital citizenship. In addition, strategies for promoting digital citizenship in education are discussed. It emphasizes the necessity to create and bolster the forces of de-automatization in order to combat the pernicious effects of computational capitalism and the pervasive influence of online platforms by fostering digital citizenship. The paper emphasizes the significance of exposing students to carefully designed democratic interactions using online platforms in alternative ways within the context of educational settings. The paper employs Bernard Stigeler's philosophy of technology and Luc Boltanski's pragmatic sociology for discussion.

KCI등재

2이등시민의 반격 잉글랜드의 의붓딸들과 이대녀

저자 : 김부성 ( Kim Boosung )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 38-60 (23 pages)

다운로드

(기관인증 필요)

초록보기

This paper discusses the ways in which Virginia Woolf's discussion of female citizenship in her 1938 polemical essay Three Guineas speaks to women in their twenties, or Idaenyo, abbreviated from Isipdaeyoja, in South Korea. Recently, Korean media have paid attention to the emergence of women in their twenties as meaningful voters that have an impact on the domestic political scene. Even if this attention indicates the nation's unprecedented gesture to interpellate young women as political subjects, identifying them as a homogeneous group seems erroneous. In Three Guineas, written after women's suffrage was accomplished, Woolf discloses the limitations on women's right to vote and touches upon various controversial issues regarding female citizenship: civic rights and duties, belonging and exclusion, political participation and indifference, and national citizenship and global one. Understanding how a nation-state conceives female citizenship, Woolf represents women of the educated class as “step-daughters of England” to underscore their implicitly excluded subject position and proposes a radical vision for their political influence in the form of indifference and their deliberate denial of national citizenship. I argue that both “step-daughters of England” in Three Guineas and young women in South Korea reveal second-class citizens' self-awareness about their political agency that surpasses national boundaries. Acknowledging the complexities of gender-based conflicts in current Korean society, I conclude that Woolf anticipates the educated women's dilemma as national subjects and suggests alternative ways of exercising their political agency.

KCI등재

3나르꼬스, 슬럼, 그리고 빗장 공동체 21세기 라틴아메리카 도시공간의 재구성과 배타적 시민권

저자 : 박정원 ( Park Jungwon )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 59-88 (30 pages)

다운로드

(기관인증 필요)

초록보기

This essay to explores the urban landscape of the 21st century Latin America, marked by the massive expansion of informal sectors and drug industry that, in turn, foreground in the explosion of violence and fear across the continent. Also, it examines how the meaning of citizenship has been changed and the ways citizens are divided and polarized in accordance with the creation of new urban spaces: “slum” and “gated community.” Two films, Ciudade de Deus (2002) and La zona (2007), tell the stories of Rio de Janeiro's favela and Mexico City's gated community respectively, visualizing the urban ecologies riddled with by inequality, alienation, and hierarchy among members of the city. Slum is an overcrowded residential area inhabited by underprivileged, while gated community refers to affluent neighborhoods that maintains controlled access and walled boundan'es. These films demonstrate how the two spaces are entangled and embeded in the neoliberal transformation, contributing to the distribution of violence and the formation of exclusive citizenship.

KCI등재

4시코랙스와 미란다 사이 메리 시콜의 시민권 서사 실험

저자 : 설연지 ( Sol Yon Ji )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 87-111 (25 pages)

다운로드

(기관인증 필요)

