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한국중국산문학회> 중국산문연구집간> 조선사신의 해로사행노선(海路使行路線) 중 산동(山東) 래주부(萊州府) 주교역(朱橋驛)-래주부성(萊州府城) 노정의 인문 지리적 고찰⑵ - 이십리포(二十里鋪)에서 래주부성(萊州府城)까지

KCI후보

조선사신의 해로사행노선(海路使行路線) 중 산동(山東) 래주부(萊州府) 주교역(朱橋驛)-래주부성(萊州府城) 노정의 인문 지리적 고찰⑵ - 이십리포(二十里鋪)에서 래주부성(萊州府城)까지

A Human geographic study on the shipping route of the Joseon(朝鮮) envoys from Zhuqiao ancient courier station(朱橋驛) to Laizhoufucheng(萊州府城) in Shandong(山東), China (2) : from Ershili station(二十里鋪) to Laizhoufucheng(萊州府城)

王珂 ( Wang Ke ) , 韓鍾鎭 ( Han Jongjin ) , 唐潤熙 ( Dang Yunhui )
  • : 한국중국산문학회
  • : 중국산문연구집간 9권0호
  • : 연속간행물
  • : 2019년 12월
  • : 139-176(38pages)
중국산문연구집간

DOI

10.22419/TJCPCOM.9.7


목차

Ⅰ. 서론
Ⅱ. 이십리포(二十里鋪)-래주부성(萊州府城) 노정의 인문 지리
Ⅲ. 결론

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초록 보기

This article, from the diachronic perspective, based on the field surveys and interviews verifies the present geographic names of the places passed by the Joseon envoys from the Zhuqiao ancient courier station(朱桥驿) to Laizhoufucheng(莱州府城) in the Dengzhou-Beijing shipping routes of the envoys during the alternation of Ming and Qing Dynasties as well as reconstructs the routes. This thesis supplements the missing records in the relative documents according to Sahaeng record and corrects Joseon envoys’ inaccurate records of the names of some places basing on the local records.
According to the analysis and field surveys, the names of the places passed by the Joseon envoys from Ershili station(二十里铺) to Laizhoufucheng(莱州府城) are reconstructed as follows: Shuigu River(水古河), Ershili station(二十里铺), Lu Mengzheng old village(吕蒙正故里), Shili station(十里铺), Hou Donglai cemetery(侯东莱之墓), the inscription of Yizhong(义塚碑), and Laizhoufucheng (莱州府城). According to the field study, the present spots of the listed places are as follows: Suguo River(苏郭河), Chengguo Zhen Qiansu Village(程郭镇前苏村), Laizhou City Chenggang Street Junzhaizhi Village(莱州市城港路街道军寨址村), Chenggang Street Qishui Village(港城路街道淇水村), Chenggang Street Donglangzifu Village and Xilangzifu Village(港城街道东郎子埠村西郎子埠村), Wenchang Street Mingzhuyuan dong Block(文昌路街道明珠园东区), Laizhou City Wenchang Street Dongguan Village and Nanguan Village(莱州市文昌路街道东关村和南关村).

UCI(KEPA)

I410-ECN-0102-2021-800-000971713

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  • : KCI후보
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  • : 2713-6574
  • : 학술지
  • : 연속간행물
  • : 2011-2020
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1先王退而诗书进:春秋直谏文辞的新变

저자 : 吴娇 ( Wu¸ Jiao )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 1-12 (12 pages)

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In the history books of the Pre-Qin Dynasty, the records of ministers' outspoken criticism of the monarch can be traced back to the Shang and Zhou Dynasties, and appeared in large quantities in the Spring and Autumn Period. Different from the argument that the old ministers of the Western Zhou dynasty were always quoted with "the way of the former king", the admonishing ministers with complicated status in the Spring and Autumn Period prefer to pay special attention to quoting from the poem, analyzing current events and transmitting the voice of the people when criticizing the monarch, and deliberately used rhetorical skills and logical argumentation to improve the persuadability of the direct admonishing words. These characteristics showed that in the Spring and Autumn period, when blood ties were weakened, cultural identity and rhetoric level gradually became a new bond to build trust between Kings and ministers, and finally led to the formation of vertical and horizontal debates in the Warring States Period.

