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The Collected Papers of Chinese Prose

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수록정보
수록범위 : 1권0호(2011)~10권0호(2020) |수록논문 수 : 117
중국산문연구집간
10권0호(2020년 12월) 수록논문
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1先王退而诗书进:春秋直谏文辞的新变

저자 : 吴娇 ( Wu¸ Jiao )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 1-12 (12 pages)

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In the history books of the Pre-Qin Dynasty, the records of ministers' outspoken criticism of the monarch can be traced back to the Shang and Zhou Dynasties, and appeared in large quantities in the Spring and Autumn Period. Different from the argument that the old ministers of the Western Zhou dynasty were always quoted with "the way of the former king", the admonishing ministers with complicated status in the Spring and Autumn Period prefer to pay special attention to quoting from the poem, analyzing current events and transmitting the voice of the people when criticizing the monarch, and deliberately used rhetorical skills and logical argumentation to improve the persuadability of the direct admonishing words. These characteristics showed that in the Spring and Autumn period, when blood ties were weakened, cultural identity and rhetoric level gradually became a new bond to build trust between Kings and ministers, and finally led to the formation of vertical and horizontal debates in the Warring States Period.

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2『장자(莊子)』 우언(寓言)의 신화(神話) 수용(受容)과 중국소설(中國小說)에 미친 영향

저자 : 한영걸 ( Han¸ Yongjie )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 13-32 (20 pages)

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The Chinese mythology which is the origin of narrative literature such as prose and novel, has been lost and severed, so that it is very poor. However, this poor mythology could be handed down to the future generations and also have influences on the creation of literature like novel because of the great contribution of 『Zhuangzi's』.
The Chinese mythology that used to be abundant in the Yin-Shang Dynasty, was a lot lost and severed by the formation of proses and the process of changing the mythology into history, which was consciously performed by the rulers in the Western Zhou Dynasty. In the Warring States period, however, the spirit to change the mythology into history was broken by disciples such as Zhuangzi's of Taoism, and free discussions of thoughts by many scholars and schools. After that, the mythology barely maintains its existence.
Like this, even though 『Zhuangzi's』 played a very important role in connecting the mythology with novels, in the results of examining the existing researches, there have been almost no researches on this part. Therefore, this article intends to explore Zhuangzi's role as a link between myths and novels.

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3西晋论礼文的表现形态与风貌因革 -从“二社论”谈起

저자 : 徐昌盛 ( Xu¸ Changsheng )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 33-49 (17 pages)

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In the Book of Jin Li Zhi, the discussion articles about Fu Xian and Zhi Yu's "two social groups" showed the basic form of thesis on etiquette in the Western Jin dynasty, these articles mainly focused on the reasoning methods thought differentiating names and analyzing the theory, and the expression form of quoting and annotating the classics. The common method of differentiating names influenced the characteristics of the thesis on Etiquette in Western Jin dynasty in both the repeated and positive discussion of the rites and texts, also, the different emphasis on the annotations of the classics reflected the differences and the traces of the transformation of the thesis styles in the Wei and Jin dynasties. The study of rites is a prominent study in the Western Jin Dynasty. Thesis on etiquette is an important part of article-written in the Western Jin Dynasty, presenting a unique appearance of article-written in the Western Jin Dynasty.

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4구양수(歐陽修) 부체(賦體) 연구(硏究) -『거사집(居士集)』내(內) 작품을 중심으로

저자 : 李承信 ( Lee¸ Seungshin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 50-74 (25 pages)

