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중국어문학회> 중국어문학지> 중국의 코로나19 사태와 사회 체제의 신뢰 위기

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중국의 코로나19 사태와 사회 체제의 신뢰 위기

China’s COVID-19 Epidemic and a Crisis of Trust in the Social System

金震共 ( Kim Jingong )
  • : 중국어문학회
  • : 중국어문학지 72권0호
  • : 연속간행물
  • : 2020년 09월
  • : 209-237(29pages)
중국어문학지

DOI


목차

1. 왜 우한에서 ‘폭발’했는가?
2. 무엇이 불신을 키웠는가?
3. 인민은 무엇에 분노하는가?
4. 어떻게 극복하려 하는가?

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The COVID-19 epidemic, which began to spread from China’s Wuhan, illustrates why social trust is important in times of crisis. The purpose of this paper is to examine how the problem of the lack of social capital of trust has been amplified in China in recent years through the COVID-19 epidemic that exploded in Wuhan, and how it intensifies the crisis of the social system. The unstable response of China’s central and local governments in the event of a COVID-19 epidemic highlights the problems that are deepening in the Chinese political system since Xi Jinping took power. In addition, the process by which the Chinese community responds to the confusion caused by the COVID-19 epidemic shows how China’s social system is changing. 
The Communist Party and the government of China considered improving the national image damaged by the COVID-19 epidemic as a priority, but what the Chinese people urgently need to overcome the life crisis caused by the COVID-19 epidemic is rebuilding the social system, including collapsed base administration and medical and welfare services, safely restarting suspended economic activities, and restoring damaged trust in the social system. Overall, it is an important issue for Chinese society to not only restore collapsed social governance to its original state but also actively reform the problems of social governance revealed by the COVID-19 epidemic. In the wake of the COVID-19 epidemic, China has come to realize the need for social governance reform, and it has confirmed that the reform should start with the reform of the community system in the grass-root society.

UCI(KEPA)

I410-ECN-0102-2021-700-001342333

간행물정보

  • : 어문학분야  > 중어중문학
  • : KCI등재
  • :
  • : 계간
  • : 1226-735x
  • : 2672-1031
  • : 학술지
  • : 연속간행물
  • : 1994-2021
  • : 1142


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1白居易 哀悼詩 小考 ― '隨感遇'와 '直'에 따른 直說的인 말하기 방식을 중심으로

저자 : 李修禎 ( Lee¸ Soojeong )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 7-36 (30 pages)

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The purpose of this study is to investigate the poetic expression of the Elegy(aidaoshi) of Bai Ju Yi, based on 'suiganyu(隨感遇)' and 'zhi(直)', which means straightforward expression.
The expression mode of Elegy can be categorized in three phases. The first phase is the emphasis on narrativity. After the An-Shi rebellion in China occurred in the year 756, the literary environment has drastically changed. Poets were trying to express their emotion by narrativity, Bai Ju Yi was a key figure in this trend. He was trying to describe his emotion in step with passing time. He also constructed certain type of completed story-telling, which is not common in the traditional lyric poetry. The second phase is to express their straightforward feelings. His elegy poems were trying to avoid formal style and to express straight feeling in plain words. Logical disorder in his poems is due to straightforward feeling expression. The third phase is to express ego-oriented emotions. It is also a mode of emotion expression. This expression emphasizes there own sorrow feelings caused by the dead.
In conclusion, these three phases have different rhetorical techniques, which are not familiar with the classical literature. Accordingly, this research gives a chance to re-evaluate Bai Ju Yi's literary works.

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2南宋代 食譜 『山家淸供』에 대한 기초적 탐색

저자 : 鄭世珍 ( Jung¸ Sejin )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 37-72 (36 pages)

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'Shipu(食譜)' describes the system and history, various ingredients and recipes of the food. 'Shipu' has been compiled in earnest from the Song Dynasty. In this paper, 『Shanjiaqinggong(山家淸供)』, the most important source of information of the Southern Song Dynasty, was studied. In addition, a basic exploration of the book was conducted to examine the old recipes and food culture of China. 『Shanjiaqinggong』 was written by Lin Hong(林洪) lived in the Southern Song Dynasty and various editions of this book remain. 『Shanjiaqinggong』 has the following characteristics: First, this book has characteristics and value as a culinary manuscripts. This is because there are the diversity of food ingredients, the specificity and variety of cooking methods, the connection between meals and curing, traces of the Southern Song Dynasty vegetarian culture, and traces of the Southern Song Dynasty royal cuisine. Second, it connects food with literature by quoting literary works related to food. Third, it reflects local people and food culture of the Fujian(福建). In short, 『Shanjiaqinggong』 is a culinary manuscripts that must be studied for the study of old food and a material that should be used for the study of social culture in the Southern Song Dynasty.

