간행물

중국학논총 update

Journal of Chinese Studies

  • : 고려대학교 중국학연구소
  • : 인문과학분야  >  동양사
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  • : 연속간행물
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  • : 1229-3806
  • : 2765-6330
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수록정보
수록범위 : 1권0호(1984)~72권0호(2021) |수록논문 수 : 865
중국학논총
72권0호(2021년 06월) 수록논문
최근 권호 논문
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KCI등재

1“五四”时期陈衡哲小说接受研究

저자 : 洪成花 ( Hong Chenghua )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 1-20 (20 pages)

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In the system of literary activities, readers' acceptance is an important link. This paper investigates the relationship between “reader acceptance” and Chen Hengzhe's novel creation from the perspective of “novel acceptance”. It brings the “production circulation acceptance” activity of Chen Hengzhe's novels into the whole field of modern literature production. It combs and analyzes the relationship between Chen Hengzhe's novel creation and readers from the aspects of literary context, media change and audience stratification. In the two-way interaction, this paper sums up the influence of readers' reaction on Chen Hengzhe's “creative attitude”, and from the perspective of “social structure”, it analyzes the information of “cultural transition” transmitted by the two acceptance mentality, so as to dialectically view the relationship between literary production, circulation, consumption and reproduction.

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2徐志摩英文书信中体现的浪漫主义想像与彷徨

저자 : 田英 ( Tian Ying )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 21-37 (17 pages)

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Xu Zhimo, a modern romantic poet of China, interacted with many famous British scholars and formed deep friendships during his study in Cambridge University. The studying in Cambridge University not only made Xu Zhimo a famous poet, but also made him an important link between modern literature in China and the West, which is recorded in the history of Cambridge University. Xu Zhimo, as a disseminator of Chinese and Western culture, spreading the latest information and trends of Western knowledge to China through exchanges with western scholars, and introduced Chinese culture to British scholars. Through Xu Zhimo's English letters, we can understand the profound connotation of his literary ideas and works and his important role in the cultural exchange between China and the West. If Xu Zhimo expresses his inner feelings implicitly in his poems and essays, then in his English letters he confides his romantic imagination and depressed mood in natural and frank words. Although Xu Zhimo's works have not been recognized for a long time, their unique artistic appeal of his work and its important contribution to the development of Chinese new poetry, as well as the important influence on the cultural exchanges between China and the West will be more profound with the development of society.

KCI등재

3韓國早期對中國新文學、台灣文學、自由中國文學的接受及認識 ― 從日據到冷戰初期的翻譯和話語變化為中心

저자 : 張東天 ( Zang Dongchion )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 39-62 (24 pages)

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This paper explores the process of Korean recognition on 'Chinese New Literature', 'Taiwanese Literature' and 'Free China Literature' by dividing the period to 'partial Japanese occupation period' (1920-1945), 'the liberation period' (1945-1950) and the 'beginning of the Cold War' (1950-1960). In this paper, the main focus was set to the second and the third periods as the first period can be considered as introductive part. Koreans' understanding of 'Chinese new literature' (mainland-based) and 'Taiwanese literature' changed from the influence of the Cold War. Before 1950, Koreans generally recognized the two literatures separately, different from one another. But the imaginary geographies set by the Cold War combined the two. The basic assumption underlying this understanding was that there was a form of literature that should be ostracized from both mainland China and Taiwan. In the perception of the Koreans, Taiwan had become a substitute for 'Free China'; but the actual literature from mainland China's and Taiwan had not been included in 'Free China literature'. The reason for this strange phenomenon is not only because of the variables in the bilateral relations, but also due to the special dialectical perception of Korean of mainland China and Taiwan during the Cold War. Through the exploration of those historical context, this paper finally traced the process of forming the notion of 'Free China literature' in Korea during the Cold War. The basic materials of this paper are magazines and newspapers published in Korea until the Cold War, and second-hand materials are related papers and works that have been recently released.

KCI등재

4에로티즘의 관점에서 본 ≪홍분(红粉)(1991)≫

저자 : 김윤수 ( Kim Yunsu )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 63-80 (18 pages)

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In the early stage of establishing New China, the government claimed to support a new socialist image of women liberated from feudalism. Thus, the 'prostitutes' had to be reborn as 'workers who could make a living by themselves' by working at productive labor. The works handling the alteration of prostitutes mostly show the rehabilitation through labor as a theme while the work Red Powder is mainly composed of a desire for material and erotism. The work Red Powder shows the 'desire' that was considered as a taboo in the socialist ideology of the time. By placing the 'tabooed' code such as 'desire' in front of the work, it is against the ideology that the new Chinese society was aiming for at that time. The realization of erotism between a prostitute Xiao e and a son of ruined upper class Lao pu of the characters includes the resistance to deviate from socialist ideology, which needs to be paid attention.
The work Red Powder shows a beauty of tragedy and sorrow by focusing on the looks of characters who failed in adapting themselves to the new social structure of new China, and the devices like 'taboo' and 'violation' are playing the central role in this work. The characters of this work are the ones alienated from the time such as prostitute, disabled person, and surplus human. Both Xiao e who refused to work, and Lao pu who was living lethargically refused to be rehabilitated into socialist-type humans, which means they are the ones who already violated the social 'taboo' as the people who were ousted to the outside the boundary of state. Just as the women's desire for consumption is usually connected to moral disorder and violation of sexual custom, Xiao e is also described as a morally-dissolute, extravagant, and femme fatale look. Her femme fatale aspect could be seen when she freely used her own sexual allure to get what she wanted. And due to her vanity and extravagance, her husband Lao pu embezzled the company's public funds, and eventually, faced a tragedy of being shot to death. Such a tragic ending for those two main characters who broke social 'taboo' not only means the failure of erotism, but also shows a discord between personal self and ordered society.