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2『장자(莊子)』 우언(寓言)의 신화(神話) 수용(受容)과 중국소설(中國小說)에 미친 영향

저자 : 한영걸 ( Han¸ Yongjie )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 13-32 (20 pages)

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The Chinese mythology which is the origin of narrative literature such as prose and novel, has been lost and severed, so that it is very poor. However, this poor mythology could be handed down to the future generations and also have influences on the creation of literature like novel because of the great contribution of 『Zhuangzi's』.
The Chinese mythology that used to be abundant in the Yin-Shang Dynasty, was a lot lost and severed by the formation of proses and the process of changing the mythology into history, which was consciously performed by the rulers in the Western Zhou Dynasty. In the Warring States period, however, the spirit to change the mythology into history was broken by disciples such as Zhuangzi's of Taoism, and free discussions of thoughts by many scholars and schools. After that, the mythology barely maintains its existence.
Like this, even though 『Zhuangzi's』 played a very important role in connecting the mythology with novels, in the results of examining the existing researches, there have been almost no researches on this part. Therefore, this article intends to explore Zhuangzi's role as a link between myths and novels.

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3西晋论礼文的表现形态与风貌因革 -从“二社论”谈起

저자 : 徐昌盛 ( Xu¸ Changsheng )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 33-49 (17 pages)

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In the Book of Jin Li Zhi, the discussion articles about Fu Xian and Zhi Yu's "two social groups" showed the basic form of thesis on etiquette in the Western Jin dynasty, these articles mainly focused on the reasoning methods thought differentiating names and analyzing the theory, and the expression form of quoting and annotating the classics. The common method of differentiating names influenced the characteristics of the thesis on Etiquette in Western Jin dynasty in both the repeated and positive discussion of the rites and texts, also, the different emphasis on the annotations of the classics reflected the differences and the traces of the transformation of the thesis styles in the Wei and Jin dynasties. The study of rites is a prominent study in the Western Jin Dynasty. Thesis on etiquette is an important part of article-written in the Western Jin Dynasty, presenting a unique appearance of article-written in the Western Jin Dynasty.

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4구양수(歐陽修) 부체(賦體) 연구(硏究) -『거사집(居士集)』내(內) 작품을 중심으로

저자 : 李承信 ( Lee¸ Seungshin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 50-74 (25 pages)

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Fu(賦) style works of Ouyang Xiu are in a vague position in the boundary between verse and prose, but they have a unique style of art in Song Dynasty, making them important in literary history. He pursued the change of traditional Fu(賦) style of works, implemented his political and literary reforms through changes and expansion of sanctions and contents, and the creation of the Wenfu(文賦). In particular, the subsidiary Fu(賦) style works in his collection of writings, Jushiji(居士集) show the "Poti(破體)" of broken prose style characteristics of "YiWenweiFu(以文爲賦)" and "YiFuweiWen(以賦爲文)." Its prose style, such as a Jiwen(記文), a Jiwen(祭文) and a Xuwen(序文), contains beautiful and rich expressions, lyricism, narrative, and arguments. It also used a mixture of deformation and various prose style, focusing on routine sanctions, and restricted the use of sand dunes to express easy and natural beauty. Through everyday trivial subjects, it reveals various thoughts and emotions from individual tastes to life views and world views, and it has lyricism and argumentality. Ouyang Xiu, who pursued this kind of change in prose style, eventually created a new form called " 文賦(Wenfu)". OuYang Xiu's writing shows excellent completeness in content and form and actively reflects reality. Fu(賦) style works of Ouyang Xiu tend to correct poetic evils and insist on "治道(Zhidao)", and does not miss out on lyricism and entertainment. Ouyang Xiu established a new form of Fu(賦) style through communication and interaction of prose style by utilizing the characteristics of various sentences such as Siliuwen(四六文)and Guwen(古文).
Based on the above research, it can be seen that Ouyang Xiu approached Fu(賦) style that remained in the ambiguous area between verse and prose more in the prose style by changing and developing it. Therefore, conducting Fu(賦) style research as an prose style would reveal the change, development, and succession in a clearer and deeper way and enhance the value and significance of the Fu(賦) style. Furthermore, it will be an opportunity to reconsider the literary values of Baguwen(八股文), which was later introduced, and further highlight the characteristics of Chinese classical prose, which combines practicality and literary characteristics.