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3『三國演義』에 나타난 虛構와 眞實의 矛盾性 硏究

저자 : 閔寬東 ( Min¸ Kwan-dong )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 73-102 (30 pages)

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“Romance of Three Kingdoms” analysis of fiction and truth is accessible from two perspectives. One is fiction and truth from a historical point of view, the other is the composition and description techniques.
From a historical point of view, the key point of fiction and truth is that reconstructing content from the perspective of '蜀漢正統論' and '擁劉貶曹'. However, '擁劉貶曹' in “Romance of Three Kingdoms” was not represented in a way that only advocates liu-bei and derogates Cao-Cao. Zhuge-Liang and Guan-Yu, the follower groups of liu-bei, as well as zhang-fei and zhao-zi-long all got incidental benefits. Apart from '擁劉貶曹', the literary value of “Romance of Three Kingdoms” has been sublimated into an artistic level by adding the fiction of the novel. Furthermore, the reconstruction of the fiction that takes commerciality into account, it has become one of the best sellers in East Asia as well as in China today.
Other compositional and descriptive fiction and truth problems have caused problems such as content composition and descriptive technical errors, and contradictions. The type is roughly classified into five types. In other words, various contradictions emerged, including literary anachronisms, contradictions in logic and composition, errors in expression and description techniques, human and character relations, public posts and names. Most of these technical errors have been appeared in the limitations of the author's knowledge or in temporary mistakes in the work process.

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4화장품을 통해 본 명대(明代) 여성의 생활과 문화

저자 : 金芝鮮 ( Kim¸ Jiseon )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 103-127 (25 pages)

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This paper is intended to analyze the life and culture of women in Ming Dynasty through cosmetics. During the traditional Chinese period, beautiful women were recognized as the source of disaster, and taking care of one's appearance was considered a negative act. Ugly but virtuous women were revered, and it was considered important to build inner virtue rather than appearance. For this reason, cosmetics were not something to be openly interested in.
As Encyclopedias for Daily Use became popular in the Ming Dynasty, the contents related to cosmetics began to be included in Encyclopedias for Daily Use. It included not only cosmetics but also hygiene products that tried to take care of the entire body healthily. The beauty of women in men's eyes was weakness, but women began to care about their bodies and pursue healthy beauty. The beauty that Ming Dynasty's women sought was not mentioned in the literature of Male literati, which allows a richer understanding of women's lives through cosmetics-related records.

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5『서유기』 여인국 서사의 현대적 변용과 의미 ― 영화 < The Monkey King 3: 西游記 女兒國 >을 중심으로

저자 : 宋貞和 ( Song¸ Jung-hwa )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 129-162 (34 pages)

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A main purpose of this study is to examine the modern acculturalization in a story of the ancient Chinese Kingdom of Women and analyze the meaning of a film < The Monkey King 3: The Journey to the West(西游記)·Kingdom of Women(女兒國) >.
Chapter 2 summarized the genealogy of the women's kingdom, from ancient mythical book < Shanhaijing(山海經) > to the novels of the Ming and Qing Dynasties, and revealed that the images of women in a film < The Monkey King 3: The Journey to the West·Kingdom of Women > have changed to independent and contemporary images.
In Chapter 3, a film < The Monkey King 3: The Journey to the West· Kingdom of Women > borrowed multinational images of the United States and Japan, which were linked to China's intention to recognize traditional culture as an important national value and foster it as a global brand power. In addition, the representation of kingdom of women as minority race's image of China in < The Monkey King 3: The Journey to the West·Kingdom of Women > also revealed that it was connected to the great unity and revival of China that emphasized by China.
Finally, this paper pointed out a recent phenomenon of Chinese films interpreting classical works from an ecological perspective, and analyzed that this was a cultural strategy for China, which was criticized by the world in the past, to break away from stigma and become a global country.

