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Journal of Chinese Studies

  • : 고려대학교 중국학연구소
  • : 인문과학분야  >  동양사
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  • : 연속간행물
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  • : 1229-3806
  • : 2765-6330
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수록정보
수록범위 : 1권0호(1984)~75권0호(2022) |수록논문 수 : 899
중국학논총
75권0호(2022년 03월) 수록논문
최근 권호 논문
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KCI등재

1염자도의 유형과 주제 연구

저자 : 서성 ( Seo Sung ) , 강희안 ( Kang Heeahn )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 1-32 (32 pages)

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In many cases, the prior research was relatively abbreviated to the main theme of 'Yeom' word picture(廉字圖), and some meanings were listed in a plane. This paper focuses on the fact that character stories often represents yeom(廉, clean)'s abscissa themes, collect 'Yeom' word picture as much as possible, and traces sub-themes around character stories. In addition, we analyzed the images and picture titles together.
As a result of this process, all 11 characters appeared in 'Yeom' word picture, which were combined with picture titles or images to clearly represent yeom's sub-themes. Three sub-themes such as bulsa(不仕, refuse an office), hermit(隱逸), and chulcheo(出處, advance and retreat) are extracted from the 'story picture' type, and another three sub-themes such as yeomtoe(廉退, retreat), cheongleom(淸廉, clean and honest), and yeomgyeol(廉潔, clean) in the symbolic sign type in which crab or phoenix(鳳凰) appears as the central image. So we obtain all 6 sub-themes. We set 'yeomtoe' as the main theme that can integrate these sub-themes, because the meaning of yeomtoe can express both from the abstract meaning of yeommgyeol to the external deeds of cheongleom and yeomtoe.
These sub-themes are the concepts and deeds that scholar had with the official post. According to the process of entering the office, always remember the spirit of clean(廉潔), think well advance or retreat the official position to suit the occasion[出處], if one go to the official position should be clean and honest(淸廉), specifying the official position(廉退), if one retreat enjoy the fun of hermit(隱逸), sometimes the ideal is ancient wise man who refused to serve in the government to protect his integrity and height(不仕). In other words, 'Yeom' word picture includes all the attitudes to be taken in all processes and stages from the beginning to the end of the official office, as well as the idea of the official office.
We believe that this paper will make a considerable contribution to academia in that it looks for all character stories in 'Yeom' word picture and interprets their meaning. In addition, by dividing the theme of 'Yeom' word picture into main theme and sub-themes, and establishing a relationship between the two to understand three-dimensionally and structurally, it has a significance in that it reveals the overall view of the subject of 'Yeom' word picture in the Munjado(文字圖) and the Folk painting.(民畵)

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2한어(漢語)와 중국 소수민족 언어의 내파음 - 자연언어의 유형적 특징과 지리 분포 특징 비교를 중심으로

저자 : 노혜정 ( Roh Hyejeong )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 33-61 (29 pages)

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This study aims to analyze the implosive consonants in Chinese dialects and minority languages based on their phonological types and areal distribution patterns. According to the World Atlas of Language Structures (WALS), 76 of 567 world languages have implosive consonants, mainly distributed in Africa and Southeast Asia. WALS notes that the geographical distribution of the types of implosives in the world's languages have obvious regional characteristics, but line up poorly with linguistic affiliation. However, the world language data of WALS fail to include the implosives of Chinese languages and ignores the rich variety of implosive consonants in Chinese dialects and minority languages. Based on the data of more than 760 Chinese dialects and 100 minority languages, this study describes the geographical distribution of implosive consonants in the mainland and analyzes their regional characteristics, showing that the implosives are distributed in such areas as Shanghai, Zhejiang, Guangdong, Guangxi, Yunnan, and Hainan Island in the southeast and south of mainland China. They have distinct regional characteristics and do not closely reflect linguistic affiliation, much like world languages with implosive consonants in other areas. This study discusses the sources and substrata of implosive consonants in Chinese dialects from the perspective of language contact, indicating that implosive consonants in each Chinese dialect might result from variety-specific reasons such as language change or language contact: Implosives of Chinese dialects are mainly due to language contact with minority languages that have implosive consonants, e.g., the southwest and far south of China, but implosives in other dialects might be the result of natural sound changes, e.g., the southeast area of China. Finally, this article provides information about Chinese dialects and minority languages in the Chinese mainland that might be included in revisions of the maps of implosive consonants in WALS and similar geolinguistic studies of the areal distribution patterns of phonological types. This study thus provides valuable information to enhance the language typological study of world languages.