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5论欧阳修与曾巩的结交及其文学史意义 -兼及欧曾文道观之异同

저자 : 丁功谊 ( Ding¸ Gongyi )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 75-90 (16 pages)

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There is no detailed research on the time when Ouyang Xiu and Zeng Gong met. Zeng Gong called Ouyang Xiu the "bachelor deacon" in The first book for Ouyang Maester, which caused difficulty for people to infer the letter's writing time. In the first year of Qingli (1041), Ouyang Xiu was appointed as the general manager of the school and managed the secret Cabinet of the Third Museum. According to the old rules of the Tang System, he was able to be called a bachelor with such position. Therefore, the meeting time of Ouyang Xiu and Zeng Gongnshould be the first year of Qingli (1041) in December, when Zeng Gong started to prepare for the ritual department test at that time. Zeng hoped to reform the style of writing and revive the ideal of Confucianism and Taoism, which corresponded with Ouyang Xiu's idea of promoting the ancient prose movement, thus Zeng attracted Ouyang Xiu's attention and appreciation. They all respected the ancient scriptures and advocated the doctrine to be enlightened, but they also had great differences on it. Ouyang Xiu advocated the parallelism of the doctrine and tried to balance the relationship between the doctrine and the doctrine while Zeng Gong emphasized that Confucianism and Taoism were the origin and the foundation of literature, and did not pay much attention to language. Under the citation of Ouyang Xiu, Zeng Gong became a representative of the poetry and prose innovation movement in the middle period of the Northern Song Dynasty. Also, Zeng gong's personality orientation of Ouyang Xiu's "animal morality and ability article" actually contains the theoretical motif of "Dao Sheng Wen Zhi" in the poetry and prose innovation movement of the Northern Song Dynasty. Together, they established the ancient literary system after the Northern Song Dynasty and were collectively called "Ou Zeng" by later generations.

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6流贬海南的苏轼与庄子

저자 : 阮忠 ( Ruan¸ Zhong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 91-107 (17 pages)

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Su Shi was deeply influenced by Zhuang Zi's thought, the most prominent evidence is his three years of exile in Hainan. The acceptance about the appointment: Zhuang Zi's thought fits my mind, remaining emotionally detached though Zhuang Zi's thought and the peace of mind in "harmony with Tao" though Zhuang Zi's theory constituted three important aspects for him to accept Zhuang Zi in Hainan. Despite of Su Shi's self-expression, or the echo of Tao Yuanming's poems and songs, he used to take Zhuang Zi's though as his own thought, take Zhuang Zi's theory as his own theory, and be content with his own company.

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In the text above, the definition of Zhaziwen, the characteristics of Zhaziwen in Southern Song Dynasty, and the stylistic features of Lu You Zhaziwen were discussed. Lu You, also known as a patriotic poet, is not the only expression of his ideas in poetry. His prose works, especially those of government officials, and his participation in various political issues, are more deeply imbued with his ideas. With this premise, I analyzed the Zhaziwen of his reading. First of all, through the two sentences covered in this book, the stylistic characteristics of the Zhaziwen text can be summarized in several ways: First, it is as formal as possible when posting to the emperor or superior. Second, let's look at the opponent's arguments first. Third, since it is an official document, the basis of logic is essential.

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8起家振族:东莱门人叶诞及其家族

저자 : 慈波 ( Ci¸ Bo )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 127-139 (13 pages)

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Ye Dan learned from Mr. Dong Lai in The Ming Zhao Mountain, and made a successful candidate in the highest imperial examinations, which begins his career as an government official. " The Ye's genealogy in HuDong" records many epitaph articles about Ye's family, vividly presenting the civilian family history of Confucianism, especially the core characters and female characters are above all noteworthy. When Confucianism can be internalized and passed down, it is the sigh of the final establishment of the rise of the Ye's family.

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9양회염운사(兩淮鹽運使) 노견증(盧見曾)의 문화 활동 연구

저자 : 鄭世珍 ( Jung¸ Sejin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 140-160 (21 pages)

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Yangzhou(揚州) in the 18th century was a rich and mature cultural space. The salt merchant invested unselfishly in social and cultural fields, making Yangzhou a cultural center in Jiangnan(江南). During Qianlong, Lu Jianceng(1690-1768) was a competent official. When he was working in Yangzhou, he planned the cultural activities: first, he renovated Yangzhou's famous places. Second, he organized poetry societies with a large number of people to encourage literary creation. Third, he linked with money-needed scholars and salt merchants who had a huge collection of books to encourage academic activities. In Yangzhou, he planned a cultural event represented by poetic creation and academic activities, and gathered a large number of people, by holding a large-scale Red Bridge Poetry Society(紅橋修禊詩會) attended by more than 7,000 people, as well as by serving as a medium for linking scholars and salt merchants. He became the leader of Yangzhou's cultural space. Although it is a cultural activity involving many levels of interests, it is undeniable that Yangzhou became a cultural center in the 18th century because of Lu Jianceng's character.

