간행물

안과밖 update

In/Outside : English Studies in Korea

  • : 영미문학연구회
  • : 어문학분야  >  영문학
  • : KCI등재
  • :
  • : 연속간행물
  • : 반년간
  • : 1226-3761
  • :
  • :

수록정보
수록범위 : 1권0호(1996)~50권0호(2021) |수록논문 수 : 909
안과밖
50권0호(2021년 05월) 수록논문
최근 권호 논문
| | | |

KCI등재

1팬데믹, 대학, 그리고 『안과밖』

저자 : 성은애

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 14-20 (7 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기

KCI등재

2『안과밖』의 현재와 미래지속가능성의 모색

저자 : 이미영

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 21-25 (5 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기

KCI등재

3『안과밖』 50호 출간을 맞는 단상들

저자 : 유희석

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 26-36 (11 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기

KCI등재

45년간의 『안과밖』 경험

저자 : 손일수

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 37-43 (7 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기

KCI등재

5트럼프의 '위대한 미국'과 조지 플로이드 사건을 읽는 하나의 방법 : 『로빈슨 크루소』의 섭리론과 식민주의

저자 : 이성호 ( Lee Sungho )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 46-80 (35 pages)

다운로드

(기관인증 필요)

초록보기

The former U. S. President Donald Trump's well-known motto, “Make America Great Again,” while invoking the authority of America's Manifest Destiny, works as a rallying cry for American Exceptionalism. With such conservative nationalism, Trump poses himself as a bastion of Christianity and law, whose rightful enforcement is exemplified by the brutal military suppression of the Black Lives Matter Movement nationwide. To trace back to the origin of how Trump's Evangelical rhetoric serves to legitimize American Exceptionalism and institutionalized racism, this paper revisits one of the eighteenth-century Protestant spiritual autobiographies and overseas colonial adventure stories, Daniel Defoe's Robinson Crusoe.
Just as Trump turns to the Evangelical mission for the jingoistic self-definition of who Americans are, Defoe's classical work reappropriates Protestant Providentialism in order to flesh out England's nascent imperial ideals. Trump's exceptionalism resuscitates the America's by masquerading it as the accepted norms of American democracy. In a very similar vein, Defoe's narrator deviates from the conventional structure of tensions intrinsic to Spiritual Autobiography and Early Modern adventure narratives, the conflicts between free will and God's ways, original sin and redemption, colonialism and cannibalistic threat. Crusoe ultimately tilts the balance in favor of his egocentric construal of Providence and unabashedly cracks the mysteries of divine will in order to justify his imperial desire and British Exceptionalism. Crucial to Crusoe's egoistic turn, this paper argues, is the role of Friday, whose voluntary and willing embracement of Crusoe's cultural imperialism frees the protagonist from the ethical burdens of such a unilateral exceptionalism.

KCI등재

6다락의 경계 넘기 : 해리엇 제이콥스의 『어느 노예 소녀의 삶에 벌어진 사건들』을 중심으로

저자 : 박지은 ( Park Jieun )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 79-102 (24 pages)

다운로드

(기관인증 필요)

초록보기

This paper examines the representation of the garret in Harriet Jacobs's slave narrative Incidents in the Life of a Slave Girl (1861). Applying Arnold van Gennep and Victor Turner's framework with specific focus on the liminal or marginal period in rites of passage, I argue that Incidents is an autobiographical slave narrative that highlights the danger of being a fugitive and thus the difficulty of becoming a freeman. As the narrative centers on Jacobs' almost seven years of experience in the garret, the ambiguous and unstable status of a fugitive slave in “betwixt and between” is clearly underlined. By turning her garret into a political space to manipulate the master, and breaking the taboos on a Christian woman, Jacobs attempts to protest and subvert the white male society and contests the boundaries of race, gender, and class. The garret thus functions as a haven and the site of retreat and resistance for Jacobs, however, it does not guarantee her to further step into the postliminal period for incorporation and becoming a freeman. Difficulty of being aggregated into a white society and abnormal extension of the liminal period reflect the suffering of colored people not only in Jacobs' America but also in today's when we still shout out “Black Lives Matter!”

KCI등재

7보이지 않는 하얀 손에 대항하여 : 연극 「김씨네 편의점」의 한흑관계 다시 쓰기

저자 : 나은하 ( Na Eunha )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 101-124 (24 pages)

다운로드

(기관인증 필요)

초록보기

In light of the latest Black Lives Matter movement, this essay revisits the convoluted Afro-Korean history in the U.S. that culminated in the 1992 Los Angeles riots to rethink the meaning of solidarity in the context of racial capitalism. The unprecedented global movement towards transnational and cross-racial alliances has evoked the history of racial triangulation and mutual struggle under white supremacy, as the two racial minorities have vied for political and cultural citizenship. Korean-Canadian writer Ins Choi's 2011 stage play Kim's Convenience offers a contemporary Korean American perspective on the changing contours of the Afro-Korean relationship at a time when previous forms of race-based community disintegrate following the logic of individual success and upward mobility. Set in a small corner store owned by a first-generation Korean immigrant located in a rapidly gentrifying neighborhood in Toronto, mundane interactions between the Kims and black customers remind the audience of particular racial perceptions and relationships that operate in this historically charged space within the American cultural imagination. As the play progresses, the Korean-owned convenience store becomes a performative site of transformation where racial histories are evoked and can be reimagined. Kim's Convenience asks that we move beyond the racial past and envision a collective future against structural racism that persists in the form of transnational corporate capitalism.