초록보기

After more than a century of obscurity, the Jamaican nurse and Crimean war-hero Mary Seacole is now widely recognized as a figure of global importance in the wake of COVID-19 and the Black Lives Matter Movement. A biracial British woman born between a Scottish father and a Jamaican mother, Seacole published in 1857 an autobiography-travelogue titled Wonderful Adventures of Mrs Seacole in Many Lands. Emphasizing the indispensability and importance of Transatlanticism as a methodology in studying a Caribbean-born colonial subject such as Seacole, this paper draws upon recent scholarship of nineteenth-century American literature on citizenship to investigate the way Seacole makes an intervention into the dominant British national narrative of the nineteenth-century. In doing so, it turns to the hitherto neglected references and connection to William Shakespeare in Wonderful Adventures. Shakespeare's The Tempest serves as the major intertext in this paper's examination of the way Seacole subtlely yet powerfully revises and appropriates the narrative tradition around the female witch-healer with a dark complexion in her demand for a fuller British citizenship. Sir Walter Scott's Guy Mannering (1815) and Ivanhoe (1819) are discussed as texts presenting more recent versions of witch-healers of non-English origin with whom Seacole's contemporaries were familiar.

KCI등재

5순수 적대공간의 조건 라끌라우와 한국의 영속적 위기 상태

저자 : 박이대승 ( Park Daeseung )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 111-141 (31 pages)

다운로드

(기관인증 필요)

초록보기

This article aims to conceptualise characteristics of South Korean politics and society, by elaborating the concept of “pure space of antagonism”. This concept is a result of critical readings and interpretations of Ernesto Laclau's texts about “empty signifiers” and populism. We define it as an abstract state in which external conditions of antagonism, especially what Laclau called “institution” and “conceptual determination,” are completely removed. South Korean social fields that are close to such a state, reveal an extreme form of social antagonism, the effects of which were not expected by Laclau. He considered antagonistic frontiers as an essential condition for the formation of “the people” who stand against an oppressive, hierarchical or not-well-structured institutional system. However, this article focuses on the destructive effects of the pure space of antagonism, which are made when a non-antagonistic political community disappears or it is not separated from social antagonism. Antagonistic frontiers can constitute the people against elites and, as we can see in South Korea, they can also make an underdog exclude other underdogs or minorities. Therefore, we must establish a space proper to institutionalised politics, which does not depend upon antagonistic and hegemonic space.

KCI등재

6영화 다양성과 포용의 역량 키우기 넷플릭스와 BFI 영화정책을 중심으로

저자 : 조혜영 ( Cho Hyeyoung )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 140-169 (30 pages)

다운로드

(기관인증 필요)

초록보기

This article examines the strategies for diversity and inclusion practiced by Netflix and the British Film Institute(BFI) as two of the most influential cases. My argument is that Netflix uses diversity as a tool for making surplus value in the global pop culture market while the BFI's Diversity Standards is universally applicable to enhance socio-cultural diversity. Netflix's niche project to embrace diversity does not limit its scale to specific minority groups but targets the larger multiracial and multicultural global market. However, it is necessary to examine whether Netflix's representation of diversity and inclusion actually promote the local and/or ethnographic diversity. In addition, personalized recommendations and thumbnail images that are tailored to subscribers' viewing history are problematic in that they make them look more diverse than they actually are, hiding their algorithmic biases or stereotypes. Meanwhile, the BFI has established the Diversity Standards which all applicants for public funding must satisfy. Unlike the standards for specific funds allocated to underrepresented groups, the BFI's Diversity Standards is a qualification that all applicants should meet and thus offers the minimum criteria for practicing equality and fostering a capability for diversity in cinema. The Diversity Standards is meaningful in that it provides a new frame for breaking away from meritocracy or reverse discrimination stigma.

KCI등재

7안데스의 수막 까우사이와 아이유 조화와 공존

저자 : 김윤경 ( Kim Yoonkyung )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 168-192 (25 pages)

다운로드

(기관인증 필요)

초록보기

The idea of ecological civilization is of growing importance as an antidote to the crisis of capitalism facing all humanity in today's society. Ecological civilization aims at the mode of life in which humans live in harmony with the natural world, recognizing the shared proprietorship of both. Therefore, communitarianism, that is, a communal way of life, mathers in such a mode of life and hence the need to shed new light on Sumak Kawsay (buen vivir) of the indigenous people in the Andes of Latin America. In the age of the Inca Empire, the Andean indigenous people sought to realize Sumak Kawsay they sought in their community, which they called ayllu. It meant respect for the natural would, which they called pachamama; moreover, it extolled the mutual harmony of nankind and nature. They lived a communal life of sharing land and exchanging labor, although the transactions within ayllu were based on realistic needs, and were accompanied by coercion and punishment. Clearly this forms a stark contrast to life in today's capitalist society where competition, discrimination and hatred dominate. The life of the Andean indigenous people, which seeks coexistence with nature and cooperation among community members, is worth noting particularly as a new alternative to the life under capitalism.