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10清代文法辑录与文法流传

저자 : 蔡德龙 ( Cai¸ Delong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 161-178 (18 pages)

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The Qing Dynasty was a period of integration of classical prose studies, and the compilation of a large number of compiled and catalogued works of grammar played an important role in the inheritance of classical essay studies. Due to the popularity of the concept of "Taking Ancient Chinese prose as eight part essay" in Qing Dynasty, the compilation of Qing Humanistic Law is parallel with ancient Chinese proseand eight part essay. In terms of eight part essay grammar, Qing Dynasty grammar compilation compiled a large number of eight part essay grammar of Ming Dynasty, completed the canonization process of eight part essay grammar of Ming Dynasty; in ancient grammar, Tongcheng School compiled the main thesis of Tongcheng school from Tang and Song Dynasty to Tongcheng school, and constructed the grammar pedigree of Tongcheng school through grammar compilation. The compilation of grammar outside Tongcheng school is based on the standpoint of Zhang Daben school. Most of these works are against Tongcheng; or they are based on academic public will and widely compile famous articles and quotations in ancient books, which become the forerunner of selected literary theories of Chinese dynasties.

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1『장자』의 우인과 아Q의 연관성 고찰

저자 : 한영걸 ( Han Yongjie )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 1-22 (22 pages)

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The Lu Xun and Zhuāngzǐ are the two figures who had significant influence over Chinese literature.
Though they were from different eras, their characters, the 'imbecile' and Ah Q, the main character of the True Story of Ah Q have something in common.
The story of imbecile is one of the most representative of such stories along with the story of an imbecile in and has been a good source of inspirati Han FeiZi on and experience in the creation of poetry, prose, and novels of the subsequent times.
Especially after the Opium Wars, China faced anti-feudalism and anti-colonialism crises. This was when people turned to the ideas of the philosophers of the past. As a result, the story of an imbecile of Zhuangzi influenced modern literature significantly. Lu Xun was introduced to Taoism by his teacher, Zhang TaiYan. While Lu Xun did not accept Taoism as an ideology, its influence in his literature cannot be ignored.
As we look at Ah Q and the imbecile, they are both idiots, while the Creative purpose were very different. Also, they are similar to each other in their satirical tendencies through the character of the idiot and ideas against Confucianism, while using their names for satirical reasons, as well.

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2공자문예어노자(孔子問禮於老子)'구(句)로 보는 사마천(司馬遷)의 '필법(筆法)'과 '일가지언(一家之言)'

저자 : 김이식 ( Kim Leesik )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 23-46 (24 pages)

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Up until now, the previous research has only focused on the authenticity of the fact that Confucian had met Laozi each other. But it has never been discussed that on what data Sima Qian established his own principles and standards, and that he confirmed the meeting between Confucius and Laozi, and what he meant with 'Yijiazhiyan(一家之言)' Sima Qian tried to convey. In this article, I have ultimately put emphasis on 'Yijiazhiyan(一家之言)' based on both the principles of choosing sources concerning the phrase “Confucian asks Laozi of etiquette(孔子问礼於老子)” and his way of describing history.

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3試論陶淵明與柳宗元的人生觀

저자 : 金鍾聲 ( Kim Jongseong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 47-68 (22 pages)

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Although there are many separate studies of Tao Yuanming and Liu Zongyuan, there are not many comparisons between the two authors. Therefore, they compared the two authors' views on life. Tao Yuanming's view of life is life-conscious. A view of life at an opportune time enjoy. He discussed the view of life that did good and sought freedom. Liu Zongyuan's view of life is that he pursues ideal politics and social reform. an idealistic view of life. He discussed the view of life in pursuit of freedom. Both valued life and pursued their ideals. They also expressed individual thoughts and feelings through their works. Tao had a view of life, pursuing a quiet life and obedient to fate. However, Liu had an active and reform-minded view of life.

