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한국사진학회> 한국사진학회지 AURA> 포스트포토그래피 시대의 다큐멘터리 표현방법으로서의 연속사진 - ‘관광 공간Ⅱ’ 개인 작업을 중심으로 -

KCI등재

포스트포토그래피 시대의 다큐멘터리 표현방법으로서의 연속사진 - ‘관광 공간Ⅱ’ 개인 작업을 중심으로 -

Sequence Photos as a Documentary Method in the Age of Post Photography - Focusing on the private work ‘Tourism Space Ⅱ’ -

허용무 ( Heo Yong Moo )
  • : 한국사진학회
  • : 한국사진학회지 AURA 43권0호
  • : 연속간행물
  • : 2019년 08월
  • : 46-63(18pages)
한국사진학회지 AURA

DOI


목차

Ⅰ. 서 론
Ⅱ. 본 론
Ⅲ. 결 론
참고문헌

키워드 보기


초록 보기

The amazing technological prowess of the post photography age has made it very commonplace to doctor photographic images through transformation and composition of images. Such phenomenon made me consider what the essence of changed photographs were while transforming the status of authenticity of photos established ontologically. This study aimed at verifying whether sequence photo expression methods were still valid as documentary photo expression methods in the age of post photography through personal works. The personal work ‘Tourism Space II’ recorded the appearance of the global tourism industry that changes the world into a single massive tourism attraction through the behavior of tourists and the appearance of individual groups of people that exist anonymously in the midst of tourism spaces during the course of consuming tourism products. The sequence photo expression is a format found in the course of overcoming the concept of time and space formed by a ‘decisive moment’. Sequence photos are not only useful to provide various information, but also it has the advantage that it can also offer information on the environment surrounding the environment. Therefore it was evident that it is a useful expression method to analyze the structure of the diverse and complex contemporary society.

UCI(KEPA)

I410-ECN-0102-2021-600-000297025

간행물정보

  • : 예체능분야  > 기타(예체능)
  • : KCI등재
  • :
  • : 반년간
  • : 1228-503x
  • :
  • : 학술지
  • : 연속간행물
  • : 1994-2021
  • : 554


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47권0호(2021년 08월) 수록논문
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KCI등재

1사진저작권의 침해에 있어 창작성 판단의 기준 - 창작성 판단의 두 가지 단계를 중심으로 -

저자 : 최형구 ( Choi Hyung Koo )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 8-20 (13 pages)

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In case of copyright infringement of photographs, the most important issue of the court procedure is how the creativity of the copyrightable photograph is determined. This issue is, in normal practices, determined in two different stages.
First is the stage determining whether the plaintiff's photograph is a copyrightable work. In this stage, the court shall find if the photograph contains any creativity. In the second stage, the court shall find which are the copyrightable parts of the photographs. Then the court shall compare the copyrightable parts to the corresponding parts of infringer's photograph, and finally determine the substantial infringement.
With the research, it was found that the some domestic courts unreasonably restricted creativity of photographs in the above stages. These are compared to foreign court precedent cases that have accepted generally creativity for almost all photographs. Moreover, the courts tried to limit excessively the protectable range of photography copyright. This paper compared and analysed the copyright infringement cases of photographs in domestic and foreign courts, clarifying the above different standards in two different stages, and proposed some suggestions for protecting photograph copyright.

KCI등재

2기술매체 기반 미술의 근본문제 - 사진, 뉴미디어, AI -

저자 : 박평종 ( Park Pyungjong )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 21-34 (14 pages)

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This article deals with the main issues of art based on technical media leading to photography, computer based new media, and AI. Photography, which was born as a technical medium in the 19th century, became an important axis of contemporary art by combining it with digital technology and computers that quickly spread in the late 20th century. The so-called “AI project,” which started in 1950s, was rapidly developing into the 21st century, and is encouraging the evolution of the technical medium. Digital technology and computer engines are now at the center of contemporary art. The direction of this change is clear. In other words, the automaticity of the program is becoming more advanced. Photography, the first technical medium, started with 'low-level automation', but through computers and new media, 'high-level automation', such as an AI engine, is rapidly progressing. In this process, the original intention of human beings who planned the program disappeared and only 'functional automatism' remained. This is why the criticism of the technical media should consider this issue of “self-exclusion” as an object of reflection.