KCI등재

8자연과 사회의 관계 다시 생각하기 인간주의, 포스트휴머니즘, 자연주의 논쟁

저자 : 서영표 ( Seo Young-pyo )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 192-226 (35 pages)

다운로드

(기관인증 필요)

초록보기

This paper criticizes the modern paradigm of knowledge in terms of the relations between nature and society. Firstly it focuses on the debate on human capacities within natural limits between two theoretical realists Ted Benton and Kate Soper. Soper argues that, while accepting that the human-being is a natural being as well as a social one, we have to underline the unique capacities of the human-being to change the existing consumerist capitalism which has jeopardized our planet. In replying to it, Benton suggests that we can explore the cultural and historical capacities of the human-being from a perspective of non-reductionist naturalism. Synthesizing this tension in a productive way, we can reach to the conclusion that the human-being bound to the historical and cultural limits could possibly change them when experiencing the biological and natural limits within it. From the position of Benton and Soper, post-humanism and new materialism might be an over-reaction to dualism of nature and society forced by the era of ecological crisis. Importantly, they fails to explain the historical conditions as a historical combination of natural limits and society and to derive a political direction from it. This paper acknowledges an ethical-normative attitude of new materialism and posthumanism as persuasive, but tries to produce a new paradigm of knowledge for a political project to realize ethical-normative hope. This new paradigm, while being epistemologically open, never gives up a possible rational discussion and deliberation, which is distancing from epistemological relativism.

KCI등재

9한국 고등교육과 학문의 도약을 위한 실마리 기초학문 학술정책과 「기초학술기본법」

저자 : 김명환 ( Kim Myung-hwan )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 225-248 (24 pages)

다운로드

(기관인증 필요)

초록보기

This paper tries to discuss why it is important to pass “the Framework Act on Humanities, Social Sciences, and Natural Sciences”―a bill that will promote balanced development of different academic disciplines. Policy-makers in Korea have always put priority on science and technology to carry out “fast follower strategies” since the early 1960s, a successful national policy for decades. Since Korea is no longer a developing country, however, we must hurry to overcome “fast follower model.” The introduction of the new law will enable us to adopt “first mover model” and address urgent challenges of humanity including climate crisis, providing consistent, long-term academic policies not only for humanities and social sciences, but also for basic sciences struggling with the government's lop-sided support for applied sciences and technology.

KCI등재

10현대 미국 아방가르드 시학에 대한 비판적 고찰

저자 : 박서영 ( Park Seoyoung )

발행기관 : 영미문학연구회 간행물 : 안과밖 53권 0호 발행 연도 : 2022 페이지 : pp. 247-274 (28 pages)

다운로드

(기관인증 필요)

초록보기

This paper provides a critical examination of the twentieth-century poetic avant-garde, a broadly radical and innovative aesthetic practice that constitutes an important contribution to the development of modern and contemporary American poetry. This study was motivated by the recognition that Conceptual poetry, a contemporary culmination of appropriation art, not so much embodies a provocative and progressive subversion of the hegemonic norms and values as represents artistic mediocrity and moral laxity of increasingly reified and alienated avant-garde poetics. Rooted in experimental modernism of the early twentieth century and the New American Poetry of the 1950s/60s, American avant-garde poetry has developed a distinct poetic lineage, offering a powerful corrective to the privileged lyric tradition and simultaneously serving as a critique of culture and ideology. However, I argue that twentieth-century avant-garde poetics has also exposed limits and pitfalls in its formation and promotion of the collectively prescribed aesthetic vision as well as inevitable blind spots and biases particularly concerning the issues of gender and race. Finally, this paper aims at suggesting the need to move beyond the reductive dichotomies between hegemony/revolution, conformity/oppositionality, and tradition/experimentation that have been normalized by the radical rhetoric of the avant-garde and to find “what will suffice,” to borrow Wallace Stevens' words, in the new era marked by unprecedented existential challenges.