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4한국 문인들의 한유(韓愈) 「송궁문(送窮文)」변용 창작 시론(試論) - 문체(文體) 인식과 제재(題材)의 차용을 중심으로

저자 : 김미라 ( Kim Mira )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 69-94 (26 pages)

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Han Yu(韓愈)'s SongQiongWen(送窮文) has its own complex and ambiguous characteristics. So, each previous editors attributed it to a different style in their anthology. These complex features have also influenced the creation of ancient Korean writers who have honored Han Yu's prose works as a paradigm. These forms of creation in ancient Korea can be summarized as two main ways.
First, It is the series of GuShiMaMun(驅詩魔文), which is one of writing form ZaWen(雜文) that has strong fable character. Second, It is the series of SongDuShinMun(送痘神文), which is one of writing form ZaWen or Poetry(詩詞) that has strong character of funeral oration(祭文). These can be attributed to the stylistic complexities of Han Yu's SongQiongWen. Especially, as series of SongDuShinMun that can be seen as cultural products which were occurred from the backdrop of the cultural environment in the late Joseon Dynasty. Therefore, these are worth the research as an example of the creative form of literature that Joseon writers have adopted and transformed Chinese literature independently.

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5范仲淹 賦論 硏究

저자 : 李承信 ( Lee Seungshin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 95-117 (23 pages)

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Fan Zhongyan(范仲淹) is credited with playing a pioneering role as a reformer of the politics and literature of Nothern Song(北宋). His literary work is an exemplary work that practiced the Guwen(古文) movement, and has been widely praised in later generations. His literary work and its theory of literature were reviewed in this paper. In his early years, he worked hard on works of Futi(赋体), especially by writing Fulinhengjian(赋林衡监) specialized theory books and expressed his view of the literary style of Fu(賦). His works of Futi(赋体) and a theory book, Fulinhengjian(赋林衡鉴) are important significance and value that brought about the transition from Lüfu(律賦) to Wenfu(文賦).
As described in the preface of Fulinhengjian(赋林衡鑑), the Lüfu(律赋) values as a test subject of selecting the nation's talent, and has studied the characteristics of Lüfu(律赋) in detail to raise the level of Lüfu(律赋).
For Fan Zhongyan(范仲淹), Futi(赋体) works may have been more than a textbook intended for examination in the Keju(科举). Futi(赋体) works were the basis of a sense of political and social responsibility for fostering talents, zhidao (治道), and zhiguo(治国), which can reveal his literary and political ability. Fan Zhongyan(范仲淹) appears to have fulfilled his writer's desire by displaying beautiful forms and investigative techniques through the Literary style of Fu(赋). Furthermore, it is assumed that the company has made a great contribution to the development of literature in Nothern Song(北宋) by enhancing the internal and external level of Lüfu(律赋).

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6역사 공간의 서사적 재현: 『수양제염사(隋煬帝艶史)』 읽기

저자 : 이지원 ( Lee Jiwon )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 118-138 (21 pages)

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In this article, I analyzed the narrative features of Sui Yangdi Yanshi, one of the historical romance(历史演义) published in late Ming, focusing on the aspect of representations of the historic space. This is because the literary features of Sui Yangdi Yanshi, which are distinct from the historical narratives of the previous period, and similar to other types of feature-length vernacular fiction, are believed to be closely related to the representation of historic space. Sui Yangdi Yanshi made up a long narrative by modifying, supplementing and rearranging numerous historical events recorded in the previous historical narratives. The most powerful key driver of this work is the representations of historic space. In this work, 长安is represented as a space that reveals the imbalance of power, 西苑 of 洛阳 as a space of pleasure full of luxury and entertainment, 大运河as a space of pleasure and crisis at the same time. And 迷楼 of 江都 is represented as a space created for pleasure but cannot satisfy desires unlike 西苑. Sui Yangdi Yanshi constructs the narrative in a mutual-subjective way that represents space through characters and events and shapes characters and events through the representations of space. As a result Sui Yangdi Yanshi becomes a more self-complete text and produces various meanings.

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7조선사신의 해로사행노선(海路使行路線) 중 산동(山東) 래주부(萊州府) 주교역(朱橋驛)-래주부성(萊州府城) 노정의 인문 지리적 고찰⑵ - 이십리포(二十里鋪)에서 래주부성(萊州府城)까지

저자 : 王珂 ( Wang Ke ) , 韓鍾鎭 ( Han Jongjin ) , 唐潤熙 ( Dang Yunhui )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 139-176 (38 pages)

