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한국사진학회지 AURA update

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수록정보
수록범위 : 1권0호(1994)~46권0호(2021) |수록논문 수 : 545
한국사진학회지 AURA
46권0호(2021년 02월) 수록논문
최근 권호 논문
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KCI등재

1수직 시각에서 도시 건축 사진의 시지각 법칙 분석 - 홍콩 건축 사진을 중심으로 -

저자 : 유미 ( Liu Mi ) , 양종훈 ( Yang Jong Hoon ) , 이상은 ( Lee Sang Eun )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 46권 0호 발행 연도 : 2021 페이지 : pp. 6-17 (12 pages)

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This study observes the vertical perspective methods in urban architectural photography and takes Hong Kong building images as an example to explore the rendering method and effect based on the theory "Gestalt Laws of Organization" of Gestalt psychology. In the observation of building images with a vertical perspective, the authors first group the subjects by the shooting perspectives (a vertical front view or a vertical upward view), then, based on the Gestalt Laws of Organization, draw the conclusion about the role of shooting perspective in image composition as well as justifying the use of such perspectives in building images. The study shows, building images with a vertical front view are more flat, which feature will enhance the Equality of the forms of visual elements, and further take the advantages of the Gestalt Laws of Organization to connect these elements to realize an order-based coherence. While for building images with a vertical upward front view, the Law of Figure-ground is used as a major tool to define the visual hierarchy of the buildings and the sky, then create a perspective and gradient effect through the Law of Continuity and Law of Proximity to further improve the "three-dimensional rendering" and "spatial rendering". The study justifies the usage of vertical perspective in building photography, and the exploration and in-depth study of Gestalt Laws in building images could facilitate the understanding of connotations in the image composition.

KCI등재

2계산 이미지의 탄생 - 장치에서 알고리즘으로 -

저자 : 박평종 ( Park Pyungjong )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 46권 0호 발행 연도 : 2021 페이지 : pp. 18-32 (15 pages)

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This article deals with the changes triggered by artificial intelligence related to image production. The image originally started as a “manual image” drawn by human hands and then differentiated into a “technical image” produced by apparatus in the 19th century. Since then, with the development of image generation algorithms, the automaticity of image production has become more advanced. This generative model, represented by GAN, produces images only by 'calculation' based on probability and statistics. Currently, GAN is receiving the most attention in the field of computer vision, and it excels in various tasks such as creating high-resolution images, translating images, and compositing photos. GAN learns the original photos and creates an image similar to it, which goes beyond the limitations of apparatus such as human hands and cameras. This 'computational image' belongs to the category of 'technical image' in a broad sense, but differs from photography, the first technical image in that there is no indication object. In addition, the automaticity of the program, the nature of the apparatus, is accelerating the exclusion of humans from the image production process in an extreme form. As a result, humans cannot reflect their intentions in image production and are in a position to become a simple consumer of images.

KCI등재

3자연적 물성을 이미지로 재현하는 사진적 연구 - 사진연작 <낮고, 빠르게 쏘기>를 중심으로 -

저자 : 윤태준 ( Yun Taejun ) , 천경우 ( Chun Kyungwoo )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 46권 0호 발행 연도 : 2021 페이지 : pp. 33-45 (13 pages)

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This study explores the process of incorporating of object on the photography and expressing the concept of physical properties of object into artworks which I have made through previous works and practices with artistic way. Based on the general characteristics of natural stone, the work was made as a medium of photography. Since then, the concept of physical properties has been dealt with in depth through the process of expressing three-dimensional properties on two-dimensional space. < Low, Quickdraw >(2019) work attempts to reproduce the physical characteristics of stones as visual image. In this work, I had focused beyond making photographs mechanically through the artist's involvement that focused on reconstructing the fantasy into photographs. As an extended concept of photographic media, I made realistic fantasy through visual image into images using with physical properties and spatiality expressed in photographs. In this study, the objects of reality are reproduced through the physical properties of stones, at the same time original property that do not converted into the language of photography properly. In this study, I critically examine the characteristics of traditional photography that I have learned so far and explore the changes in contemporary photography.

