간행물

중국학논총 update

Journal of Chinese Studies

  • : 고려대학교 중국학연구소
  • : 인문과학분야  >  동양사
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  • : 연속간행물
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  • : 1229-3806
  • : 2765-6330
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수록정보
수록범위 : 1권0호(1984)~78권0호(2022) |수록논문 수 : 934
중국학논총
78권0호(2022년 12월) 수록논문
최근 권호 논문
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KCI등재

저자 : 노은정 ( Rho Eunjung )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 1-29 (29 pages)

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The fragmentary historical records of Wang Zhaojun do not elaborate on her substance. However, with literary imagination, we processed her as a tragic figure who married into the Xiongnu under the name of Hwachin during the Han Dynasty. Unlike the historical facts, 'Zhaojun Chusai' has been transformed into sadness and resentment according to the demands of the times.
However, Wang Anshi no longer tragically sang the fate of Wang Zhaojun. If fate is set, it is the principle of life that the courage and wisdom to pioneer the destiny are also given, so Wang Anshi hope she will live firmly in the Xiongnu and be happy since meeting someone who understands her.
“意態由來畫不成”, “人生失意無南北” and “人生樂在相知心”. These three verses are the themes that Wang Anshi wanted to talk about in < MingFei Qu >. This verse reveals the features of the Song poem, which expresses the philosophies that he felt while looking at life, in poetry. Wang Anshi satirized the reality by expressing his reality, his feelings and thoughts through 'Zhaojun Chusai', the story from a thousand years ago, and reversed the existing concepts pleasantly. Ou Yangxiu, Mei Yaochen, Sima Guang, Zeng Gong and Liu Chang, who lived in the same era, also agreed with Wang Anshi's adaptation and expressed their thoughts through response poetries. Through this, we can infer how poets during the Northern Song period thought about 'Zhaojun Chusai'.
They criticized the ruler for causing 'Zhaojun Chusai' and lamented he was so incompetent that he couldn't even identify what was happening in the concubines before his very eyes, evaluating that Mao Yanshou's death was in vain. They also consoled Wang Zhaojun, saying that where we live is not important if we meet someone who understands us, and the ministers of the Han Dynasty, who reduced her to a tool for Hwachin, totally disappeared, but Wang Zhaojun's story is still told. What they wanted to talk about by quoting 'Zhaojun Chusai' was the reality of the Northern Song period, and their thoughts and feelings living in reality.
In the Southern Song period, several negative evaluations of "MingFei Qu" came out in terms of moral and political standards, but it is a wrong interpretation and criticism according to the political situation at the time.
In "MingFei Qu", Wang Anshi showed various images of Wang Zhaojun through an unprecedented adaptation based on his philosophy of life. Through a new interpretation of the 'Zhaojun Chusai', he led the old genre with resentment and sadness to a new state.

KCI등재

저자 : 赵冬梅 ( Zhao Dongmei )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 29-51 (23 pages)

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For the past years, there have been impressive research achievements on the phenomenon of male homosexuality as well as gay fictions in ancient China, and admittedly, such research is both fruitful and profound. However, no special discussion on the issue of "gays and their sons" has been published. This paper, centered on Bian Er and Yichun Xiangzhi of the Ming dynasty, studies intensively the narration of fathering sons in the gay fictions. This phenomenon falls into 3 types: the involved males get married and have sons individually; the male, acting like a mother, educate the son to grown up established and well-known; the gods bestow the involved males male inheritors. Based on this, this paper analyzes the deep reasons why gay fictions attach importance to the narration of fathering sons from three aspects: the concept of sexual ethics in the patriarchal society; the empathy and sympathy for the attitude of indulging one's desire; finally, the longing for breeding male children.

KCI등재

저자 : 홍윤기 ( Hong Younki )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 53-86 (34 pages)

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< An inscription praising the loyal King WuAn > written by King Sukjong of the Joseon Dynasty, is built in Dongmyo(東廟) of GuanYu(關羽), Seoul. This paper revealed the following: The title of the inscription, the writer of it, the construction time and size of it, the direction and size of it, the rubbings of it, the King Sukjong's visiting to it, Poems and objectives written by King Sukjong after looking at a painting about GuanYu, and the source of King Sukjong's consciousness.
King Sukjong was the most passionate fan of GuanYu among the kings of Joseon. King Sukjong's < An inscription praising the loyal King WuAn > has data value in that it is an inscription that provided the foundation for the basic consciousness of GuanYu to the later Joseon kings of King Sukjong.
In addition, this paper has several research implications as follows: First, this paper is the first research paper on King Sukjong's < An inscription praising the loyal King WuAn >, and various basic information related to it is presented to enhance understanding of this inscription. Second, this paper revealed for the first time that the source of King Sukjong's consciousness of GuanYu was not History of the Three Kingdoms(三國志) or MaoZongGang(毛宗崗)'s Romance of the Three Kingdoms(三國演義), but LuoGuanzhong(羅貫中)'s Romance of the Three Kingdoms(三國演義).

