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Feminist Stidies in English Literature

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수록정보
수록범위 : 1권0호(1995)~29권1호(2021) |수록논문 수 : 506
영미문학페미니즘
29권1호(2021년 04월) 수록논문
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KCI등재

1영화 <브리짓 존스의 베이비>와 가가 페미니즘

저자 : 김선재 ( Sun Jai Kim )

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 29권 1호 발행 연도 : 2021 페이지 : pp. 5-24 (20 pages)

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This essay proposes a feminist appreciation of the 2016 film adaptation of Helen Fielding's Bridget Johns's Baby through the critical lens of Jack Halberstam's Gaga Feminism: Sex, Gender, and the End of Normal, which takes shape through Halberstam's penetration into the cultural shifts surrounding gender, sexual politics, and family in the last few decades. In Gaga Feminism, Halberstam particularly questions the discrepancy between the real-life experiences of familial and sexual deviances and the heteronormative narratives that dominate popular culture. What Bridget embodies as a popular female icon in Bridget Johns's Baby, however, is consistent with the ideas Halberstam forms around Lady Gaga, who becomes a route for new forms of intimacy and relationships in his theory. This essay contends that Bridget John's Baby points toward a queer aesthetic of failure, which is articulated in Halberstam's The Queer Art of Failure, by illuminating how the relations between Bridget, Mark, and Jack are predicated on their interconnected defeat in the marriage system.

KCI등재

2조이 하조의 변형의 시학: 기억의 변형을 통한 정체성 회복과 여성의 연대

저자 : 박미경 ( Mikyung Park ) , 김성훈 ( Seonghoon Kim )

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 29권 1호 발행 연도 : 2021 페이지 : pp. 25-59 (35 pages)

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This article explores the ways in which the poetics of transformation is gradually embodied and politically enhanced in the poetry of Joy Harjo, focusing in particular on two poems published in 1990 poetry collection In Mad Love and War, “Transformations” and “For Anna Mae Pictou Aquash, Whose Spirit Is Present Here and in the Dappled Stars.” Transformation, as Harjo suggests in In Mad Love and War, is mediated by trickster discourses and Ghost Dance ritual, representing an orature and spirituality that are profoundly based on Native American cultural memory. Indicative of the poetics of transformation, “Transformations” reveals the principles of turning Native American's fury and fear into love through trickster narratives. An internal transformation that changes self-hatred into love forms the basic stage for an external transformation through restoration of healthy Native American identity, a process that the poet ultimately employs as a driving force for resistance and solidarity among Native American women in order to present a practical poetics of transformation. Another poem, “For Anna Mae Pictou Aquash,” transforms the anger of women, who have been objectified and forced to remain silent, into an instrument for resistance and a driving force for female solidarity by evoking the Ghost Dance that combines dance, singing, and prayer.

KCI등재

3The Silenced and Spectral Voice of Women Narrators: Textual Anxieties in Brief Encounter and Letter from an Unknown Woman

저자 : Hye Jean Chung

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 29권 1호 발행 연도 : 2021 페이지 : pp. 61-86 (26 pages)

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This paper analyzes two films from the 1940s, Brief Encounter (David Lean) and Letter from an Unknown Woman (Max Ophüls), to examine textual anxieties aroused by the physical, verbal, and authorial voice of the woman narrator. In both films, the first-person voiceover narration of the female protagonist generates and maneuvers flashback sequences that are central to the film's narrative. Although the woman's voice is ostensibly foregrounded by the narration, it is in constant peril of being silenced or becoming spectral by narrative devices that challenge the authority of female narrators and deny them ownership of the narrative. This indicates the constant struggle between the woman's narrative agency and patriarchal discourse that negates or undermines words spoken by women. This paper discusses the narrative power granted to women narrators and interrogates the extent of this power. I identify contradictions in the text, specifically in the film's voiceover narration and flashback structure, which elucidate the destabilizing and destabilized nature of the woman's voice.

KCI등재

4Christian Heroism in Milton's Samson Agonistes

저자 : Jaemin Choi

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 29권 1호 발행 연도 : 2021 페이지 : pp. 87-115 (29 pages)

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While historically contextualizing Milton's Samson Agonistes in the politically polarized culture of the Restoration, this paper argues that contrary to the traditional reception of the drama as an anti-feministic work, Samson Agonistes envisions Milton's attempt to redefine a true heroism and to challenge the traditional valorization of masculinity. Particularly noting Milton's ingenious use of circumcision metaphor, this paper tracks down the progress of Samson's male identity from one determined by external bodily features to the one characterized by Christian faith and inward awakening. The paper concludes by suggesting that Milton's rewriting of Samson's story is one of the stellar examples that Milton, guided by the spirit of Reformation, pushes the envelope of gender and male identity.

KCI등재

5“Through Very Love of Self Himself He Slew”: What the Man in Love Desires in The Egoist

저자 : Heeseung Han

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 29권 1호 발행 연도 : 2021 페이지 : pp. 117-146 (30 pages)

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While Clara Middleton, the female protagonist of George Meredith's The Egoist, is one of the critics' favorite female characters and has been studied quite much especially by feminist critics, Sir Willoughby Patterne, the male protagonist of the novel, is different: he is regarded as one of the detestable male egoists and has not received much attention from critics. Although Willoughby is indeed an abominable character, he is worth studying, for by delving into his psychology we can figure out what the Victorian patriarchal subject he embodies desires and fears. This essay focuses on precisely Willoughby's love words and suggests that the traditional language of love is in fact a social discourse that is founded on and contributes to phallogocentrism. Willoughby, a master of romantic love words, demonstrates his love-language skills to various female characters in the novel. Ironically, though, what is revealed by repetitions is his desire to be the omnipotent patriarchal subject, which turns out to be an illusion. In the society where Willoughby's language of love still predominates, the analysis of his desire and its deconstruction will help to shatter the fantasy of love words as ideology-free and spontaneous expressions.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

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