KCI등재

4영화'나쁜 남자(Bad Guy)'연구 - 욕망 이론과 언캐니를 중심으로 -

저자 : 김석원 ( Kim Seok Weon )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 46권 0호 발행 연도 : 2021 페이지 : pp. 46-55 (10 pages)

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The researchers analyzed the film "Bad Guy,2001" based on Jacques Lacan's Desire Theory and Sigmund Freud's Uncanny theory. The purpose of this study is to analyze their psychological state using psychoanalysis as a theoretical tool in the psychological analysis of the love that arises from the relationship of the protagonist in the movie "Bad Guy,2001". In addition, the film was diagnosed from a critical point of view in the analysis process. In "Bad Guy,2001" which deals with sex centered on men and women, Kim Ki-duk violates universal sentiment. In the interpretation of psychoanalysis, the cold season satisfies desire through Zen painting and follows the principle of pleasure. Kim Ki-duk does not consider Sun-hwa's body to be dirty and the process of overcoming pain as a purification ritual. It is considered fate for ordinary female college students to be dirty at the bottom of society. Reminding that there is no absolute truth when watching "Bad Guy,2001" from the audience's perspective, I think it is meaningful that the movie paradoxically expresses the unreasonable pathological phenomenon that occurs in Korean society. Kim Ki-duk says the concept of true love is possible when you overcome mental and physical pain.

KCI등재

5인물사진에서의 시간인식과 인물간의 교감에 관하여 - Thirty-Minute Dialog, One-Hour Portrait 시리즈를 중심으로 -

저자 : 천경우 ( Chun Kyungwoo )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 46권 0호 발행 연도 : 2021 페이지 : pp. 56-68 (13 pages)

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The act of taking a portrait photograph is a historical event that captures the flow of the past and present in the image. Since the mid-1990s I have been searching for new questions and methodological alternatives through doubts about the perceptions that have been traditionally and absolutely regarded in photography history. One of them relates to the role of the photographer and the person to be photographed', which is the subject of shooting in portrait photography, and the other that follows is related to the perception of time contained in the picture, the uniqueness of time', Experimental attempts have been made to implement works through technical experiments.
The strong skepticism resulting from the continuous experience of the inconsistency between the photograph and the person created the inevitability of pursuing new possibilities behind the scenes while still respecting the valid traditional perception in many cases and denying it.
This article contains some descriptions of the background and production process of representative experimental series based on the awareness of the problem of photography that began to be intensively dealt with in the mid-1990s. This reveals that this is not an article about the artist's own analysis or interpretation of the work.

KCI등재

6해강 김규진의 대한제국 황실사진 연구

저자 : 박주석 ( Park Ju Seok )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 46권 0호 발행 연도 : 2021 페이지 : pp. 69-82 (14 pages)

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This thesis is based on the results of discovering and introducing a photographs of Emperor Gojong of the Korean Empire in the possession of < The Newark Museum of Art > in New Jersey, USA. It was written for the purpose of revealing the photographic activities of Kim Gyujin as a royal photographer of the Korean Empire. < The Freer Gallery of Art and Arthur M. Sackler Gallery Archives >, which is affiliated with the Smithsonian Institution in the United States, also was released their photographs of Emperor Gojong and the Crown Prince Sunjong at the era of Korean Empire. The excavation of these photographs held by the two institutions created an opportunity to uncover the reality of the royal photographer Kim Gyujin, who is handed down only through oral tradition in the history of Korean photography.
The Emperor Gojong's picture made by Kim Gyujin, which exists as a Vintage Print of 1905 in cultural institutions of U.S.A., provides an important clue to solving several issues in studying and describing the history of early Korean photography. The core themes are the following four. 1. The career of Kim Gyujin as a Royal photographer. Kim Gyujin has founded and operated < Cheonyeondang Photo Studio > in 1907 and opened the era of popular photographic culture. 2. A Possibility of existence of the photographs of Emperor Gojong and Sunjong made during the late Josun. It is generally known to have been taken by Japanese photographers and Western travelers. 3. The route of the release of Korean Empire's royal photographs in Korea and abroad and that's politics means. 4. The technical revel of Korean photography, like the negative process, the printing process, the equipment's like the camera in the 1900s.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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