In modem times, women who became aware that women were also subjective humans demanded that they break away from the otherized role of relying on others and establish new human relationships as equal subjects to men in society and family. This means that women, who are distinct from the existing otherized female images at each level of men and women, families, and society, have emerged as independent and subjective individuals. However, in the process of realizing subjectivity, women were easily otherized by male subjects who created the dominant discourse of history and state.
For the literature of Korean and Chinese female writers Kim Il-yeop and Lu-In in the 1920s, this paper identified the aspects of recognizing women's otherness in reality such as free love, marriage, and social participation, and reviewed how to respond to otherness by aiming for subjectivity. In the Literature, the two writers showed accusations against men who are distorted free love, opposition to otherness in marriage, and responding to otherness by raising questions about male-centered order in the process of participating in social activities for self-realization. Based on their experiences, the two writers sought ways to overcome women's otherness in their works and tried to present directions in their lives as true female subjects.

The purpose of this study is to plan a color scheme for the Gonjiam Logistics Center that reflects the meaning of the background color from the point of view of the color of the relationship. As the color planning considering the rectangular box-shaped mass is being carried out centering on the large-scale distribution center, the meaning of the primary color is greatly emphasized. We would like to propose a plan that considers the user's convenience by color classification for each space.

The influence brought about by the development of digital civilization is also affecting the field of fine art. The recent development and commercialization of the metaverse platform is leading to the emergence of virtual art exhibition halls, smart exhibitions in which the audience actively participates in the space, and immersive media that feel the space as if it were offline. The change in the exhibition space that can be predicted with the development of metaverse technology can be viewed as first, the enhancement of user experience, and second, the evolution of the exhibition guide system using smart devices and the evolution of the digital archive service. The metaverse is believed to bring about a revolutionary change in the exhibition space while at the same time establishing a new realm by questioning the traditional role of the exhibition space in many ways.

This study conducted a comparative analysis on floor plans and natural ventilation performance of remodeled and reconstructed apartment housing. The purpose of this study is to provide a reference for further research on remodeled and reconstructed apartment housing. The study areas are three different sized units of remodeled apartment housing and of reconstructed apartment housing, a total of six apartment units. We conducted a comparative analysis on the characteristics that appear in the floor plans between remodeling and reconstruction. The result showed that 1) the remodeled apartment units are extended vertically length-wise and relatively have fewer bays, while the reconstructed apartment units are longer horizontally and have more bays; 2) the reconstructed apartments tend to have more balconies than the remodeled apartments and remodeled apartments tend to have larger common space such as living room, kitchen, and entrance; 3) the depth of the rooms measured using space syntax is deeper at the reconstructed apartments compared to the remodeled apartments; and 4) natural ventilation performance was relatively better at the reconstructed apartment housing.

As the Act on the Promotion of Public Design was enacted in 2016, domestic public design is proposing a new public design paradigm starting with the first comprehensive plan for public design promotion established by the Ministry of Culture, Sports and Tourism in 2018. However, the existing design guidelines are design guidelines presented in the basic plan for urban design and public design before the establishment of the first comprehensive plan for public design promotion. This is inconsistent with the current public design promotion plan as guidelines are presented as construction and design criteria rather than design perspective by applying guidelines such as national construction standards, directives, and regulations of central ministries. Therefore, this study began with the aim of deriving the direction that the design guidelines of the public design promotion plan to be established by each local government in the future based on the first comprehensive plan for public design promotion. In order to examine the trend of design guidelines from the perspective of public design, this study first reviewed the institutional definition of public design and guidelines proposed by domestic law, and compared and analyzed the current status of design guidelines and classification system for each local government. Therefore, in this study, based on the analysis of the change in the composition system of design guidelines following the establishment of the first comprehensive plan for public design promotion, it was found that guidelines were gradually established in consideration of the characteristics of local governments. As a result of this study, the guidelines of the public design promotion plan are expected to have a direction to guide the entire process to the design stage of consultation, deliberation, construction, supervision, maintenance, and management.

This study aims to analyze the effects of color contrast with adjacent colors on architectural formation according to time and various perspectives of palace architecture. The subjects of analysis include Geunjeongjeon, Sajeongjeon and Gangryeongjeon of Gyeongbok Palace. While approaching them from the farthest point, the dominant colors of the motif and members of the framework were measured to determine the presence of any noticeable contrasting color scheme, and the relationship between the color contrast and the architectural form was then analyzed. The following results were ascertained from the study: First, the color contrast of the palace embodies the formative language of an infinite dimension according to time and space. More specifically, although the palace produces a simple monochrome architecture image from a distance, it is transformed into a much more colorful one from a closer distance. Second, it takes the form of a holistic structure from a distance, but when seen from closer it takes the form of motif and member of framework. Third, it establishes the effect of a three-dimensional structure from a distance, but forms that of the motif and member of framework upon closer inspection. Fourth, the shape of the supporting roof, the three-dimensional effect of the gongpo, and the emphasis on the main structural members compensate for the visual anxiety of elevation which is unfavorable in terms of color weight. Fifth, although it uses a small number of colors, the orderly symmetrical repetitive color scheme contributes to the expression of hierarchy (degree of splendor). Sixth, it can be interpreted as a metaphorical expression for long-term sustainability without damages from water, fire, cold and foreign invasions.