KCI등재

6李贄『孫子參同』著述考

저자 : 金惠經 ( Kim¸ Hyekyung )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 163-193 (31 pages)

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SuntzuCantong is the work that LiZhi wrote the draft when he was living in the Zhipoyuan temple in Macheng, Hubei Province, and completed when he visited the Datong in S hanxi Province in 1597 at the invitation of his best friend MeiGuoZheng.
This book is an explanatory note of the Suntzu's Art of War, and it consists of four parts: the original text, CaoCao's commentary, LiZhi's discussion, and Reference, which contains all the other military books except for Suntzu's Art of War.
The name Chantong is a singularity of the book, which means that it has been gathered in one place for reference. This 'reference' section covers all the main contents of the Seven Military Classics and is presented as a specific example of the main subject.
This paper explains the reason and background of LiZhi's writing SuntzuCantong in four ways. Criticism of Confucian who despises military affairs, LiZhi's awareness of hardship in the era of disordered, sympathy for his friend MeiGuoZheng, and LiZhi's scholar-general sense became the background and reason for the writing of SuntzuCantong.
This book is the must-read for those who want to not only understand LiZhi's philosophy of military strategist but also read Suntzu's Art of War accurately. LiZhi's friend MeiGuoZheng evaluated this book, saying, “It is the culmination of military strategist and it reached the level of a god in the explanation of Suntzu.”

KCI등재

7『聊齋志異』의 상고소설연구 ― 여성상인고사를 중심으로

저자 : 宋眞榮 ( Song¸ Jin-young )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 195-219 (25 pages)

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In Chinese literary works before the Ming Dynasty, merchants appeared as supporting roles and did not have a large proportion, but after the middle of the Ming Dynasty, when the commercial economy developed, they became an important protagonist who led the narrative.
The depiction of the merchant in the works is also mostly greedy and immoral before the Ming Dynasty, and in contrast to the good protagonist, it was the subject of judgment or reprimand.
On the other hand, after the middle of the Ming Dynasty, there were many appearances of good merchants who were sincere and possessed of Righteousness (義) and Profit (利), or Confucian Merchants (儒商) who pursued the Confucian ideology and Scholar-bureaucrat culture. This trend is also reflected in Liaozhaizhiyi (聊齋志異), which represents Classical Chinese novel in Qing Dynasty.
In addition, unlike few female merchants appear in previous literary works or briefly appear as a merchant's family and then disappear, there are many female merchants who show their abilities as much as men in Liaozhaizhiyi. Among them, works such as Xiao Er, Huang Ying, Xi Liu, and Bai Qiu Lian can be regarded as Merchant Novels (商賈小說) in which female merchants are the main characters and have many commercial descriptions, and reflect merchant values and culture.
In these works, the female merchants are the undisputed protagonists of the narrative, demonstrating their ability to lead not only household chores but also commercial activities. They fulfilled the roles of women demanded by traditional society, namely, virtuous wives who help their husbands, and mothers who strictly educate their children. However, they did not stop there and moved out of the family and became a competent merchant. They also helped the poor around them, and although they were merchants, they showed the aspect of Confucian Merchants longed for scholars.

KCI등재

8션충원(沈從文)의 이상적 세계 ― 상반된 샹시(湘西)서사를 중심으로

저자 : 김연수 ( Kim¸ Yeonsu )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 221-248 (28 pages)

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ShenCongWen identified himself as Miao nationality,and constructively disseminate the mysterious XingXi and ideal images of primitive people. But this identification as Miao people was merely for the instant use from his need. The XianXi, where hes ideally depicted in his novel, was not the place that exists in real, but was created for the alternative based on his experiences of modern urban civilization. Considering the imaginary world and the extremely glamorized characters, what reflected in XiangXi world was not his identity as Miao people, was that of becoming the other and being mystified. Still, as certain scholars are pointing out, this place was not the mythical world where the time stalls. In this place, the belief in the Ghost, which is criticized for superstition, and modern sciences are coexist without causing any mutual contradiction. It is also a place where free individuals and community spirit both complementarily exist.
ShenCongWen, by using the image of Miao nationality andXiangXi, created his conceptual ideal world where the modernity andprimitiveness coexists.