KCI등재

저자 : 최수경 ( Choi Sookyung )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 87-127 (41 pages)

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The present paper aims to analyze the strategy and meaning behind the recognition and reproduction of Taiwan and Taiwanese people through the travel writings of Chinese people experiencing Taiwan during the first half of the 18th century. The main writings analyzed in this paper are the Gazetteer of Zhuluo county (Zhuluo xianzhi), articles on Taiwan by Lan Dingyuan (1680-1733), and An Investigation of Savage Custom in Six Categories (Taihai Shicha lu) by Huang Shujing (1680-1758).
While the Gazetteer of Zhuluo county, published in 1717, expresses an aversion to the appearance of the indigenous peoples of Taiwan, it pays more attention to the 'things' they use than the people themselves. This focus on describing the form and efficacy of each object indicates a fading interest in criticizing the indigenous peoples of Taiwan from a moral and ethical perspective. Lan Dingyuan, who visited Taiwan in 1721, argued that its territory should be actively developed, with his pioneering narrative converting the island into a multi-layered space that had to overcome different stages of civilization and a frontier that desperately needed development.
An Investigation of Savage Customs in Six Categories, completed in 1724, does, however, classify indigenous Taiwanese people into 13 types and examines them in six thematic categories. Although the narrative system employed in this book appears neutral, it separates the indigenous peoples from the local landscape, thus removing a sense of locality froma discussion of their lives. An Investigation of Savage Customs in Six Categories emphasized the changes underway in Taiwan at the time, as it moved toward civilization, and the prospects for its future. However, the changes in the attitude of indigenous peoples toward the Chinese, as depicted by the author, are closer to acculturation than one-sided assimilation. On the other hand, the 34 indigenous songs presented in the book draw on a mixture of the image of the Taiwan of the past and a compositional impulse seeking to transform Taiwan into a universally Chinese space. Moreover, the narrator also poetically expresses the desires and emotions of the Chinese observer rather than those of the island's native people.

KCI등재

저자 : 洪成花 ( Hong Chenghua )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 129-150 (22 pages)

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The "Ding Ling Phenomenon" appeared in the Fiction Monthly in the late 1920s was a "phenomenal" event. The appearance of "Ding Ling phenomenon" must have its particularity. It is not just ordinary readers who create their "phenomenal level". It seems that we can also make a further careful screening of publishing institutions and authoritative readers. This thesis reexamines the writer Ding Ling from the sociological research perspective of the shaping of groups and individuals by the media of public opinion, and examines the shaping of the image of young writer Ding Ling by the public opinion space from the mutual growth between the Novel Monthly and the writer Ding Ling, as well as its influence on the later life choices and creation paths, to care about why modern writers are placed on the historical stage with such a public image in the literary field.

KCI등재

저자 : 오명선 ( Oh Myeongseon )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 151-176 (26 pages)

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The Lubao Theater was opened in Shanghai in 1938 as a theater exclusively for popular plays. The popular plays performed in Lubao gained a lot of support from the public in Shanghai at the time. There are talks that it showed a high-level performance, but it was not able to be recognized as a popular art as it has been stigmatized as a low-grade play by elite theater people and has been negatively evaluated. This, along with the impact of negative evaluations made by the mainstream discourse at the time, after the founding of the People's Republic of China, is because of the historical reasons why vulgar 'popular dramas' during the 'occupation' period by Japan could not be properly discussed academically amid the strengthened politicization of literature.
Performance at the Lubao Theater, the formation of the Wenmingxi reform discourse surrounding it, and the attempt to reform the repertoire of the Lubao Theater clearly show the clash between the popular theater world, which was maturing in Shanghai in the 1930s, and the elite theater world, which was aggravated by the situation of war. In the previous studies, Lubao Theater's Wenmingxi improvement movement was described in some aspect as a relentless improvement under the leadership of the elite theater world. But if looking at it closely, in the 1930s, you can observe the theater world that was maturing while being adjusted amid the emergence of a situation of war and the popular culture market that was fragmenting. Also, examining the activities of Lubao Theater can serve as a bridge to explain the phenomenon of popular dramas that overflowed after Shanghai was completely captured.