KCI등재

8『길 위 1번지』, AI 제임스의 소설 : 「소설의 기술」과 인공신경망 알고리즘의 글쓰기

저자 : 윤미선 ( Yun Misun )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 124-154 (31 pages)

다운로드

(기관인증 필요)

초록보기

This article explores the implications of 1 the Road (2018), a fiction produced by an artificial neural network, for the debate on machine creativity. Unlike most of the recent deeplearning writing programs, its creator Ross Goodwin traveled with this neural network machine from New York to New Orleans in a Cadillac equipped with a surveillance camera, a voice recognizer, and GPS. The AI thus had continuous feeds of fresh images and sounds, not unlike a novelist who hits the road searching for an experience. I argue that we can better understand this attempt of 1 the Road when discussed alongside Henry James's realist notion of fiction in his essay “The Art of Fiction” (1884). Even though James is often considered an arch-humanist in his belief that fiction is an expression of the unique personality of a novelist, his idea of experience offers a way of understanding Goodwin's machine as a creative writer. Its algorithmic operation―processing the new sense data via the CNN algorithm and producing the result as writing via the RNN algorithm―is strikingly similar to the workings of the novelist's mind in James's view. I do not argue that those sense data are unmediated, and this fact is reflected in the CNN's algorithm that imitates the human mind. In fact, James asserts that sensory data are the result of mediated selection, which can only be seen through the final result, the writing itself. What I propose is that regardless of whether the machine has a so-called “consciousness,” its writing can affect the reader in similar ways as does a text written by a human being. As long as it works as a linguistic medium to relate the “experience,” which is the algorithmic process of selection and transcription, it is a creative writer.

KCI등재

9근대 초기 영국 희곡의 국외 연구동향 : 여성과 극장을 중심으로

저자 : 정유미 ( Jung Youmi )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 153-177 (25 pages)

다운로드

(기관인증 필요)

초록보기

This paper surveys recent studies in early modern English drama with a focus on women's active involvement in the seventeenth-century dramatic production and theater culture. Questioning the powerful cultural paradigm of “the English all-male stage,” critics of the late 1990s called for a need to revise the literary and theater history that had largely excluded women. While feminist critics have brought to our attention how early modern women's literary activities were neglected in the literary criticism, their revisionist projects of discovering women writers comparable to Shakespeare or Jonson fail to account for the women's more extensive contribution to early modern drama and theater culture. In the recent scholarship, the notions of women's dramatic production and theatricality have been considerably expanded to include non-commercial dramatic genres and women's diverse roles and their work in and out of the theater. Pointing out how women thrived in some dramatic genres such as translation, closet drama, and household drama, critics have emphasized the interconnectedness between women's “private” drama and a variety of theatrical traditions and dramatic forms in commercial, public theater. Early modern women's theatricality has also been broadly expanded to reexamine the significance of women's court and street performances, French and Italian actresses in London streets, and women's off-stage or on-page contributions to early modern dramatic literature and performance. Such interdisciplinary efforts have uncovered a diverse range of female theatrical activities beyond the single-sex playhouse stages, which has changed our understanding of early modern drama including the plays of Shakespeare and other canonical authors.

KCI등재

10제국의 시민권 : 2020년과 19세기 영국문학 연구

저자 : 설연지 ( Sol Yon Ji )

발행기관 : 영미문학연구회 간행물 : 안과밖 50권 0호 발행 연도 : 2021 페이지 : pp. 176-200 (25 pages)

다운로드

(기관인증 필요)

초록보기

This essay examines recent scholarship on imperialism and citizenship in nineteenth-century British literature. Against the backdrop of the coronavirus pandemic and the Black Lives Matter Movement of 2020, events that prompted worldwide discussions on citizenship rights and racial (in)justice, this essay interrogates the relative scarcity of scholarship on citizenship in the subfield of nineteenth-century British literature. Drawing on the postcolonial insight of the North American journal Victorian Studies's widely-discussed special issue for Spring 2020 titled “Undisciplining Victorian Studies,” this essay argues that studies on nineteenth-century citizenship requires an interdisciplinary approach connecting the achievements of diverse disciplines encompassing history, political science, sociology, and more. In the nineteenth century, the British people understood themselves as “British subjects” rather than citizens, which was not yet a concept fully legally embraced though the definition of citizenship was being actively developed in other contexts. Historically, discussions of British national citizenship focused on suffrage, which inevitably emphasized class as the central question. This essay proposes that gender and race deserve more scholarly attention, especially through an expanded understanding of a British imperial citizenship that can encompass more kinds of social belonging beyond the right to vote. The essay concludes by raising the the question of academic citizenship in order to highlight the importance of the inclusion and participation of scholars from both formerly colonized parts of the world and outside the British Empire.

123
권호별 보기
가장 많이 인용된 논문

(자료제공: 네이버학술정보)

가장 많이 인용된 논문
| | | |
1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

다운로드

2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

다운로드

가장 많이 참고한 논문

(자료제공: 네이버학술정보)

가장 많이 참고한 논문

다운로드

2미국의 비트코인 규제

(2006)홍길동41회 피인용

다운로드

해당 간행물 관심 구독기관

명지대학교 서울대학교 고려대학교 연세대학교 성균관대학교
 305
 117
 90
 88
 58
  • 1 명지대학교 (305건)
  • 2 서울대학교 (117건)
  • 3 고려대학교 (90건)
  • 4 연세대학교 (88건)
  • 5 성균관대학교 (58건)
  • 6 이화여자대학교 (55건)
  • 7 중앙대학교(서울) (54건)
  • 8 동아대학교 (40건)
  • 9 부산대학교 (36건)
  • 10 서강대학교 (30건)

내가 찾은 최근 검색어

최근 열람 자료

맞춤 논문

보관함

내 보관함
공유한 보관함

1:1문의

닫기