KCI등재

3빛과 시간에 대한 사진적 연구 - 사진작품 < Foresta > 연작을 중심으로 -

저자 : 김태중 ( Kim Taejoong ) , 천경우 ( Chun Kyungwoo )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 35-47 (13 pages)

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The series of the < Foresta > is a photograph work by the writer combining photographs and installation including the < Foresta - quasi a due > and < Foresta - reverse >. This research aims to study the notions of light and time prompted in the process of working on the < Foresta > series which takes a dark forest of an environment of specific light conditions as a subject matter.
The unique photographing method of emitting the large amount of low light running behind the tripod as leaving the shutter open was required in order to realize minutely scattering lights in the dark forest. This act of moving and shooting light is a basic element of the works, leading to the questions as to the light and time.
A series of < Foresta > an outcome of the concern and experiment regarding the medium of photography. The < Foresta - reverse > and < Foresta - quasi a due > attempted to work with different media are also drawn from the processes of researching the light and time. Through this research, it is expected to see the new examination that the photography with a great diversity of potentiality will acquire not only as a contemporary art but also as a theory of photography.

KCI등재

4고서화에 찍힌 도장 이미지의 디지털 분리 방법 - 해동 백계산 옥룡사 증시 선각국사 비명 병서를 사례를 중심으로 -

저자 : 장선필 ( Jang Seon Phil ) , 손영호 ( Son Young Ho )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 48-56 (9 pages)

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The purpose of this study is to decipher the seal on Haedong Baekgyesan Okryongsa jeungsi Seongakguksa bimyung byungseo which has been stored in the Suncheon Songgwangsa Museum. So far, it has been impossible to decipher the steal due to the overlapping of the letters on the paper. To overcome this problem, we employed a technique using a digital camera and a computer. First, we digitized the seal image using a high-performance digital camera, then classified it as four parts according to color density; white paper, black letters, red seal and overlapped seal with letters. Classification was done using correlation between the color, density and brightness of the seal and those of the paper. In this process, digital techniques were used, such as highlighting and weakening each area (paper, seal, letter, seal + letter) in a state good for separation. Then, we adjusted the color and luminance of the seal to a desired condition for digital separation, and the density and contrast were adjusted differently by digitally processing the density, luminance, and color of the paper and seal. The extraction was successful by changing the concentration and contrast of the sealed inju. Consequently, we successfully deciphered the seal on the Book.

KCI등재

5행위로서의 사진과 퍼포먼스 - reMEMBERed, Versus 시리즈를 중심으로 -

저자 : 천경우 ( Kyungwoo Chun )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 57-70 (14 pages)

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This thesis is a study on the possibility of extension of photography from the process of taking portraits, which aims to result in a photographic image, to a performance art in which the process itself becomes the center of the work.
The background and development process of the work are centered on the photographic series reMEMBERed (2002), Pseudonym (2004), and Versus (2007), as well as the performance works 18x1Minute (2004) and Versus (2007-2012) derived from photographic works. In addition, noteworthy parts of the contents that various theorists have described about the artist's work are extracted and compared with the author's thoughts. Based on this, various examples of a performance work, which is a work as a work itself and 'photography as a holistic experience of space and time', is presented along with the image of the work, and through this, the possibility of new recognition of the photographic medium is discussed.

KCI등재

6언캐니, 아버지의 이름과 북한 영화 - '태양아래, 2016'를 중심으로 -

저자 : 김석원 ( Kim Seok Weon ) , 민경현 ( Min Kyoung Hyoun )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 71-83 (13 pages)

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The study focused on Sigmund Freud's "Uncanny" theory and Jacques Lacan's "Name of the Father" theory. The purpose of this study was to examine the inner side of the characters through the theory of psychoanalysis along with the reality of North Korea. The important thing about this movie is that the North Korean authorities intervened to promote the movie, which depicts an ideal life in an ostensibly ideal country. The movie costs North Koreans a lot to realize their ideal world. It also recorded the cruelty, misery and repressive environment of North Korea. "Under the Sun, 2016," the title of the film, accuses the oppressed governance structure that leads to Kim Jong-il and Kim Jong-un in the reign of North Korea's sun, Kim Il-sung. Kim Jong-un is revered as the father of the people by the North Korean people in a decisive sense, but in reality, he only shows an ugly father. Recalling the fact that the film director is a Russian director, it is an opportunity to reflect on the Stalinist era of the Soviet Union through North Korea, and it proves that North Korea is an oppressive and cruel regime. Recalling the fact that the director of "Under the Sun, 2016" is a Russian director, it is an opportunity to reflect on the Stalinist era of the Soviet Union through North Korea, proving that North Korea is an oppressive and cruel regime.