12
권호별 보기
같은 권호 다른 논문
| | | | 다운로드

KCI등재

1팬데믹, 대학, 그리고 『안과밖』

저자 : 성은애

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 14-20 (7 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기

KCI등재

2『안과밖』의 현재와 미래지속가능성의 모색

저자 : 이미영

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 21-25 (5 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기

KCI등재

3『안과밖』 50호 출간을 맞는 단상들

저자 : 유희석

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 26-36 (11 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기

KCI등재

45년간의 『안과밖』 경험

저자 : 손일수

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 37-43 (7 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기

KCI등재

5트럼프의 '위대한 미국'과 조지 플로이드 사건을 읽는 하나의 방법 : 『로빈슨 크루소』의 섭리론과 식민주의

저자 : 이성호 ( Lee Sungho )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 46-80 (35 pages)

다운로드

(기관인증 필요)

초록보기

The former U. S. President Donald Trump's well-known motto, “Make America Great Again,” while invoking the authority of America's Manifest Destiny, works as a rallying cry for American Exceptionalism. With such conservative nationalism, Trump poses himself as a bastion of Christianity and law, whose rightful enforcement is exemplified by the brutal military suppression of the Black Lives Matter Movement nationwide. To trace back to the origin of how Trump's Evangelical rhetoric serves to legitimize American Exceptionalism and institutionalized racism, this paper revisits one of the eighteenth-century Protestant spiritual autobiographies and overseas colonial adventure stories, Daniel Defoe's Robinson Crusoe.
Just as Trump turns to the Evangelical mission for the jingoistic self-definition of who Americans are, Defoe's classical work reappropriates Protestant Providentialism in order to flesh out England's nascent imperial ideals. Trump's exceptionalism resuscitates the America's by masquerading it as the accepted norms of American democracy. In a very similar vein, Defoe's narrator deviates from the conventional structure of tensions intrinsic to Spiritual Autobiography and Early Modern adventure narratives, the conflicts between free will and God's ways, original sin and redemption, colonialism and cannibalistic threat. Crusoe ultimately tilts the balance in favor of his egocentric construal of Providence and unabashedly cracks the mysteries of divine will in order to justify his imperial desire and British Exceptionalism. Crucial to Crusoe's egoistic turn, this paper argues, is the role of Friday, whose voluntary and willing embracement of Crusoe's cultural imperialism frees the protagonist from the ethical burdens of such a unilateral exceptionalism.

KCI등재

6다락의 경계 넘기 : 해리엇 제이콥스의 『어느 노예 소녀의 삶에 벌어진 사건들』을 중심으로

저자 : 박지은 ( Park Jieun )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 79-102 (24 pages)

다운로드

(기관인증 필요)

초록보기

This paper examines the representation of the garret in Harriet Jacobs's slave narrative Incidents in the Life of a Slave Girl (1861). Applying Arnold van Gennep and Victor Turner's framework with specific focus on the liminal or marginal period in rites of passage, I argue that Incidents is an autobiographical slave narrative that highlights the danger of being a fugitive and thus the difficulty of becoming a freeman. As the narrative centers on Jacobs' almost seven years of experience in the garret, the ambiguous and unstable status of a fugitive slave in “betwixt and between” is clearly underlined. By turning her garret into a political space to manipulate the master, and breaking the taboos on a Christian woman, Jacobs attempts to protest and subvert the white male society and contests the boundaries of race, gender, and class. The garret thus functions as a haven and the site of retreat and resistance for Jacobs, however, it does not guarantee her to further step into the postliminal period for incorporation and becoming a freeman. Difficulty of being aggregated into a white society and abnormal extension of the liminal period reflect the suffering of colored people not only in Jacobs' America but also in today's when we still shout out “Black Lives Matter!”