KCI등재

9『民衆小說戱曲讀本』의 경극 비평 양상 연구

저자 : 尹智楊 ( Yoon¸ Jiyang )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 249-277 (29 pages)

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This study analyzes the intention of compilation of in Minzhong Xiaoshuo Xiqu Duben(hereinafter 'Duben') and the aspects of criticism in it. Duben is a collection of Peking Opera scripts compiled by Nanjing Drama Conservatory Beiping Branch Institute under the Institute of Chinese Theatre and Music, which was published over three years from 1935 to 1937 by Shijie Publishing Company in Shanghai. This series of books was compiled as textbooks for the Academy of Chinese Theatre Arts, a drama and actor training school. In Duben all the pieces are organized according to the sections subtitled as 'Story', 'Script', 'Historical research', 'Annotations', and 'General review', and most of the scripts are categorized into eight categories. And they created the 'Historical research' and 'Annotations' section, which demonstrates an attempt to deal Peking Opera as an academic subject and make Duben a canon of Peking Opera scripts relying on the academic authority of the Institute of Chinese Theatre and Music. And the way in which the scripts were documented was directly influenced by Western plays.
There are four characteristics of criticism in Duben. First, they criticized Peking Opera as a reading material rather than a performance genre. Second, they tried to critique plays from a modern point of view and to find meaningful messages in actual society at that time. Third, most of the criticisms did not give much weight to the emotional part. Fourth, there is a strong tendency to find lessons from each scripts.

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10'과학보급(科普)'으로서 중국 인공지능 교육 ― 초중등 인공지능 교육을 중심으로

저자 : 김정수 ( Kim¸ Jung Soo )

발행기관 : 중국어문학회 간행물 : 중국어문학지 76권 0호 발행 연도 : 2021 페이지 : pp. 279-302 (24 pages)

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This thesis aims to examine the characteristics and contents of the AI curriculum for elementary and secondary schools as part of the popularization of science(科普) in China. In China, the AI curriculum for elementary and secondary schools, Under the vision of < Next-generation AI development plan >, began to be developed in earnest when it became a general high school information technology subject in 2017. Edutech companies and IT companies are the first to lead the development of AI education contents, local governments build infrastructure to facilitate AI education, each schools are actively introducing this curriculum into the educational field. In particular, in AI education content, companies develop not only textbooks and curriculum, but also education-learning platforms, AI device experiment centers, companies are helping schools run AI subjects more systematically.

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1명말 청초 문인 장대(張岱)의 시세계 - 고시(古詩)를 중심으로

저자 : 金宜貞 ( Kim Eui Jeong )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 7-31 (25 pages)

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This study aims to examine the spiritual world of the Zhang Dai(張岱) through his poem, who lived in late Ming and early Qing Dynasty. I thought that the material prosperity, consumption culture, and knowledge communication that swept through Jiangnan(江南) in the mid to late Ming Dynasty would have been meaningful even after the personal and social disaster of the replacement of the dynasty. 
I paid attention to the works of the Zhang Dai as one of the writers who can represent the recorders of this situation and selected his poems that were less studied than prose as the main subjects of analysis. 
Zhang Dai's poems, known to date, totaled 331 and the scope of this paper was limited to 118. In poems of Zhang Dai, the traditional regressive colors are strongly revealed, such as summoning brilliant ancient heroes, but there is diversity such as the joy of a small life and the evaluation of unique characters of the contemporary era. In this paper, the contents of the poems of Zhang Dai were divided into life and death, history, living, people, and scenery.