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Fu(賦) style works of Ouyang Xiu are in a vague position in the boundary between verse and prose, but they have a unique style of art in Song Dynasty, making them important in literary history. He pursued the change of traditional Fu(賦) style of works, implemented his political and literary reforms through changes and expansion of sanctions and contents, and the creation of the Wenfu(文賦). In particular, the subsidiary Fu(賦) style works in his collection of writings, Jushiji(居士集) show the "Poti(破體)" of broken prose style characteristics of "YiWenweiFu(以文爲賦)" and "YiFuweiWen(以賦爲文)." Its prose style, such as a Jiwen(記文), a Jiwen(祭文) and a Xuwen(序文), contains beautiful and rich expressions, lyricism, narrative, and arguments. It also used a mixture of deformation and various prose style, focusing on routine sanctions, and restricted the use of sand dunes to express easy and natural beauty. Through everyday trivial subjects, it reveals various thoughts and emotions from individual tastes to life views and world views, and it has lyricism and argumentality. Ouyang Xiu, who pursued this kind of change in prose style, eventually created a new form called " 文賦(Wenfu)". OuYang Xiu's writing shows excellent completeness in content and form and actively reflects reality. Fu(賦) style works of Ouyang Xiu tend to correct poetic evils and insist on "治道(Zhidao)", and does not miss out on lyricism and entertainment. Ouyang Xiu established a new form of Fu(賦) style through communication and interaction of prose style by utilizing the characteristics of various sentences such as Siliuwen(四六文)and Guwen(古文).
Based on the above research, it can be seen that Ouyang Xiu approached Fu(賦) style that remained in the ambiguous area between verse and prose more in the prose style by changing and developing it. Therefore, conducting Fu(賦) style research as an prose style would reveal the change, development, and succession in a clearer and deeper way and enhance the value and significance of the Fu(賦) style. Furthermore, it will be an opportunity to reconsider the literary values of Baguwen(八股文), which was later introduced, and further highlight the characteristics of Chinese classical prose, which combines practicality and literary characteristics.

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5论欧阳修与曾巩的结交及其文学史意义 -兼及欧曾文道观之异同

저자 : 丁功谊 ( Ding¸ Gongyi )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 75-90 (16 pages)

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There is no detailed research on the time when Ouyang Xiu and Zeng Gong met. Zeng Gong called Ouyang Xiu the "bachelor deacon" in The first book for Ouyang Maester, which caused difficulty for people to infer the letter's writing time. In the first year of Qingli (1041), Ouyang Xiu was appointed as the general manager of the school and managed the secret Cabinet of the Third Museum. According to the old rules of the Tang System, he was able to be called a bachelor with such position. Therefore, the meeting time of Ouyang Xiu and Zeng Gongnshould be the first year of Qingli (1041) in December, when Zeng Gong started to prepare for the ritual department test at that time. Zeng hoped to reform the style of writing and revive the ideal of Confucianism and Taoism, which corresponded with Ouyang Xiu's idea of promoting the ancient prose movement, thus Zeng attracted Ouyang Xiu's attention and appreciation. They all respected the ancient scriptures and advocated the doctrine to be enlightened, but they also had great differences on it. Ouyang Xiu advocated the parallelism of the doctrine and tried to balance the relationship between the doctrine and the doctrine while Zeng Gong emphasized that Confucianism and Taoism were the origin and the foundation of literature, and did not pay much attention to language. Under the citation of Ouyang Xiu, Zeng Gong became a representative of the poetry and prose innovation movement in the middle period of the Northern Song Dynasty. Also, Zeng gong's personality orientation of Ouyang Xiu's "animal morality and ability article" actually contains the theoretical motif of "Dao Sheng Wen Zhi" in the poetry and prose innovation movement of the Northern Song Dynasty. Together, they established the ancient literary system after the Northern Song Dynasty and were collectively called "Ou Zeng" by later generations.

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6流贬海南的苏轼与庄子

저자 : 阮忠 ( Ruan¸ Zhong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 91-107 (17 pages)

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Su Shi was deeply influenced by Zhuang Zi's thought, the most prominent evidence is his three years of exile in Hainan. The acceptance about the appointment: Zhuang Zi's thought fits my mind, remaining emotionally detached though Zhuang Zi's thought and the peace of mind in "harmony with Tao" though Zhuang Zi's theory constituted three important aspects for him to accept Zhuang Zi in Hainan. Despite of Su Shi's self-expression, or the echo of Tao Yuanming's poems and songs, he used to take Zhuang Zi's though as his own thought, take Zhuang Zi's theory as his own theory, and be content with his own company.

