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The Collected Papers of Chinese Prose

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수록정보
수록범위 : 1권0호(2011)~13권0호(2022) |수록논문 수 : 145
중국산문연구집간
13권0호(2022년 12월) 수록논문
최근 권호 논문
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저자 : 한영걸 ( Han Yongjie )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 9-26 (18 pages)

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Admiration of rural hermitage in literary works during the Joseon Dynasty was from the seclusion thought of Zhuangzi. Accordingly, this study aims to examine how the seclusion thought of Zhuangzi was applied in creating literary works in Joseon.
The essence of Taoism of Zhuangzi is freedom (逍遙遊), which is seclusion thought pursuing mental freedom from constraints of secular life. In the chaotic situation of the Wei-jin South and North Dynasty period in China, Confucianism declined, and Taoism of Zhuangzi emerged as a good philosophy, leading to the popularity of seclusion life. In contrast, in the Sui-Tang dynasties, the popularity of such a life declined, which shows that, while, in peaceful times, the literati favored Confucian activism, they, in chaotic times, or, if they were politically misfortunate, they sought psychological solace from seclusion thought of Zhuangzi.
Even if the Joseon Dynasty adopted neo-Confucianism as the ruling theory, and excluded other theories as heretics, it only allowed seclusion theory of Zhuangzi to influence the literati as admiration of rural hermitage life. In the earlier period of the dynasty, the hermitage life was somewhat popular among anti-regime critics and some of politicians in the central government. But, after purges of Confucian scholars, such a life was very popular among the literati. Excluding anti-regime critics, however, it can be said that scholar-politicians of Joseon Dynasty favored having government positions and participation in politics to seclusion.

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저자 : 고광민 ( Ko Kwangmin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 27-46 (20 pages)

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Only when humanities constantly communicate with modern readers and undergo new changes in accordance with reality can they maintain their vitality. There fore, the popularization of humanities is not just a temporary movement, but should be constantly explored to set the right direction. From this perspective, the author tries to review how the popularization of "ShiJi" is carried out, taking the publications from 2010 to 2021 as the research object, content and characteristics. Over the past 12 years, 177 publications have been published, including 75 original translations (43 percent), 55 (31 percent) for ordinary adults, 36 (20 percent) for children, and 11 (6 percent) for teenagers.From the point of view of popularization, these publications have a strong academic nature centered on the translation of the original. The emphasis on conveying the meaning of the original “ShiJi” is somewhat inadequate, taking into account both the variations and applications of reality.To solve this problem, publications need to improve the readability of Historical Records, differentiate the readership and consider its specific application.Considering the changes in reality and the preferences of the MZ generation, it is necessary to change the way of reading a single paper edition of “ShiJi”.

KCI등재

저자 : 이은진 ( Lee Eunjin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 47-63 (17 pages)

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The Southern Song dynasty began its era due to the invasion of the Jurchen tribe, and also suffered the misfortune of meeting its end by the Mongols. The literati of the Southern Song, who had the painful experience of being deprived of their territory by a northern foreign people, wrote down their pain in various ways as literary works. Some left a record of their experiences so as not to forget the humiliating history, and others also expressed a strong will to fight and patriotism to recover the lost land through poetry. However, here are the works that depict the land of the lost homeland in a slightly different way from the above, and they are Meng Yuanlao's 『Dongjingmenghualu』 in the early Southern Song and Zhou Mi's 『Wulinjiushi』 in the Late Song Dynasty and the Early Yuan Dynasty. They remember the most splendid and beautiful days of the past that they experienced directly or indirectly, and now they are depicting in detail the spaces of attachment that have become foreign countries. Through these two ironic works that sang the joy of prosperity rather than the sadness of ruined country, this study attempts to take a look at what the image of the homeland that the literati of the Southern Song tried to portray was. In addition, this study will analyze the reasons why they left such works at the time from the perspective of 'healing', and examine together what writing strategy each work has.