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2백거이(白居易) 칠언배율(七言排律)의 성취와 의미

저자 : 姜旼昊 ( Kang Minho )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 33-66 (34 pages)

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Seven Word Long Metrical Poetry, which was originated from Du Fu, was produced diversely and routinely by Bai Juyi. No one can be compared with Bai Juyi when it comes to the number and variety of Seven Word Long Metrical poems. Therefore, we can see achievements and limits of creation of Seven Word Long Metrical Poetry clearly through his works. Most of his poems are short and characterized by using odd number long rhymes, few Ao-Ti(拗體) in accordance with rhythms, and trying Oblique Tones. Here, we can find out that he tried to not only keep the beauty of tunes and rhymes but also reduce the weakness in Seven Word Long Metrical Poetry. He used Seven Word Long Metrical Poetry as a normal poetic style to describe various subject matters. Though sometimes it gives us a boring feeling since he mainly focused on daily landscape and contacts, he softened the weakness by adding honest emotions and a sense of amusement. His sense of amusement is also found in that he adopted such a strict metrical style as Seven Word Long Metrical Poetry in tranquil poems and recited self contentment in roaring, expressional poems. Thus, he added liveliness to otherwise dry Seven Word Long Metrical Poetry, through his effort that gives us the impression of pursuing harmony of mismatches. Though we can't tell Seven Word Long Metrical Poetry was a success through the history of Chinese poetry, it contributed to deepening the understanding of a sense of beauty in Chinese poetic style.

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3『사기(史記) 오자서열전(伍子胥列傳)』에 투영된 역사 재편의 함의

저자 : 梁仲錫 ( Yang Joongseuk )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 67-87 (21 pages)

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Thanks to the extensive collection of records conducted in the Han dynasty, the story of Wuzixu is compiled again by Simaqian's hands after Zuozhuan. The reason Simaqian collected and recorded the stories of their revenge was not simply because their actions were related. Also, the reason why the protagonist of this biography is Wuzixu is not just because his revenge is the most touching. The synthesis of their actions is for the defense of Wuzixu. Simaqian has included examples of rebuttal to the expected criticism of Wuzixu. The errors of various monarchs in liezhuan, for example, to ruin politics with women's problems, fail to get the right advice, suspect the prince, kill loyal servants, spoil work because of a desire to show off, these are similarly found in Han Wudi. Simaqian created a three-dimensional figure of Wuzixu through a series of works and then projected himself. It shows Simaqian's keen eye and boldness

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420세기 이백(李白) 시(詩) 번역 논쟁을 통해 본 이병기(李秉岐) 『이태백시선(李太白詩選)』 번역 특징 고찰

저자 : 申夏閏 ( Shin Ha-yoon )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 89-113 (25 pages)

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Through the argument of 聞一多 and Shigeyoshi Obata over the translation of Li Po poems in the early 20th century, this paper tries to point out the problems that we will think about today's translation of Chinese poetry. For this purpose, we would like to analyze the case of “The Works of Li Po” translated by Lee Byong-gi, a major achievement of the Korean translated poetry in the 20th century. 
Leaning on the reviews of the past critics, 聞一多 screened Li Po poem's “Good” and “Bad” while choose Poetry. But When recalling that the original reader is clearly different from the translated poetry's reader, the translator should take the reader into consideration. 
In the case of “The Works of Li Po” translated by Lee Byong-gi, it reflects the historical situation of Japanese colonial era, so 閑適 type poems longing for the hermit world beyond reality were dominant. Also, as it is a Korean translation, the poems related to Korean or Korean history were specially selected. 
Through the analysis of “The Works of Li Po” translation cases, we could see that following vocabulary, word order, and vocabulary combination that fit the context of translated poem was more suitable for having poetic taste than being bound to the original vocabulary, word order, or vocabulary combination. And, it was desirable to translate a proper noun by omitting or solving it as necessary rather than relying on footnotes.

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5소설(小說) 『삼국지(三國志)』의 한글 번역본에 대한 고찰 - 악선재본(樂善齋本) 『삼국지통쇽연의』를 중심으로

저자 : 玉珠 ( Ock Ju )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 115-152 (38 pages)

