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중국학논총 update

Journal of Chinese Studies

  • : 고려대학교 중국학연구소
  • : 인문과학분야  >  동양사
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  • : 연속간행물
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  • : 1229-3806
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수록정보
수록범위 : 1권0호(1984)~74권0호(2021) |수록논문 수 : 888
중국학논총
74권0호(2021년 12월) 수록논문
최근 권호 논문
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KCI등재

1≪左传≫引谚研究

저자 : 趙冬梅 ( Zhao Dongmei )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 1-23 (23 pages)

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As the most exquisite verbal discourse, the Spring and Autumn rhetoric presented in Zuo Zhuan has always been valued. The most important feature of this verbal mode is "citing evidence". Compared to quoting poems, which has been greatly valued as a constituent element of the Spring and Autumn rhetoric and has been studied fruitfully and deeply, quoting adverbs has been bestowed with only meager academic effort. Unlike quoted poems that appear in both the character's discourse and the narrator's discourse, the quoted proverbs fundamentally appear in character's dialogue or character's comments, and their discourse function is different, too. This article intends to compare the quoted proverbs and the quoted poems in Zuo Zhuan, and explore the discourse function of the quoted proverbs and its effect in the formation of the style of the Spring and Autumn rhetoric.

KCI등재

2≪崔煒≫的敘事學研究

저자 : 鍾慧賢 ( Zhong Huixian )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 25-45 (21 pages)

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The Narrative Research of “Cui Wei” is a work in Pei Chong's collection of novels “Legend” (novel)in the late Tang Dynasty. The narrative content of this work is intertwined and the plot is full of ups and downs. The real space and the surreal space intersect and the changes in the space scene are fascinating, The description of the two spaces of the human world and the underground world with white snake and fairies and ghosts can be said to be all-encompassing from which you can feel the author's careful conception and outstanding imagination. The identity of the old woman that the protagonist Cui Wei met at the beginning of the story has always been in suspense and it was not revealed until the end and the author's ingenuity can be seen even more. It can be said to be a very valuable work of narrative analysis. This article attempts to use narrative theories and methods to study this work comprehensively and systematically. This article mainly analyzes the text from four aspects-narrative perspective. narrative time, narrative space, narrative logic and characteristics. Through this analysis and research to find its narrative laws and patterns we can better understand this work.

KCI등재

3≪조씨고아(趙氏孤兒)≫ 콘텐츠의 한국적 재현 연구 ― <조씨고아, 복수의 씨앗> 공연을 중심으로

저자 : 권운영 ( Kwon Eunyoung )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 47-72 (26 pages)

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The Orphan of Zhao, the main research text of this paper, is one of China's tragic works, and related records can be found from the original historical book, Chunqiu. In particular, it is said to be a relatively complete form of historical examination in Shiji. This story was told as a play by Ji Junxiang of the Yuan Dynasty and given the title of The Orphan of Zhao.
This study can be considered as presenting the results of comprehensive analysis from fragmentary research through to full-scale research, regardless of the genre of plays, novels, dramas, and movies, as well as the timing and transmission of epic literature on The Orphan of Zhao.
It is not difficult to find reasons why Ko Sun-woong's The Orphan of Zhao is successful and loved. As a start, it can be said that he was faithful to the original work and had a great understanding of it. Secondly, it gained a lot of sympathy because it succeeded in narrating the probability and justification for revenge with a global universal sentiment through Korean sentiment. Another reason is the way Ko Sun-woong's unique humorous interpretation stands out clearly throughout the adaptation. In addition, the omission of the death scene was well expressed in an implicit manner. Also, rather than showing revenge as violence, the philosophical interpretation was remarkably directed by the futility of the conclusion. Finally, the tragic element was maximized by expressing the love of parents and longing for family very lyrically.
As a result, we looked at each work and its content from various perspectives, and throughout this study, we try to understand the meaning and characteristics of Korean historical content as well as the meaning and basis of multiple narratives culturally in Korean and Chinese content.
Through this study, understanding of historical figures related to The Orphan of Zhao can be improved, meaningful and interesting content or curricula can be developed by integrating contents that have not yet been organized in research papers with the results being used to develop educational materials.
With the study of various contents in The Orphan of Zhao, it provides good data for a more in-depth understanding of China by understanding China's multiple cultures and comparing them with Korean perceptions and culture.