KCI등재

저자 : 김미라 ( Kim Mira )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 65-93 (29 pages)

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The arranger(editor) of the anthology attempts to scripture the work through the selection of the work and criticism. In other words, from the perspective of Canonization, Mao Kun arranged the works of the Tang Song period reflect his values which about classical literature and social background at the time. In particular, the writers of Song Dynasty and Ming Dynasty have many similar parts. Both of them developed philosophical reasons and valued the function of literature. In addition, both periods politically advocated 'politics through literature' and implemented the Keju(科擧) system to give and promote literature and education considerably. Politics and education are closely related to canonization. As is well known, in literary history, the "唐宋古文運動" was both a literary and social movement. After Mao Kun, each of the eight literal advisors during the Tangsong period was canonized with the concept of "TangSongBadajia(唐宋八大家)" which again linked the negative effects and education of the Keju(科擧) system which for selecting talented person during the Ming dynasty.
In this study, the “records of school" was viewed as learning, and examined the perception of learning held by ancient Chinese writers. In any case, learning is not simply an action from the learner's point of view, but reflects a lot of content and perception. For example, the perception of the space of school, a place where learning takes place, and the educational philosophical meaning and perception of the behavior and ideal pursuit in this space. In the case of the "records of school" it can be seen as a record of a building called a school or a record of learning. The architecture reflects the aesthetics of the builder, values and spatial consciousness, and the social background at the time.
In short, it can be said that the "records of school" included in the Mao Kun's "TangSong Badajia WenChao(唐宋八大家文鈔)" was not only for educational purposes for the Keju(科擧) system, but also for the attempt of Canonization in the TangSong Badajia's works and the relationship between the Song and the Ming dynasty.

KCI등재

저자 : 范宜如 ( Fan Yi Ru )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 95-112 (18 pages)

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From a world history point of view, Beijing is a city never to be neglected. Whether in terms of the formation and accumulation of regional experiences, the retrospection of its history as a capital city, or the sacred landscapes it hosts, Beijing has always been the focus of attention in Ming-Qing literary and cultural studies. Through an in-depth examination of the Dijing jingwulüe, this study reveals Beijing's folkloristic character in addition to its history as the capital of the empire. More precisely, this study investigates the compilation of the Dijing jingwulüe, analyzing how it, through the elaboration of the folklore and the material in Beijing, projects a prosperous image of the city. In general, this study focuses particularly on folklore description, hoping to sketch out Beijing's folklife and cultural memories, there by contemplating on the craftsmanship and meaning interpretation in Ming-Qing city writing.

KCI등재

저자 : 王珂 ( Wang Ke ) , 韓鍾鎭 ( Han Jongjin ) , 唐潤熙 ( Dang Yunhui )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 113-140 (28 pages)

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This study, from the diachronic perspective, based on the field surveys and some interviews, verifies the present geographic names of the places which were passed by the Joseon(朝鮮) envoys, especially around the castle of Qingzhou Fu(靑州府城). From Nanyang river(南陽河) to Fugong pavilion(富公亭), Joseon(朝鮮) envoys passed Wannian bridge(萬年橋), Biaohai pavilion(表海亭), Mituo temple(彌陀寺), Qingshe station(靑社驛), Zhenqing gate(鎮靑門), Fugong pavilon(富公亭), and looked over Yunmen mountain(雲門山). It will help to confirm and reconstruct the shipping routes of the Joseon(朝鮮) envoys in Qingzhou Fu(靑州府) during the alternation of Ming(明) and Qing(靑) Dynasties.