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The edition based on the translation of the novel 『The Romance of Three Kingdoms』 can be divided into 240 Chik (則, interpretation rules) series and 120 editions (回) version series. 
Among the translations of the 240 Chik (則, interpretation rules) series, Naksunjae edition 『Three Kingdoms TongsuYanyi』 39 editions, which is noted in this paper, was not clearly sourced through example sentences through comparison with various versions, suggesting the possibility of translation based on another version that does not exist now. It was confirmed that Gyujanggak edition 『Three Kingdoms TongsuYanyi』 27 editions were translated based on Naksunjae edition 39 editions. Gyujanggak edition 『The Romance of Three Kingdoms』 30 editions is almost similar to Naksunjae version 39 editions, but it could not be considered completely the same as the first two chapters of book 1 outlined the history of the Han Dynasty. However, except for this part, most of them coincide with Naksunjae version 39 editions, so it is presumed to be a translation derived from Naksunjae version 39 editions. Korea University version 『The Romance of Three Kingdoms』 33 editions are partially inconsistent with the chapter titles and contents, but since it seems unlikely that they were translated based on a previously non-existent version after the 1800s, it is estimated that Korea University version 33 editions were also derived from the subclass of Naksunjae version 39 editions. As a result of comparing the contents of Korea University version 『The Romance of Three Kingdoms』 33 editions with the various versions that were assumed to have flowed into Korea, the inconsistency was confirmed, and the possibility of translation based on another version that does not currently exist was suggested. 
As a result of the discussions so far, the source of the Naksunjae version 『Three Kingdoms TongsuYanyi』 39 editions, Korea University version 『The Romance of Three Kingdoms』 33 editions Korea University version 『The Romance of Three Kingdoms』 38 editions belonging to 240 Chik (則, interpretation rules) series is not clear, and it is highly likely that the translation was based on another edition that does not currently exist. It is expected to require additional work, and intended to proceed in the future.

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6鲁迅小说中的反復现象研究 - 以『呐喊』和『彷徨』为例

저자 : 侯美靈 ( Hou Meiling )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 153-177 (25 pages)

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This paper takes Lu Xun's two collections of novels Scream and Wandering as the research object. Through careful reading of the text and statistical methods, the Repetitive phenomenon in the 25 novels included in it is investigated. Lu Xun inherited the traditions of “Three mentions” and “Three repetitive plots” that have been passed down to the present in classical literature, and used them in his novels. There are two main examples of repetition: repetition within a single novel, intertextual repetition across stories, and most of the former. The use of repetitive rhetoric has received at least four effects: The description of a large number of similar social phenomena reflects the social reality from the late Qing Dynasty to the May Fourth Movement, and the theme of the work is often revealed in the hidden imagery mentioned many times. The mantra of the characters has created a lot of classic characters for us, highlighting the usual tragic color in the repeated scene comparison. Therefore, it can be said that the extensive use of repetitive rhetoric is a major feature of Lu Xun's novels.

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71976년 톈안먼 광장의 기록 - 『톈안먼시초(천안문시초(天安門詩抄))』(1978)의 탄생과정 연구

저자 : 李庚夏 ( Lee Kyungha )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 179-207 (29 pages)

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The Tian'anmen Poems was originated from the Tian'anmen Poetry Movement, which was the movement that the countless people who filled Tian'anmen Square before and after the Qingming Festival in 1976 were expressed their cherish memory on Zhou Enlai and anger of 'Gang of Four' on many wall posters. Thus, The Tian'anmen Poems has been read and studied with political weight and implications from the beginning. 
However, from the perspective of foreign researchers who can maintain an objective distance geographically and periodically, it is believed that the meaning of the study of The Tian'anmen Poems is to examine the process of its birth, and this paper focused on the following contents. 
Firstly, the previous studies published in China were introduced by period and their characteristics were briefly analyzed. The main research achievements related to the Tian'anmen Poetry Movement since 2000 have been able to broaden the horizon of research by boldly raising issues with skepticism, freeing from the attitude of blind admiration and praise. It can be pointed out that it has become possible to promote the quality of growth of the related researches. 
Secondly, we investigated the generation and development process of the Tian'anmen Poetry Movement, and through this, we can see how much hardship has suffered by numerous authors, mortals, and collectors who participated in the Tian'anmen Poetry Movement. 
Thirdly, the process of The Tian'anmen Revolutionary Poems, which was printed in duplicate in 1977, was published in the unofficial publication The Revolutionary Poems, the first printed version of the 'Tong Huaizhou' editorial team version and 'The seventh Ministry of machinery industry' editorial team version. 
Fourthly, by dividing the appearance of The Tian'anmen Poems as an official publication into “changed status according to the changes of the times” and “characteristic of the preface as a legitimate publication”, We had an opportunity to recognize the special political landscape of China once again.