KCI등재

5战略共识对员工情绪耗竭的影响研究 ― 基于自我牺牲型领导力和权力距离的调节作用

저자 : 杜书云 ( Du Shuyun ) , 白培培 ( Bai Peipei ) , 李龙振 ( Li Longzhen )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 81-104 (24 pages)

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The increasing uncertainty in the operating environment of enterprises, intensifies competition among enterprises. Furthermore, enterprises require employees to devote more time and effort to improve their performance and sustainable development. Thus, employees generally feel emotional exhaustion within the businesses. This phenomenon has attracted much attention in Academia. Based on the theory of social identity, this paper examines the influence mechanism of strategic consensus on emotional exhaustion and the moderating effects of self-sacrificial leadership and power distance. Based on empirical analysis of 254 employees' questionnaires from a large real estate company in China, the research results as shows below: strategic consensus has a negative impact on emotional exhaustion; self-sacrificial leadership has a negative moderating effect on the relationship between strategic consensus and employee emotional exhaustion; power distance has a positive moderating effect on the relationship between strategic consensus on employee emotional exhaustion. Based on the research results, this study puts forward theoretical and practical suggestions to overcome employee emotional exhaustion from the perspective of strategic consensus and suggests the limitation and future direction of this study.

KCI등재

6어문계열 대학원 PBL 교과목 설계와 운영 방안 ― K대학 중일어문학과 '중국고전문학PBL' 수업을 중심으로

저자 : 신경미 ( Shin Kyeongmee ) , 김준연 ( Kim Joonyoun )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 105-131 (27 pages)

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This paper aims at proposing a plan to apply the problem-based learning (PBL) method recognized for its effectiveness in various academic fields to graduate courses in the field of language and literature.
Due to the ongoing Fourth Industrial Revolution, the basic tenet of school education is now reconsidered, with changes in the purpose, method, and evaluation of education being actively sought. In an effort to expand beyond the boundary of theoretical education and research, graduate schools are working on fostering experts capable of conducting convergence, interdisciplinary, and cooperative research with research professionals from various fields. As a result, the Department of Chinese/Japanese Language and Literature at an undisclosed university has introduced the PBL classes as opening new classes, designing curriculum activities, and seeking new teaching methods suitable for the current era has become inevitable.
First, in this study, the concepts, teaching, and learning methods, and applicable fields of the existing PBL classes are briefly explained. After presenting the status of the newly introduced PBL classes within the department, the classical Chinese literature PBL model covering the process of teaching, learning, and evaluation is presented. The model is significant in that it guides the faculty members to design their own classes through theoretical discussions on designing PBL classes for the department. Despite the obvious possibility of changes in teaching and learning methods based on each faculty member's perspective and different situations, they are expected to develop various ideas and experimental practices as specific and systematic examples of specialty classes based on the PBL model are proposed.

KCI등재

7基于学生视角的中国高校舞蹈专业教学满意度调查研究

저자 : 姚鹏 ( Yao Peng ) , 李颖 ( Li Ying )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 133-151 (19 pages)

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As the Chinese Ministry of Education has launched a new round of examination and evaluation of undergraduate education in higher education, more and more attention has been paid to the learning experience of college students. In addition, the Chinese Ministry of Education and people from all walks of life are paying more attention to Aesthetic Education. As an important position for the output of aesthetic dance education talents, professional dance education in colleges and universities attracts more attention to its teaching quality. Based on the perspective of students, this survey investigated the teaching satisfaction of dance majors in Chinese universities. This paper looked into the teaching satisfaction of dance major students to their colleges and universities and put forward the research hypothesis that curriculum setting, teaching process, teaching effect had positive effects on teaching satisfaction, which was verified by using exploratory factor analysis and multiple linear regression analysis. The results showed that curriculum setting, teaching process, and teaching effect all had a positive impact on teaching satisfaction indeed. At the end of the paper, from three aspects (Curriculum Setting, Teaching Process, and Teaching Effect), suggestions were given to improve the teaching satisfaction of dance majors in Chinese colleges and universities, and to improve the quality of dance professional talent training: Firstly, based on the university's cultural genes and local cultural characteristics, condensing professional characteristics, and formulating a distinctive curriculum system to innovate the dance professional curriculum; Secondly, the whole teaching process must be targeted at the actual needs of students' learning and development, improving the teaching process, optimizing students' learning to experience, enhancing teaching satisfaction and improving the quality of talent cultivation; Thirdly, dance teachers should strengthen the study of knowledge in education and teaching, and apply theories and methods of higher education to solve practical problems of students' learning.