KCI등재

저자 : 황해금 ( Hwang Hae-geum )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 177-195 (19 pages)

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Various materials are being used in the pursuit of understanding different cultures. In particular, the analysis of media such as TV dramas, entertainment programs and movies have proven to be useful in this endeavour.
Media such as the above can be utilised for research and learning purposes, and are especially useful due to their visual elements that can be codified. In other words, these media types become a vessel for which culture is transmitted, transformed and received by the viewer. This study was conducted using an original Korean film and its Chinese remake.
In the process of being remade in a secondary country, certain cultural elements are omitted, added and revised. This study examines whether substitution or addition has occurred and examines the differences in values between South Korea and China. Through this study, we attempt to explore how culture and all that is found therein is transmitted or transformed in the original and the remake. Differences in values between South Korea and China are reflected in their execution of the film, and by shedding light upon these differences we take a step further towards understanding the inner workings and implications on communication in each culture. The comparison will also allow us better understand deeply entrenched the cultural nuances that dictate Chinese communication.

KCI등재

저자 : 장동천 ( Zang Dongchion )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 197-231 (35 pages)

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Nanfu Wang(王男栿), as a Chinese descent director working in the United States examined the COVID-19 pandemic effect on the political background and trauma through In the Same Breath(2021). Previously, she released sensational work called One Child Nation(2019), which display various absurdity aspects and wounds that existed in the implementation of China's “One Child Policy.” These two films have great similarities within which distinguishes them from her previous works. In these two her works, narratives about families and communities were treated as important, various insights into problems on both a macroscopic and microscopic level. In terms of technology expression, it makes remarkable leaps.
This study analyzed the storytelling characteristics through her two documentaries. First, it analyzed at Wang's creative journey as well as her cultural background, in her two works she birthed. Second, it also studied the storytelling characteristics, which is interpreted from the family narrative toward the trans-national narrative with the theme consciousness. Third, it learned about the role of narration, which is Wang's documentary's major feature. Finally, it analyzed several aspects of expression for the exposure to irrationality and the traumatic realization that her storytelling aims for.

KCI등재

저자 : 한담 ( Han Dam ) , 이은홍 ( Lee Eunhong )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 233-268 (36 pages)

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The purpose of this study is to confirm the strengthened nationalization pattern of Xi Jinping's reign by comparing the 2017-2018 edition of the Chosun language textbooks essential for high schools with the 2020 edition. To confirm this, this study reviewed the strengthened "Chinese national" view, the reform of the textbook system during the Xi Jinping period, and its impact on Korean-Chinese education. And then this study focused on the selection, replacement, and modification of works in textbooks during the two periods, and the change in interpretation perspective on the same work. Through this, it was examined from various angles how language education internalizes national ideology to students.
In particular, through the comparison of textbooks in the two periods, it was confirmed that the nationalization was strengthened by unifying the term "ethnic" into the concept of nation, removing the specificity of Korean-Chinese, replacing the heroes of Korean-Chinese with the model of the People, and reorganizing the classics of textbooks centered on Chinese culture.

KCI등재

저자 : 杨蝉溪 ( Yang Chanxi ) , 李颖 ( Li Ying )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 78권 0호 발행 연도 : 2022 페이지 : pp. 269-285 (17 pages)

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This paper constructed the evaluation indicator system of local higher education development and regional economic growth,then took Xinjiang Uyghur Autonomous Region as an empirical research object. The paper measured coupling development(Scale of education, quality of education, level of teachers) of local higher education development and regional economic growth (Economic scale, economic structure, economic development)by coupling coordination model. Higher education in the region has been at a low level of development, while economic development has been supported by policies to maintain rapid growth and basically reach an upper middle class status by 2020. The economic development of Xinjiang has continued to grow and reached an Upper-middle level. After ten years of development, the coupling coordination degree of these two was Lower coordinated, and the development of higher education lagged behind regional economic growth. Measures such as increasing asset investment, increasing the number of colleges and universities, and actively bringing in and retaining talent need to be taken as soon as possible. Let higher education accelerate and overtake development to provide effective support for regional economic growth and maintain a state of high-quality coordination between the two.

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