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8중국의 코로나19 사태와 사회 체제의 신뢰 위기

저자 : 金震共 ( Kim Jingong )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 209-237 (29 pages)

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The COVID-19 epidemic, which began to spread from China's Wuhan, illustrates why social trust is important in times of crisis. The purpose of this paper is to examine how the problem of the lack of social capital of trust has been amplified in China in recent years through the COVID-19 epidemic that exploded in Wuhan, and how it intensifies the crisis of the social system. The unstable response of China's central and local governments in the event of a COVID-19 epidemic highlights the problems that are deepening in the Chinese political system since Xi Jinping took power. In addition, the process by which the Chinese community responds to the confusion caused by the COVID-19 epidemic shows how China's social system is changing. 
The Communist Party and the government of China considered improving the national image damaged by the COVID-19 epidemic as a priority, but what the Chinese people urgently need to overcome the life crisis caused by the COVID-19 epidemic is rebuilding the social system, including collapsed base administration and medical and welfare services, safely restarting suspended economic activities, and restoring damaged trust in the social system. Overall, it is an important issue for Chinese society to not only restore collapsed social governance to its original state but also actively reform the problems of social governance revealed by the COVID-19 epidemic. In the wake of the COVID-19 epidemic, China has come to realize the need for social governance reform, and it has confirmed that the reform should start with the reform of the community system in the grass-root society.

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9『설문해자(說文解字)』의 『시경(詩經)』 인용에 관한 연구

저자 : 鄭鎭傑 ( Jeong Jin Geol )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 239-269 (31 pages)

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In the Han Dynasty, the characters were confused. XuShen(許愼) thought that the confusion of characters was at the heart of the problem. He created the Radical system, and it was used as a criterion for judging the correct letters. XuShen found many examples in Shijing. This is because various birds and animals are described in Shijing. In addition, he studied Shijing by taking JiaKui(賈逵) as his teacher, and JiaKui greatly increased the value of poetry. Perhaps it is because of the personal intention to advance the master's study. Of course, he maintained a neutral point of view while inheriting the accumulated achievements of the old texts. His attitude of succession and development had a strong academic character. It became the basis for the end of the Controversy between modern and ancient texts.

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10한글 워드프로세서 한자사전의 분석과 개선안 모색

저자 : 金殷嬉 ( Kim Eunhee )

발행기관 : 중국어문학회 간행물 : 중국어문학지 72권 0호 발행 연도 : 2020 페이지 : pp. 271-295 (25 pages)

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The purpose of this study is to present an analysis of the 'Chinese character dictionary' adopted in Hangul Word Processor (HWP) and to suggest ideas to improve the aspects of systematicity and efficacy. For this purpose, the present paper examines the Chinese characters with the radical 心 (Heart) and the radical 女 (Female) in HWP (Hancom Office 2020) and Microsoft Word (MS Office 365) in a comparative analysis with other Chinese character dictionaries on the form and content of entry words. Suggested points for improvement in HWP's Chinese character dictionary cover four aspects: 'correcting errors in written senses of meaning,' 'correcting errors in copied senses of meaning,' 'standardizing the way and form for arranging senses of meaning,' and 'supplementing and expanding information for entry makers and sub-entries.' 
As 'a book that gives explanations on writing and spelling, pronunciation, definition, word origin, and usage,' a dictionary serves as the standard framework for a language and characters, for which coherence in its system and form and accuracy of content are of critical value. Hangul Word Processor has been consistently updated to newer versions; nevertheless, there remain room for improvement in regard to information and the system for sub-entries in these dictionaries. This paper has identified key factors for it as 'obscure sources.' In all ranges of Chinese character dictionaries, from print to digital versions, various researchers are engaged in supplementing and updating their content. To elevate the systematicity and efficacy of Hangul Word Processor, it is necessary to utilizes other Chinese character dictionaries that are in use, similar to dictionaries for other languages, or implement a search engine system for Chinese character dictionaries that enables correlation in a networked environment.

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