KCI등재

8중국 '넷무비' 산업의 '왕뤄뎬잉(網絡電影)' 시대 개막 ― 중국 '넷무비' 산업의 새 단계에 대한 고찰

저자 : 유경철 ( Yu Kyungchul )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 153-186 (34 pages)

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The China's Net-Movie Industry has entered a new era since the end of 2019. It has entered the era of 'Wangluo Dianying' from the era of 'Wangluo Dadianying' with the active intervention of the Chinese government authorities and the cooperation of the online video platforms and Filmmakers as the major players in the Chinese Net-Movie Industry. The goal of Net-Movie's in the era of 'Wangluo Dianying' is to be closer to 'Original Movie'. Two characteristics of the Chinese Net-Movies were discovered related with it In 2020. First, Well-made works have made great progress in numerical and qualitative terms compared to the previous year. Thus, It is not an exaggeration to say well-made Net-Movies were close to 'Original Movie' in terms of completeness and quality of the movie in 2020. Second, the 'main melody film' appeared in the 2020 Net-Movie. Previously, it existed only in 'Original Movie', and not in Net-Movie. With the advent of it, Net-Movie finally had the same structure as 'Original Movie'.
Chinese government authorities expect Net-Movie to play an important role in the development of the Chinese film industry, along with 'Original Movie'. Given the progress and pace of China's Net Movie over the past few years, it is highly likely that these expectation will come true smoothly.

KCI등재

9李白<贈>詩 譯解 및 考察(11) ― 제42수에서 제44수까지

저자 : 조득창 ( Cho Deukchang ) , 조성천 ( Cho Sungchun )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 187-213 (27 pages)

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This paper translates and reviews three poems written by Li Bai(李白). The first poem can be divided into three paragraphs. The first paragraph first describes the height and beauty of Mount Song(嵩山), then describes Taoist Jiao(焦鍊師)'s ascetic practice in Mount Song. The second paragraph describes various mysterious acts of Taoist Jiao. The third paragraph indicates that if he receives a book that makes him Taoist hermit with miraculous powers, he wants to practice hard and go to the world of Taoist hermit with miraculous powers. The second poem can be divided into two paragraphs. The first paragraph compares Hermit Yang(陽徵君) with Tao Yuanming(陶淵明) and Liang Hong(梁鴻), and describes Hermit Yang as a person of noble demeanor and out of the world, like the old characters in “Biography of person of high character and integrity(高士傳)”. In the second paragraph, Hermit Yang, who was residing in the mountains, received a decree from the emperor called the court, asking when Hermit Yang, like Yang Boqi(楊伯起), would go to the land west of Hanguguan land(關西) and live without official life like Yang Boqi. The third poem can also be divided into two paragraphs. The first paragraph describes the autumn scenery, rejoicing that he had been together with Yuan Linzong(元林宗) for 30 years, but showed that he had not fulfilled his will and became gray haired and only sighed for a long time. The second paragraph is the story of Guan Zhong(管仲) and Han Xin(韓信), recalling his unfortunate situation, comforting himself with the story of Yue Yi(樂毅) and Su Qin(蘇秦), indicating that he does not have to blame himself for his feelings of improvement and retreat.

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10李白 樂府詩 譯解(2) ― 악부 권2의 제12수에서 제17수까지

저자 : 최우석 ( Choi Woosuk ) , 박민정 ( Park Minjung )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 72권 0호 발행 연도 : 2021 페이지 : pp. 215-237 (23 pages)

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This translated paper deals with the 12th to 17th poems of the 40 poems in Volume 2 of the collection of Li bai's Yuefu poems. The song of King Zhongshan's concubine(中山孺子妾歌) first praised the beautiful beauty of the concubine of King Zhongshan, and then depicted the sadness of being disappointed when the love cooled down. However, in this sadness, it seems that the heartbreak that Li Bai feels after moving away from the king was deposited. Jingzhou song(荊州歌) is based on the humble folk style of the Han Dynasty, which depicts a husband who is far away in the season when barley is ripening. The song of chiziban in Preaching of Exorcism performance(設辟邪伎鼓吹雉子班曲辭) contributes his emotions through the appreciation of the song and dance of 'chiziban' which clearly reveals Li Bai's good spirit. The Song of Meeting(相逢行) expresses the desire to know where his house is by saying goodbye to someone he met while riding a horse. Old Yousuosi(古有所思) tells the story of missing Immortal, but is so far away that he sends a letter to a bluebird. Long farewell(久別離) describes the pain that the couple misses but cannot meet after breaking up. As can be seen from this, Li Bai's Yuefu poem contains various emotions. It is especially important to note that it is being done with the old Yuefu operating very effectively.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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