KCI등재

저자 : 권석환 ( Kwon Seokhwan )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 141-161 (21 pages)

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The purpose of this paper was to understand how Emperor Qianlong perceived the landscape. The imperial Qianlong tour created numerous landscapes and gave meaning. The perception of such a landscape was sufficient to change the conquistador image of Qianlong. Therefore, the attitude toward the landscape of Emperor Qianlong was called 'Landscape Management'.
Emperor Qianlong changed the characteristics of the eight scenic spots. 'Eight Scenic Views of the landscape', which contained the unworldly view of the literary godfathers of the Song Dynasty, and 'Eight Scenic Views of the landscape', which was an ideology for national domination after the Jin Dynasty, changed during the emperor Qianlong. Eight Scenic Views of the Beauty Spot means that a landscape forms a beauty spot. This is because the geographical category of the landscape is narrowed and the number of sceneries is expanded to highlight the characteristics of each landscape, while strengthening the placeness and adding consolation and comfort functions. This strengthened the psychological effect by making the distance between the landscape and the viewer close. Through historical evidence of the existing landscape, poetry and paintings, the emperor Qianlong reconstructed the landscape, and built monuments and buildings in each landscape to take coordinates and promote the localization of the landscape. The emperor Qianlong pursued a "small landscape" nearby. The small landscape was thought to be sufficient to resemble the great universe.
The inclusion of "the world" in the small landscape of the emperor Qianlong is in line with the strategy of "seeing the big through the small" as a national ruler. This political strategy is a governing logic and concept that runs from the "house" to the "state" of Confucianism, and it was believed that the individual's capabilities could be in charge of a huge "world." In addition, the idea that the "beautiful scenery" in the small mind of humans is endless and infinite out of the world is due to the influence of Buddhist logic.
In conclusion, it can be said that the emperor Qianlong contributed to the redefinition and expansion of China's landscape culture.

KCI등재

저자 : 김호 ( Kim Ho )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 163-182 (20 pages)

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This study is an attempt to examine the problems of Korea-China diplomacy, which has failed to recover the previous strategic partnership after the THAAD crisis, from a humanistic perspective through the prose of 「liuguolun(六國論)」among classical Chinese prose. In particular, it was noted that President of the People's Republic of China Xi Jinping often cites Chinese classics as the theoretical basis of his policies when he announces his national policies. First of all, this study aims to improve current Korea-China relations based on the perspective of “caocuolun(晁錯論)” (蘇軾, 1037-1101), one of the numerous classics cited by President of the People's Republic of China Xi Jinping while explaining the feasibility of establishing national policies. I would like to present an essential but hidden problem that must be overcome for this purpose. Next, Sunyue(荀悅, 148-209) of the Eastern Han Dynasty's "liyiqimouliliuguolun(酈食其謀立六國論)" and Suche(蘇轍1039-1112)'s "liuguolun(六國論)”, “liuguolun(六國論)” by Hequfei(何去非, 1077-1145) and “liuguolun(六國論)” by Fanjun(范浚, 1102-1150)” and other classical Chinese prose that can suggest implications for the current Korea-China relationship, I would like to suggest a framework of thought for the diplomatic position that the Chinese side should aim for in the current Korea-China relationship.

KCI등재

저자 : 정세진 ( Jung Sejin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 13권 0호 발행 연도 : 2022 페이지 : pp. 183-223 (41 pages)

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Ni Zan(倪瓚), who lived at the end of the Yuan Dynasty, is famous as a gourmet. He wrote the 『Yunlintangyinshizhiduji(雲林堂飲食制度集)』. While studying the food culture of this era, I read this book. This text could be called 'Shipu(食譜)', it means 'the old recipe book'. In the case of this text, there are about 50 recipes for making various foods and alcohol. I judged the value of this book to be special. The rationale is as follows. First, it contains detailed recipes that anyone can make it again. Second, this book introduced various ingredients of this era. Third, these recipes sometimes reflect regional characteristics of the area around Wuxi(無錫). Fourth, this article reflects Ni Zan's cleanliness and characteristics as a gourmet. I introduced the translation and annotation result of this book in this paper. By introducing the entire contents of this book, I wanted to disclose that the value of this book is not different from my argument and it has value that can be used as a material to study food culture objectively.

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