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The Korean Journal of Dance Studies (KRSDS)

  • : 한국무용예술학회
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수록정보
수록범위 : 1권0호(1998)~86권2호(2022) |수록논문 수 : 743
무용예술학연구
86권2호(2022년 06월) 수록논문
최근 권호 논문
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KCI등재

저자 : 윤지현 ( Yoon Jihyun )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 86권 2호 발행 연도 : 2022 페이지 : pp. 1-16 (16 pages)

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This study started with the observation that many discussions on art production in the field of post-dance, that is, “dance after dance,” overlooked discussions on the audience. Through literature research on the audiences of experimental choreographies and performances, the audience characteristics of contemporary arts was understood, and the importance of audience participation was confirmed. The general audience's response to the experimental choreography was collected through non-professional review cases and lecturer interviews. In the context of contemporary choreography, which has emphasized the social and political roles of arts, this study insists that the art practices of post-dance should go beyond discussions only by limited producers and experts.

KCI등재

저자 : 김명현 ( Kim Myonghyon )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 86권 2호 발행 연도 : 2022 페이지 : pp. 17-35 (19 pages)

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This study examines choreographer Jérôme Bel's performance dramaturgy which has led the discussion on the ontology of dance in Europe since 1990s. As a method of study, this paper reads Roland Barthes' works focusing on Writing Degree Zero, and Bel's works, the name given by the author and Jérôme Bel. Bel's dramaturgy has largely based on Roland Barthes' theory known as writing degree zero or neutralization which erases authors' style. Accepting Barthes' theory, Bel created unprecedented types of work which are now called 'choreography' far different from a traditional concept. The results suggest that his works provide rich meanings and discourses from the texts. Besides his formal experiments, Bel puts emphasis to create discourses surrounding dance mainly focusing author, dancer, and audience to criticize the mystified ontology of dancers, the body image that the capitalism renders. Due to the dense signifiance of his texts, death, absence, ephemerality, emptiness, and nothingness are always revealed beyond the surface.

KCI등재

저자 : 김지인 ( Kim Ji-in ) , 최상철 ( Choe Sang Cheul )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 86권 2호 발행 연도 : 2022 페이지 : pp. 37-48 (12 pages)

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The purpose of this study is to investigate the aesthetic significance of non-danse and to suggest the possibility of expanding the scope of dance. We analyze Jérôme Bel's Nom Donné par L'Auteur based on Alain Badiou's theory of inesthetics. In the process of analysis, this study intends to reconsider the perception of 'what dance is'. As a result of interpreting Jérôme Bel's work into 'the six principles of dance' suggested by Badiou in his essay “Dance as a Metaphor of Thought”, it is found that non-danse, a form of experimental art, provided artistic significance suitable for the new era. As such, when the ontological significance and characteristics of dance are discussed in various ways from the perspective of a new aesthetic transformation, the extension of dance art will be expanded and diversified, and its value will be rediscovered.

KCI등재

저자 : 이지혜 ( Lee Jihye )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 86권 2호 발행 연도 : 2022 페이지 : pp. 49-60 (12 pages)

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The purpose of this study is to present the direction of development of dance performances by analyzing new aspects of dance performances using ICT.
Looking at the works of interaction technology, AI technology, and technology that reconstruct space, the digital phenomenon that appears is spatio-temporal change, virtual reality, and interaction with technology.
This digital phenomenon shows a pattern of de-boundary in which the boundaries of audiences, dancers, and technologies are broken due to the use of technology, and shows an inter-convergence pattern in which performance elements fuse with each other to create new things.
In order to develop dance performances in the ICT era, which show a pattern of de-boundary and inter-convergence, continuous interest and research on high-tech technologies are required, and based on this, dance training, economic support, and education to actively use high-tech is needed.

KCI등재

저자 : 조영주 ( Cho Youngju ) , 박익열 ( Park Ikryeul )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 86권 2호 발행 연도 : 2022 페이지 : pp. 61-76 (16 pages)

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The purpose of this study was to investigate the effect of attribution tendency on achievement motivation in 201 university students majoring in street dance. To this end, a surveyed for the data were analyzed using SPSS 21.0 program and the results were as follows. First, there was a significant difference in attribution and achievement motivation according to performance grade only in achievement motivation by grade level. In other words, in adventurous spirit among the sub-factors of achievement motivation, the higher the grade (4>3>1·2), the higher the perception of adventurous spirit. Second, internal attribution tendencies showed a positive effect on all sub-factors of achievement motivation (passion, hope, adventurous spirit, self-confidence), and external attribution tendencies showed a negative effect on passion and hope among the sub-factors of achievement motivation. Chance attribution tendencies had no effect on achievement motivation.

KCI등재

저자 : 최시원 ( Choi Si Won )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 86권 2호 발행 연도 : 2022 페이지 : pp. 77-92 (16 pages)

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This study is about a creative dance work llusion choreographed on the basis of dependent origination. This dance work was composed based on meanings and structure of dependent origination as a Buddhist perception of phenomena, and symbol of Indra-jala. The objective of this study is to draw the artistic value and symbol by establishing the theoretical basis for the production of the work based on dependent origination, and then applying it to the creation of movements and composition of space as a methodology. Through this process, this study aimed to discover the artistic meanings and implications of the process of changing a theory into a work.

KCI등재

저자 : 최원선 ( Choi Won-sun )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 86권 2호 발행 연도 : 2022 페이지 : pp. 93-106 (14 pages)

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본 연구는 「살풀이-80」과 안무가 이정희의 창작 방식과 안무 개념, 그리고 사회문화적 의미에 대해 문헌연구와 구술사를 중심으로 탐구하여 전통 살풀이춤의 특색있는 해석과 현대적 변용의 사례 연구를 통해 전통문화의 효율적 활용방안에 대한 시각을 제시한다. 이정희의 「살풀이-80」은 전통 무용과 문화를 바탕으로 한국적 정서와 특징을 현대적으로 해석한 최초의, 그리고 가장 실험적인 창작물로서 그 의미가 크다. 이 작품은 비극적 역사인 1980년 광주 사태를 주제로 하여 한국인이 겪는 한의 정서를 은유적으로 표현하고 있으며, 살풀이춤의 주술적 의미인 살-나쁜 기운을 씻어내는 개념-을 현대적인 해석으로 발전시킨 작업이다. 이를 위해 이정희는 호세리몽 테크닉과 한국춤의 교합점을 찾고, 태권도를 이용한 움직임의 한국화를 시도하였으며, 구음을 연상시키는 소리를 사용한 미니멀한 음악과 자연과 인간이 어우러진 영상을 함께 활용하여 한과 혼란을 표상화한 추상적 상징성을 극대화하였다. 「살풀이-80」은 전통적인 것과 현대적인 것, 오래된 것과 새로운 것, 그리고 독창적이고 변형된 것 사이에서 적절한 균형을 유지하여 한국 전통의 성공적인 현대적 변용의 사례라 할 수 있으며 또한 안무가 이정희가 구축한 독특한 한국 전통문화의 현대적 변용에 중요한 역할을 하고 있다.

KCI등재

저자 : 서예원 ( Suh Yewon )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 86권 2호 발행 연도 : 2022 페이지 : pp. 107-110 (4 pages)

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