KCI등재

4紅樓夢 플롯의 선택적 재현과 시각화 ― 孫溫 紅樓夢 畵冊을 중심으로

저자 : 고명주 ( Ko Myungju )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 73-102 (30 pages)

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In this paper, through Sun Wen's Hongloumeng picture book created in the Qing Dynasty, I tried to examine what scenes Sun Wen, the reader of the novel Hongloumeng and the creator of the picture book, took from the plot of the novel and why.
First, looked for the cause in the characteristics of the original Hongloumeng itself. The imagery of the original text is the most suitable element for visualization, and it has become an inevitable object of representation for the painter. Next, I looked into it based on the creative purpose of Sun Wen, a reader and secondary creator. Sun Wen considered whether it would match the appearance of the Honglou world that he wanted. Finally, I analyzed Sun Wen's picture book through the structural perspective of the pictorial narrative. The scenes Sun Wen selected are essential to express the theme consciousness in the structure of the pictorial narrative of the entire picture book.
Through this, we confirmed the great influence of the Hongloumeng on metatext. And it has been identified that the attitude and competence of the artist as a reader and creator plays a key role in the creation of a picture book.

KCI등재

5노사(老舍)의 장편소설 ≪이혼(離婚)≫ 다시 읽기

저자 : 김수진 ( Kim Sujin )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 103-122 (20 pages)

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Lao She's novel Divorce deals with real social problems at the time of its creation. As the newly enacted marriage law was promulgated and implemented at that time, it had an impact on divorce between husband and wife in many families. However, divorce was not easy in practice at that time. Lao She created this novel based on these social issues and practical contradictions at that time.
The novel Divorce is a milestone, in his 30s, turning into a writer with realism tendency. In addition, the literary and artistic values of Divorce are worthy of reevaluating from today's perspective. In particular, it needs to be reanalyzed and reevaluated to have better assessment than the existing one in that it successfully embodied the creation and description of unique character types and humor which are his specialty.
In this paper, we examine the character images of Zhang Dage and Laoli, the main characters in Divorce, with a focus on the homo duplex characteristics. In addition, we pay attention to Mrs. Li's active image and subjectivity, which have been recognized as a flat and passive character, and we highlight the solidarity relationship between women.
Thus, from the successful construction of the unique and round character images in Divorce, we can guess the reason why he cherished it more than Luotuoxiangzi, which is well known to the public as his representative work.

KCI등재

6面向韓國漢語教育的漢語口語語料庫建設及價值

저자 : 許小星 ( Xu Xiaoxing ) , 朴庸鎭 ( Park Yongjin )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 123-143 (21 pages)

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This paper introduces the preparation and application value of a corpus of spoken Chinese for Korean learners. Firstly, the principles and process of building a corpus of Korean learners' spoken Chinese are described. Then, the difficulties encountered in the process of building the corpus and the corresponding countermeasures are analyzed emphatically. The corpus is important for developing word lists and grammar syllabus for Korean Chinese language teaching, as well as for compiling Korean-oriented Chinese teaching practices and nationalized Chinese teaching materials. At the same time, the corpus helps to improve the teaching of phonetics, vocabulary, grammar, and corpora in nationalized Chinese language teaching.

KCI등재

7중국 문화산업 발전현황 분석 ― 마이클포터 다이아몬드모델을 중심으로

저자 : 김하늬 ( Kim Haneui )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 145-177 (33 pages)

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This paper investigated the development status of the Chinese cultural industry. This study analyzed the form and competitiveness of the Chinese cultural industry by performing a qualitative analysis on the five elements of the Chinese cultural industry using Porter's “Diamond model”. As a result, China's cultural industry model is still labor-intensive and production-oriented. China will be able to strengthen the competitiveness of the Chinese cultural industry by resolving the imbalance in the supply and demand of the cultural industry through research and innovation internally.