KCI등재

7보이지 않는 하얀 손에 대항하여 : 연극 「김씨네 편의점」의 한흑관계 다시 쓰기

저자 : 나은하 ( Na Eunha )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 101-124 (24 pages)

다운로드

(기관인증 필요)

초록보기

In light of the latest Black Lives Matter movement, this essay revisits the convoluted Afro-Korean history in the U.S. that culminated in the 1992 Los Angeles riots to rethink the meaning of solidarity in the context of racial capitalism. The unprecedented global movement towards transnational and cross-racial alliances has evoked the history of racial triangulation and mutual struggle under white supremacy, as the two racial minorities have vied for political and cultural citizenship. Korean-Canadian writer Ins Choi's 2011 stage play Kim's Convenience offers a contemporary Korean American perspective on the changing contours of the Afro-Korean relationship at a time when previous forms of race-based community disintegrate following the logic of individual success and upward mobility. Set in a small corner store owned by a first-generation Korean immigrant located in a rapidly gentrifying neighborhood in Toronto, mundane interactions between the Kims and black customers remind the audience of particular racial perceptions and relationships that operate in this historically charged space within the American cultural imagination. As the play progresses, the Korean-owned convenience store becomes a performative site of transformation where racial histories are evoked and can be reimagined. Kim's Convenience asks that we move beyond the racial past and envision a collective future against structural racism that persists in the form of transnational corporate capitalism.

KCI등재

8『길 위 1번지』, AI 제임스의 소설 : 「소설의 기술」과 인공신경망 알고리즘의 글쓰기

저자 : 윤미선 ( Yun Misun )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 124-154 (31 pages)

다운로드

(기관인증 필요)

초록보기

This article explores the implications of 1 the Road (2018), a fiction produced by an artificial neural network, for the debate on machine creativity. Unlike most of the recent deeplearning writing programs, its creator Ross Goodwin traveled with this neural network machine from New York to New Orleans in a Cadillac equipped with a surveillance camera, a voice recognizer, and GPS. The AI thus had continuous feeds of fresh images and sounds, not unlike a novelist who hits the road searching for an experience. I argue that we can better understand this attempt of 1 the Road when discussed alongside Henry James's realist notion of fiction in his essay “The Art of Fiction” (1884). Even though James is often considered an arch-humanist in his belief that fiction is an expression of the unique personality of a novelist, his idea of experience offers a way of understanding Goodwin's machine as a creative writer. Its algorithmic operation―processing the new sense data via the CNN algorithm and producing the result as writing via the RNN algorithm―is strikingly similar to the workings of the novelist's mind in James's view. I do not argue that those sense data are unmediated, and this fact is reflected in the CNN's algorithm that imitates the human mind. In fact, James asserts that sensory data are the result of mediated selection, which can only be seen through the final result, the writing itself. What I propose is that regardless of whether the machine has a so-called “consciousness,” its writing can affect the reader in similar ways as does a text written by a human being. As long as it works as a linguistic medium to relate the “experience,” which is the algorithmic process of selection and transcription, it is a creative writer.