KCI등재

7확장된 표현으로서의 '사진적 사실주의' - 다큐멘터리 스타일의 귀환 -

저자 : 허용무 ( Heo Yong Moo )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 84-100 (17 pages)

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“Documentary style”is a new style and strategy which appeared widely in the process to realize the expression types of modern art based on post-modernism including conceptual art and post-structuralism in order to express the state of a period changed since 1990s.
Direct influences were given to neutral photographs which developed through photographic realism and to the expression types of modern archive art which is a new artistic finding in modern art and important artistic practice since 2000's. The thesis was focused in the trend of the art in such time.

KCI등재

8언론에 노출된 대남삐라 사진의 영향 분석 - 정서적·인지적 반응을 중심으로 -

저자 : 정은진 ( Jung Eun Jin ) , 김성우 ( Kim Sung Woo ) , 이상은 ( Lee Sang Eun )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 101-115 (15 pages)

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The study is about the impact of North Korean leaflets reported in the media. It is particularly a study of emotional and cognitive effects. Four-topic leaflets were interviewed by 14 people. Most of the participants who saw the anti-South Korean leaflets reacted negatively. There were more participants who answered that they were not affected by each anti-South Korean leaflets than those who said they were affected. However only four participants answered that all leaflets were unaffected.
This study is valuable as a study of the peacetime anti-South Korean leaflets. And it is valuable as an evaluation of effectiveness and in that it is a study of anti-Korean leaflets reported in the media.

KCI등재

9《은밀한 강박관념》작품론

저자 : 양혜정 ( Yang Hye Jung ) , 신성균 ( Sheen Sung Kyoon )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 47권 0호 발행 연도 : 2021 페이지 : pp. 116-126 (11 pages)

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The Secret Obsession is a photographic work that expresses the inferiority complex of beautiful legs that women have with stockings as a medium. Stockings are more than a simple consumable and have a duality that makes them accept the inconvenience of wearing to supplement the desire for body beauty. Photographer Hyejung Yang deals with the subject of passion and obsession for beauty as a two-sided psychological action projected on stockings through this work. However, she no longer used stockings to symbolize the oppression or the complex produced by obsession. Instead, Yang tried to reproduce the psychological desire for a slender leg shape as a positive photographic image combined with joy and freedom. In the process of contemplating, photographing, cutting, attaching, and assembling stockings of various designs, the obsession that has been secretly working so far begins to appear healthy to the outside. It contains metaphorical, parody, and sometimes simile messages behind strong patterns, rhythms, decorations, and colors. Yang placed a mannequin with stocking on a background and objects that she separately produced, photographed with a digital camera, and edited with Photoshop.

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KCI등재

1'Chaosmos' 사진작품에 대한 연구

저자 : 리일천 ( Lee Il Chun ) , 임재문 ( Lim Jae Moon )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 6-20 (15 pages)

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The researchers are the same position of the Pre-visualization photographers, and pursue the Pre-visualization approach, which presses the shutter after imagining the final scene of a subject. The researchers' background of Pre-visualization is Sunyata. It is a trial to make it visualized. The concept of Sunyata is to thoroughly look into an object itself. In the concept of Sunyata from Buddha, it closely focuses on that there is the will to carve out the destiny which cannot help human being contorted with sadness and pain. The demand of Buddha to look into inevitable problems in human being is satisfied with the photographic work. It is the reason why the researchers study into the concept of Sunyata. The demand of Buddha and the Pre-visualization photographic work are in common. The researcher's pre-visualization work is definitely different with the Post-visualization work. The Post-visualization work is surrealistic, that makes images by additional work on the photo taking and its process. By comparison, there is no artificial additional work in pre-visualization which the researchers pursue. The result of thorough looking, finding and choosing of objects, that has semantic structure brings the revolution of awareness. That is just 'the curable freedom.'