KCI등재

8중국 소수민족 신화의 색채어 상징의미 연구

저자 : 김순진 ( Kim Soonjin ) , 한용수 ( Han Yongsu )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 179-201 (23 pages)

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The mythology gives an enlightenment to people by interestingly composing the symbolism contained in human's unconsciousness into legendary contents. The principle of forming and signifying the mythology exists in the context of strong symbol. This mythology is not simply a mysterious and absurd story, but an essential, transcendental, and earnest story. The mythology mingled with nature and animals reveals the beautiful nature or dignified appearance of animals through color, and people's belief or wish is reflected into this. The mythology of ethnic minorities of China includes various materials of story and many color terms. And this study analyzed the symbolic meanings and mythical meanings of such color terms. In the mythology, the tribe Proto-Turks created their own mythology with red color symbolizing the sublimation of life and fire, and worshiped a symbolic animal 'dog'. The tribe Jinyoung used 'five-colored dog' and 'five-colored clothing' that symbolized the inheritance of an oriental thought, Yin-Yang & Five Elements. The Tibetan people gave the symbolism to 'white Tara' and 'black-haired person' and then worshiped them, The Manchu people gave the symbolism to 'white stone' and 'black stone' and then worshiped them. Like this, other ethnic minorities also gave special meanings to a certain object or animal, and then prayed for their desires or wishes. This symbolism is based on emotional action and human's basic/original experiences and thoughts, which provides people with something to contemplate. In the 4th industrial revolution era, the cultural diversity inherent in mythology and the symbolic meanings of color terms present that the inclusive, integrated, and harmonious coexistence based on the recognition and respect of mutual diversity is the direction we should take to move forward.

KCI등재

919세기 중국인의 아메리카 인식 ― 魏源의 ≪海國圖志≫를 중심으로

저자 : 이민숙 ( Lee Min-sook )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 203-237 (35 pages)

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This paper is meaningful in examining the perception of America in 19th century China through the records of America in WeiYuan(魏源)'s Haiguotuzhi(海國圖志). Weiyuan's perception of America began with the independence of the United States and the independence of other American countries. However, since the independence of the American countries was influenced by the independence of the United States, Weiyuan's perception of the Americas was forced to focus on the United States. Therefore, this study examined the United States, Peru, Mexico and Chile according to Weiyuan's perception, and focused on the United States among them. How does Weiyuan perceive America? Weiyuan expressed the characteristics of the United States in six letters: bravery[武], wisdom[智], public[公], democracy[周], rich[富], friendship[誼]. The bravery[武] and wisdom[智] represent American independence, public[公], and democracy[周], rich[富] and friendship[誼] are concepts that symbolize the political system and friendship of the United States. Weiyuan thought that the United States was wise in that it recognized the United States as a brave country because the people had achieved independence against the world's greatest power, Britain, without a superior monarch, and brought Britain's hostility, France, to war and led American independence.
In addition, the United States, unlike China, where the state is operated by the emperor, thought it was an public because it chose the president through public elections, said it was an public because it decided according to the principle of majority resolution reflecting the opinions of all people, and recognized it as a country that knows friendship because it does not ignore other countries. At the time, both Britain and the United States were invaders, but from the Chinese point of view, the United States was relatively less hostile to them, and did not harm China with opium like Britain. Therefore Weiyuan and other Chinese people often expressed hostility by expressing Britain as a Yingyi(英夷), while the United States did not label it as an Meiyi (美夷), which is also understood to have been intended to check Britain through the United States. From this, Weiyuan tried to make a model for the revival of China, which is in crisis, by examining the US independence process, the US system.

KCI등재

10조극(潮劇) ≪춘향전(春香傳)≫ 비교연구 ― 의자 오브제와 이몽룡(李夢龍)의 형상화에 대하여

저자 : 이지은 ( Yi Jieun )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 74권 0호 발행 연도 : 2021 페이지 : pp. 239-266 (28 pages)

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This study compares several editions of Chunxiangzhuan with Chaoju Chunxiangzhuan, by focusing on the chair, which is a directing prop. The purpose of this comparative study is to find out how the existence of props affects the shape of the protagonist. Yueju Chunxiangzhuan gained the effect of raising Li Menglong's social status by arranging chair props, and Chaoju Chunxiangzhuan changed Li Menglong's character friendly by removing chair props. As the chairs disappeared from the stage, the actors' eye level became equal, and the barriers of the status class were demolished between the characters. Comparing various editions of Chunxiangzhuan, we can find numerous variations and evolution between the works. Just as life evolves, Chunxiangzhuan has also evolved constantly according to the times and regions. All of the various editions have their own perfect narrative. The reason why all editions have their own meaning and value is that the characters of Chunxiang and Li Menglong reflect various aspects of our lives.

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