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This article, from the diachronic perspective, based on the field surveys and interviews verifies the present geographic names of the places passed by the Joseon envoys from the Zhuqiao ancient courier station(朱桥驿) to Laizhoufucheng(莱州府城) in the Dengzhou-Beijing shipping routes of the envoys during the alternation of Ming and Qing Dynasties as well as reconstructs the routes. This thesis supplements the missing records in the relative documents according to Sahaeng record and corrects Joseon envoys' inaccurate records of the names of some places basing on the local records.
According to the analysis and field surveys, the names of the places passed by the Joseon envoys from Ershili station(二十里铺) to Laizhoufucheng(莱州府城) are reconstructed as follows: Shuigu River(水古河), Ershili station(二十里铺), Lu Mengzheng old village(吕蒙正故里), Shili station(十里铺), Hou Donglai cemetery(侯东莱之墓), the inscription of Yizhong(义塚碑), and Laizhoufucheng (莱州府城). According to the field study, the present spots of the listed places are as follows: Suguo River(苏郭河), Chengguo Zhen Qiansu Village(程郭镇前苏村), Laizhou City Chenggang Street Junzhaizhi Village(莱州市城港路街道军寨址村), Chenggang Street Qishui Village(港城路街道淇水村), Chenggang Street Donglangzifu Village and Xilangzifu Village(港城街道东郎子埠村西郎子埠村), Wenchang Street Mingzhuyuan dong Block(文昌路街道明珠园东区), Laizhou City Wenchang Street Dongguan Village and Nanguan Village(莱州市文昌路街道东关村和南关村).

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8元稹贞元十九年应试判文考论

저자 : 姜贵仁 ( Kang Kwiin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 177-189 (13 pages)

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In Tang Dynasty, scholars were good at writing court verdicts, Yuan Zhen was one of the best. Compared with the five court verdicts during the the imperial examination in the 19th year of Zhengyuan period of Dezong, we found that Bai Juyi was considered the best, which revealed that the official still respected the classics, and even the exploration of justice should not contradict the classics. However, there were obvious contradictions between the standpoint in Yuan Zhen's court verdicts and his usual writing, which made his court verdicts have a strong academic atmosphere. The style of court verdict gradually changed from the emphasis on stacking stories and gorgeous words in the early Tang Dynasty to the emphasis on reasoning and fluency in writing after the middle Tang Dynasty, Yuan Zhen's work wasin this turning period, which also explains why the later evaluation of Yuan and Bai tending to praise the former one and depreciate the latter one.

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9乾嘉骈序的抒情成就及其文学史意义

저자 : 吕双伟 ( Lyu Shuangwei )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 190-208 (19 pages)

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Pian Wen in Qing Dynasty, especially in Qian Jia(乾嘉) has outstanding achievements; in terms of style, it is most prominent in preface. Since the Song and Yuan dynasties, the scriptures have been mainly used in the “four-six” of Zhao Gao and Biao Qi etc, so the contents were restricted.
In the early Qing Dynasty, Chen Weisong and Wu Qi used them more in prefaces and postscripts. During the Qian Jia period, the scope of the PianWen was greatly expanded. Prefaces, notes, theories, and fu all used the PianWen large quantities.
Among them, Pian Xu is the main body of various carcass in Qian Jia, and has achieved outstanding achievements in expressing individual emotions.
Whether Zeng Xu or Shi Wen Xu ect, the overall style is fresh, the tone is smooth, the emotions are sincere, the mood is faraway, and the characteristics of poetry as essays are clear.
This not only developed the lyrical tradition of the prose in Tang Dynasty and the beginning of the six dynasties, but also changed the history of the futility of public prose in Song and Yuan dynasties; it also promoted the revival of the PianWen in Qing Dynasty and enriched the aesthetic connotation of PianWen

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10姚鼐“义理考证文章”说探源

저자 : 欧明俊 ( Ou Mingjun )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 209-230 (22 pages)

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'Yi Li Kao Zheng Wen Zhang' written by Yao Nai was told that there are far and near sources, indirect resources, and direct resources, so we should sort out the context. Before Yao Nai, it has been proposed long ago that the relationship between the three or two of them was discussed, but the expressions were differen just a little. Among them, Liu Da Kui and Dai Zhen contributed the most. Yuan Mei and Zhang Xuecheng also made their own unique contributions at the same time.
The right of naming has Yao Nai but he only further elaborated the proposition of literati and scholars of previous dynasties. It can be said that he is just the name integrating person not name inventing person.
We should fully affirm Yao Nai's outstanding contributions. At the same time, we should fully respect and recognize the achievements of Yao Nai's previous literati and scholars.

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