KCI등재

2< In the Beginning >전(展) 작품론

저자 : 김지영 ( Kim Ji Young ) , 신성균 ( Sheen Sung Kyoon )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 21-32 (12 pages)

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In this photographic thesis work, 'In the Beginning', Kim, the 1st author of this study deals with the fundamental questions such as 'How did humans begin?', 'How did the time and space we inhabit start?', 'What did aspects of the very beginning look like?', and so on. Kim believes that the sights of the beginning might have been left behind as some traces; he wants to depict such aspects of the beginning by using photography which proves being of any object in front of camera by capturing a realistic image of it as an index. In common sense, vital elements for life are air, earth, water, and light; to put them altogether as subject matters in his photographic frame, Kim went to many seashores along the coastline in Korea since Fall 2015. By composing those objects in square format, which generates less tension but more balance, with some distinguished horizontal lines, he attempts to represent an atmosphere of order in the very beginning of the world. For this project, he used a 35mm DSLR camera and printed of 120x120cm, 70x70cm on Textured Cotton Paper using a pigment-based inkjet printer.

KCI등재

3시니어를 위한 포트레이트(Portrait) 사진교육 프로그램에 대한 연구 - '인생사진(영정사진) 프로젝트'를 중심으로 -

저자 : 김문정 ( Kim Moon Jung )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 33-45 (13 pages)

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The origin of this research stared from the consideration of necessity about educational program toward various targets, especially senior generation. Compare to former period, photography educational programs had been exploded to various age targets and ranges, but its curriculum and contents need to be more specific and particular in order to cover their needs. This research focuses on portrait photography educational program to seniors who requires differentiated photographic experiences. Seniors, who retired from main decade of their life, deeply interested in their portrait photography which may be used for their portrait of the deceased. Thus, this research mainly focuses on how to apply portrait photography to senior class range who are eager to learn and utilize their portrait.

KCI등재

4포스트포토그래피 시대의 다큐멘터리 표현방법으로서의 연속사진 - '관광 공간Ⅱ' 개인 작업을 중심으로 -

저자 : 허용무 ( Heo Yong Moo )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 46-63 (18 pages)

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The amazing technological prowess of the post photography age has made it very commonplace to doctor photographic images through transformation and composition of images. Such phenomenon made me consider what the essence of changed photographs were while transforming the status of authenticity of photos established ontologically. This study aimed at verifying whether sequence photo expression methods were still valid as documentary photo expression methods in the age of post photography through personal works. The personal work 'Tourism Space II' recorded the appearance of the global tourism industry that changes the world into a single massive tourism attraction through the behavior of tourists and the appearance of individual groups of people that exist anonymously in the midst of tourism spaces during the course of consuming tourism products. The sequence photo expression is a format found in the course of overcoming the concept of time and space formed by a 'decisive moment'. Sequence photos are not only useful to provide various information, but also it has the advantage that it can also offer information on the environment surrounding the environment. Therefore it was evident that it is a useful expression method to analyze the structure of the diverse and complex contemporary society.

KCI등재

5유머가 군(軍)의 홍보효과에 미치는 영향 연구 - 유머의 강도와 수용자 관여도를 중심으로 -

저자 : 김종현 ( Kim Jong Hyun ) , 김진수 ( Kim Jin Su ) , 양종훈 ( Yang Jong Hoon ) , 이상은 ( Lee Sang Eun )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 64-81 (18 pages)

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Republic of Korea Army is actively utilizing advertising contents with humorous factors in order to effectively deliver its policies and military life information to its users. Rather then whether humorous advertising contents are effective or not, this research focuses on how humorous military advertising contents affect the users' attention-emotion-trust in message-change in attitude, especially between different types of users by analysing the characteristics of the participants, henceforth advising contributing to the betterment of future Army advertisement policies. For this research, Web-based shows that Republic of Korea Army has created to advertise Outstanding Warrior policy that was posted on Facebook and documentary genre video clips were used. These clips were shown to high involvement group composed of 100 commissioned officers, and low involvement group composed of 67 university students, and then were surveyed through questionnaires to analyse the reaction. The result demonstrated that both high and low involvement groups showed positive effect on humor. Furthermore, high involvement groups showed greater positive effect to humor. As such, the analysis showed Army using humor as advertising method is contributing to providing positive perspective to its users.

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