KCI등재

3考察现代汉语“对”字的功能扩展及其内部层级的多样性

저자 : 郭沂滨 ( Guo Yibin )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 63-91 (29 pages)

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This article describes the function expansion of “dui”based on the process of grammaticalization, and regards the sentence structure composed of “dui” as an internal hierarchical category. The “dui” character structure can form five constructions in modern Chinese. In these five constructions, “dui” has verb, semi-actual, semi-prepositional, and fully prepositional usage. They are used as “duizhe”, “dui” and the form of “duiyu” appeared.
The evolution of “dui” from a verb to a preposition is roughly caused by three factors. One is that it often appears in consecutive verbs as a secondary verb, and gradually degenerates the syntactic features of ordinary verbs related to time information; The third condition is based on the first two factors, that is, whether the object argument dominated by the verb is “object”, “person” or “event”. In other words, the semantics of the predicate argument are specific, abstract, and eventual. One of the important factors that causes verbs to become virtual prepositions.

KCI등재

4현대중국어 의문사 '甚麽'의 담화표지 기능

저자 : 김은주 ( Kim Eunju )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 93-119 (27 pages)

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In this study discussed that the interrogative word of modern Chinese, 'shenme' functions as a discourse marker in various discourse situations, and examined the discourse function of 'shenme' focusing on the speaker's attitude expression function and the discourse progression function. The main discourse functions of 'shenme' presented in this study are as follows.
First, 'shenme' represents the speaker's uncertainty. The speaker expresses an attitude that it is difficult or uncertain to clearly explain the content of the speech through 'shenme'.
Second, the speaker uses 'shenme' to weaken his purpose or intention and express euphemism or an indifference attitude, and 'shenme' functions to weaken a speech.
Third, the speaker shows a negative attitude toward the listener's opinion through 'shenme'. These functions include making objections, expressing dissatisfaction, and expressing irony.
Fourth, when the speaker tries to speak after the preceding speech, he uses the discourse marker 'shenme' to fill the time to build the speech, and maintains the conversation sequentially.
Fifth, 'shenme' functions to recover the topics that converts the original topic to another topic or restores it back to the original topic without moving away from the topic.

KCI등재

5'很不A'의 의미와 제약 조건 ― 공손 원리를 중심으로

저자 : 최신혜 ( Choi Shinhye )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 121-141 (21 pages)

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Through the corpus search, this paper examined that the adjectives in 'Hen Bu A' generally have a positive meaning because they intentionally adopt and use the form of 'Hen Bu A' instead of directly using negative adjectives based on the Principle of Politeness.
Since the denial of the antonym A refers to 'neutral area + B', the speaker can reduce the burden of utterance compared to the situation in which the negative word B is directly directed, and the listener also has room to take the negative evaluation more comfortably. Although the expression does not directly indicate the negative word B, since it contains the speaker's intention based on the Principle of Politeness, the listener infers that what the speaker implies is B. 'Bu A' can receive the modification of 'Hen' because 'Bu + positive adjective' is interpreted as a negative adjective through the Principle of Politeness, so 'Bu A' refers not simply to the negative meaning of A, but to an attribute meaning equivalent to B, so it has degree.
'Hen Bu A' is an intentional choice that puts the 'Principle of Politeness' ahead of the 'Principle of Cooperation' and corresponds to a kind of politeness scheme.