KCI등재

9근대 초기 영국 희곡의 국외 연구동향 : 여성과 극장을 중심으로

저자 : 정유미 ( Jung Youmi )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 153-177 (25 pages)

다운로드

(기관인증 필요)

초록보기

This paper surveys recent studies in early modern English drama with a focus on women's active involvement in the seventeenth-century dramatic production and theater culture. Questioning the powerful cultural paradigm of “the English all-male stage,” critics of the late 1990s called for a need to revise the literary and theater history that had largely excluded women. While feminist critics have brought to our attention how early modern women's literary activities were neglected in the literary criticism, their revisionist projects of discovering women writers comparable to Shakespeare or Jonson fail to account for the women's more extensive contribution to early modern drama and theater culture. In the recent scholarship, the notions of women's dramatic production and theatricality have been considerably expanded to include non-commercial dramatic genres and women's diverse roles and their work in and out of the theater. Pointing out how women thrived in some dramatic genres such as translation, closet drama, and household drama, critics have emphasized the interconnectedness between women's “private” drama and a variety of theatrical traditions and dramatic forms in commercial, public theater. Early modern women's theatricality has also been broadly expanded to reexamine the significance of women's court and street performances, French and Italian actresses in London streets, and women's off-stage or on-page contributions to early modern dramatic literature and performance. Such interdisciplinary efforts have uncovered a diverse range of female theatrical activities beyond the single-sex playhouse stages, which has changed our understanding of early modern drama including the plays of Shakespeare and other canonical authors.

KCI등재

10제국의 시민권 : 2020년과 19세기 영국문학 연구

저자 : 설연지 ( Sol Yon Ji )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 176-200 (25 pages)

다운로드

(기관인증 필요)

초록보기

This essay examines recent scholarship on imperialism and citizenship in nineteenth-century British literature. Against the backdrop of the coronavirus pandemic and the Black Lives Matter Movement of 2020, events that prompted worldwide discussions on citizenship rights and racial (in)justice, this essay interrogates the relative scarcity of scholarship on citizenship in the subfield of nineteenth-century British literature. Drawing on the postcolonial insight of the North American journal Victorian Studies's widely-discussed special issue for Spring 2020 titled “Undisciplining Victorian Studies,” this essay argues that studies on nineteenth-century citizenship requires an interdisciplinary approach connecting the achievements of diverse disciplines encompassing history, political science, sociology, and more. In the nineteenth century, the British people understood themselves as “British subjects” rather than citizens, which was not yet a concept fully legally embraced though the definition of citizenship was being actively developed in other contexts. Historically, discussions of British national citizenship focused on suffrage, which inevitably emphasized class as the central question. This essay proposes that gender and race deserve more scholarly attention, especially through an expanded understanding of a British imperial citizenship that can encompass more kinds of social belonging beyond the right to vote. The essay concludes by raising the the question of academic citizenship in order to highlight the importance of the inclusion and participation of scholars from both formerly colonized parts of the world and outside the British Empire.

123
주제별 간행물
간행물명 최신권호

KCI등재

영어영문학연구
48권 4호

KCI등재

미국소설
29권 3호

KCI등재

안과밖
53권 0호

KCI등재

영어영문학21
35권 3호

KCI등재

영미문학페미니즘
30권 2호

SCOUPUS

영어영문학
68권 3호

KCI등재

현대영미소설
29권 2호

KCI등재

현대영어영문학
66권 3호

KCI등재

근대영미소설
29권 2호

KCI등재

영어권문화연구
15권 2호

KCI등재

영어영문학연구
48권 3호

KCI등재

미국소설
29권 2호

KCI등재

D. H. 로렌스 연구
30권 1호

KCI등재

영어영문학21
35권 2호

KCI등재

제임스조이스 저널
28권 1호

SCOUPUS

영어영문학
68권 2호

KCI등재

현대영미시연구
28권 1호

KCI등재

현대영어영문학
66권 2호

KCI등재

18세기영문학
19권 1호

KCI등재

영미문학연구
42권 0호
발행기관 최신논문
자료제공: 네이버학술정보
발행기관 최신논문
자료제공: 네이버학술정보

내가 찾은 최근 검색어

최근 열람 자료

맞춤 논문

보관함

내 보관함
공유한 보관함

1:1문의

닫기