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In the text above, the definition of Zhaziwen, the characteristics of Zhaziwen in Southern Song Dynasty, and the stylistic features of Lu You Zhaziwen were discussed. Lu You, also known as a patriotic poet, is not the only expression of his ideas in poetry. His prose works, especially those of government officials, and his participation in various political issues, are more deeply imbued with his ideas. With this premise, I analyzed the Zhaziwen of his reading. First of all, through the two sentences covered in this book, the stylistic characteristics of the Zhaziwen text can be summarized in several ways: First, it is as formal as possible when posting to the emperor or superior. Second, let's look at the opponent's arguments first. Third, since it is an official document, the basis of logic is essential.

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8起家振族:东莱门人叶诞及其家族

저자 : 慈波 ( Ci¸ Bo )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 127-139 (13 pages)

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Ye Dan learned from Mr. Dong Lai in The Ming Zhao Mountain, and made a successful candidate in the highest imperial examinations, which begins his career as an government official. " The Ye's genealogy in HuDong" records many epitaph articles about Ye's family, vividly presenting the civilian family history of Confucianism, especially the core characters and female characters are above all noteworthy. When Confucianism can be internalized and passed down, it is the sigh of the final establishment of the rise of the Ye's family.

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9양회염운사(兩淮鹽運使) 노견증(盧見曾)의 문화 활동 연구

저자 : 鄭世珍 ( Jung¸ Sejin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 140-160 (21 pages)

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Yangzhou(揚州) in the 18th century was a rich and mature cultural space. The salt merchant invested unselfishly in social and cultural fields, making Yangzhou a cultural center in Jiangnan(江南). During Qianlong, Lu Jianceng(1690-1768) was a competent official. When he was working in Yangzhou, he planned the cultural activities: first, he renovated Yangzhou's famous places. Second, he organized poetry societies with a large number of people to encourage literary creation. Third, he linked with money-needed scholars and salt merchants who had a huge collection of books to encourage academic activities. In Yangzhou, he planned a cultural event represented by poetic creation and academic activities, and gathered a large number of people, by holding a large-scale Red Bridge Poetry Society(紅橋修禊詩會) attended by more than 7,000 people, as well as by serving as a medium for linking scholars and salt merchants. He became the leader of Yangzhou's cultural space. Although it is a cultural activity involving many levels of interests, it is undeniable that Yangzhou became a cultural center in the 18th century because of Lu Jianceng's character.

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10清代文法辑录与文法流传

저자 : 蔡德龙 ( Cai¸ Delong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 10권 0호 발행 연도 : 2020 페이지 : pp. 161-178 (18 pages)

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The Qing Dynasty was a period of integration of classical prose studies, and the compilation of a large number of compiled and catalogued works of grammar played an important role in the inheritance of classical essay studies. Due to the popularity of the concept of "Taking Ancient Chinese prose as eight part essay" in Qing Dynasty, the compilation of Qing Humanistic Law is parallel with ancient Chinese proseand eight part essay. In terms of eight part essay grammar, Qing Dynasty grammar compilation compiled a large number of eight part essay grammar of Ming Dynasty, completed the canonization process of eight part essay grammar of Ming Dynasty; in ancient grammar, Tongcheng School compiled the main thesis of Tongcheng school from Tang and Song Dynasty to Tongcheng school, and constructed the grammar pedigree of Tongcheng school through grammar compilation. The compilation of grammar outside Tongcheng school is based on the standpoint of Zhang Daben school. Most of these works are against Tongcheng; or they are based on academic public will and widely compile famous articles and quotations in ancient books, which become the forerunner of selected literary theories of Chinese dynasties.

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