KCI등재

6동아시아의 식민 네트워크와 이동하는 초현실주의 - 타이완의 문학 다큐멘터리 영화 ≪일요일식 산보자≫를 중심으로

저자 : 장동천 ( Zang Dongchion )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 143-180 (38 pages)

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The documentary film Le Moulin depicts the historical tracks of poets in Le Moulin Poetry Society(風車詩社, Fengche Shishe) during the Taiwan's Japanese colonial era. By its content, it re-recognized the surrealist movement of Taiwan that began in the 1930s to audiences. At the same time, it confirmed the synchronic value of these poets through its relationship with the surrealism trend in Japan and Europe. Through Taiwan's arduous history that restricts and dominates the activities of poets in Le Moulin Poetry Society, this film also allowed the audience to reflect again on the times of the place in which these poets lived. In terms of formality, the film expands and displays the synesthesia background in the creations of poets by collaging various paintings, photos, films, and music and sound materials related to modernism. Through objet-oriented bridge dramas, the film also recreates the daily lives of the protagonists existentially.
This paper examined the meaning contained in this film in several aspects. First, it reviewed the storytelling aspect of this film by inquiring about the literary-historical background in how Le Moulin Poetry Society gets a relationship with surrealism. Second, it investigated the characteristics of archive exhibitions on artworks variously used in this film and the characteristics of expressions in bridge dramas inserted as a link to the archives by the objet's aesthetic attributes. Finally, to examine the historical perspective, as a way of contextual research, it analyzed the implications of the documentary's intended implementation of synchronism in Taiwanese modernism through several extended perspectives.

KCI등재

7청소년영화 속 폭력, 경쟁과 호모 사케르 ― 영화 <소년 시절의 너>를 중심으로

저자 : 진성희 ( Jin Sunghee )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 181-201 (21 pages)

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This study aims to investigate the phenomenon that the representation of adolescents' everyday life and culture in Chinese teen films is currently generating lots of meaningful discourses about the reality of adolescents. Running off the track of the narratives and representational aesthetics of the existing Chinese teen films, Better Days, a film directed by Zheng Guo-xiang(曾國祥), actively dealt with the problem of adolescent alienation caused by the current problems of university entrance examination, school violence, and class differentiation, thereby sparking further significant discussions about reality.
Characters in the film assume the form of subordinate subjects who cannot be protected by any contemporary social system or legal system, but rather are forced out of community. The life of adolescents who cannot live a worthy life as a human being due to routine violence and competition associated with university entrance examinations resembles homo sacer's life. The community of a school is a microcosm of society where a mechanism similar to the structure and environment of adults' society works, and there is a strong likelihood that adolescents who fail to be warmly received and supported by school in their adolescence will not see a very hopeful world when they enter society in their adulthood. Thus, in his film, Zheng Guo-xiang emphasizes that adult generations should seek changes, being keenly aware of structured despair that neglects problems of adolescents' society and drives them into a brutal arena of violence and competition. In this context, it may be said that Better Days is in line with the innovation of plot conditions in Chinese teen film.

KCI등재

8'신주류영화(新主流電影)', 국가의 요청에 부응하는 중국 영화의 새 지향

저자 : 유경철 ( Yu Kyungchul )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 203-231 (29 pages)

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With the growth of the Chinese film industry, the Chinese film authorities have been expecting the birth of an ideal film model to represent Chinese cinema. To that end, Chinese film scholars have proposed a 'New Chinese Mainstream Film' model. For a film to be the 'New Chinese Mainstream Film', it needs to satisfy two conditions; the transmission of core socialist values and the achievement of commercial success. 'Operation Mekong' (2016) became a successful case in point of 'New Chinese Mainstream Film,' followed by 'The Wolf Warrior 2' (2017) and 'Operation Red Sea' (2018). The three 'New Chinese Mainstream Films' were successful because they highlighted China's new status and roles as a great power. In fact, 'New Chinese Mainstream Film' has been required to emphasize the status and the role of 'China' in addition to satisfying the two conditions of transmitting core socialist values and achieving commercial success. 'New Chinese Mainstream Films' not only had supported the Chinese film industry but also had played an important role in bringing Chinese people together during the extraordinary era from 2019 to 2021. Films such as 'My People My Country', 'The Captain', 'My People My Homeland', 'The Sacrifice,' and 'The Battle at Lake Changjin' have saved the Chinese film industry amidst the Covid-19 pandemic and inspired Chinese audiences to feel patriotism and national pride. However, despite the success of 'New Chinese Mainstream Films', it is dubious if such films have long-term sustainability since they seem to expose various problems in the narratives, characters, and representation of reality. If the issues are not resolved, there is a high chance that Chinese audiences will turn away from the films in the model.

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9중국 언론의 가짜뉴스 현황 및 대안 ― <新闻记者> 가짜뉴스 보고서의 내용분석을 중심으로

저자 : 이합 ( Li Ge ) , 이상기 ( Lee Sangkhee )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 233-259 (27 pages)

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Based on the understanding of fake news and China's journalism, this research identified the characteristics of fake news in Chinese public opinion by focusing on a content analysis of 210 fake news items published in Shanghai Journalism Review. Seven analysis categories were proposed, including subject type, reporting tendency, and revision time. The research showed that: first, professional media in China also reported fake news and low level of specialization; second, attention needed to be paid to positively inclined fake news as well; third, fake news were being corrected faster and the methods of correction were diversifying. Strengthening self-regulation and implementing digital media literacy education are suitable prescriptions.

KCI등재

10中、韩现行高中地理(社会)课程标准比较

저자 : 杨蝉溪 ( Yang Chanxi ) , 李颖 ( Li Ying )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 75권 0호 발행 연도 : 2022 페이지 : pp. 261-282 (22 pages)

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Using the comparative analysis method, a comparative analysis of the content related to social subjects in China's General High School Geography Curriculum Standard (2017 Edition Revised 2020) and South Korea's 2015 Revised Education Curriculum was conducted from six aspects: curriculum system, curriculum objectives, nature of the curriculum, curriculum content, curriculum implementation, and curriculum evaluation, and an analysis of the pros and cons of the design of the curriculum standards in the two countries can be found: 1. Different course systems and significant differences in course structure and number of class hours;2. Different curriculum objectives, with the Chinese Geography Curriculum Standard having obvious disciplinary objectives and the Korean Social Curriculum Standard having an integrated emphasis on the cultivation of the "human being";3. The nature of the curriculum is fundamentally different, with the Chinese geography curriculum retaining the geography subject system intact, while the Korean social curriculum has weakened physical geography, merged and abolished economic geography, and reduced and transferred parts of geography technology and practice;4. a mixture of gains and losses in curriculum content, with some similarity in the Chinese Geography, Korean Geography, World Geography, and Tourism Geography curricula, and greater variation in the curriculum in the area of Earth Science;5. the coinciding requirements of curriculum implementation, which both demand "practicality" and promote diverse learning styles;6. Curriculum evaluation has a positive emphasis on diversity and pluralism, but the focus of evaluation varies. The high school curricula in China and South Korea are still undergoing deepening reforms, so consider the following inspirations for developing the high school social curriculum in South Korea for China: 1. The content of the social studies curriculum is multidisciplinary, reflecting interdisciplinarity and addressing the realities of "load reduction";2. Faster curriculum revision cycle with rich experience in curriculum reform. The development of the Chinese high school geography curriculum has the following implications for Korea: 1. Safeguard disciplinary integrity in the curriculum, which can draw on the diversity and standardization of the types of geography curriculum in China;2. The integration of multiple educational philosophies for a rigorous and orderly educational theory.

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