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Feminist Stidies in English Literature

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수록정보
수록범위 : 1권0호(1995)~30권2호(2022) |수록논문 수 : 528
영미문학페미니즘
30권2호(2022년 09월) 수록논문
최근 권호 논문
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KCI등재

저자 : 이소희 ( So-hee Lee )

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 30권 2호 발행 연도 : 2022 페이지 : pp. 7-49 (43 pages)

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This paper explores the 30-year history of The Korean Association for Feminist Studies in English Literature (KAFSEL), focusing both on core research topics―feminism, gender, and sexuality―and on the intellectual performance of feminist scholars in English Literature. Established on September 5, 1992, KAFSEL held monthly workshops from 1992 to 1997, the highlight of the association's intellectual activity. Feminist Studies in English Literature (FSEL), the journal of the association, was first published in June 1995. “The Location of Feminist Studies in English Literature,” the first international conference, was held on November 5-6, 1999, and in 2000, FSEL assembled an international editorial board. FSEL was listed in the MLA bibliography beginning in 1999 and in the British Library Catalogue beginning in 2000. In December 2003, a journal exchange between FSEL and AALA (The Asian American Literature Association) in Japan was launched. KAFSEL has tried to broaden and strengthen the FSEL Global Network by leading a discussion of feminism, gender, and sexuality in Asia and around the world, with the ultimate goal of publishing an international journal. In addition to the dissemination of feminist intellectual discourse, the history of KAFSEL should be remembered as the record of a passionate, collaborative, and devoted group of Korean feminist scholars amidst the larger intellectual feminist community in Asia. As we face the transformative wave of feminist studies in Korea, KAFSEL should take on new challenges in addressing questions of membership and the thematic agendas that will define this unique research field, both in the present and future.

KCI등재

저자 : 박미선 ( Mi Sun Park )

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 30권 2호 발행 연도 : 2022 페이지 : pp. 51-76 (26 pages)

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Reviewing recent academic research on neoliberal feminism, this article explores four noticeable currents of neoliberal feminism that have emerged in the U.S. and Europe particularly since the 2010s. Approaching neoliberalism as a contemporary form of gevernmentality that disciplines people as human capital, I discuss how the neoliberal politics of affect produces the individual as entrepreneurial self and works to thoroughly privatize social responsibility. Emerging from the sites where feminism converges with neoliberal marketization of almost all dimensions of life, neoliberal feminism reshapes feminist politics and women's lives while producing new kinds of feminist subjects. I argue that corporate feminism, popular feminism, balance feminism and neoliberal selfie feminism are contemporary forms of neoliberal feminism that need to be historicized in order to understand both the power and limits of these discourses.

KCI등재

저자 : 이수영 ( Sooyoung Lee )

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 30권 2호 발행 연도 : 2022 페이지 : pp. 77-109 (33 pages)

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This study analyzes research trends of Feminist Studies in English Literature, the leading academic journal of feminist literary criticism of English Literature in Korea since 1995. Following a statistical research method, this study examines research trends of 518 articles in 64 issues published between 1995 and 2021. The specific focus of the quantitative analysis includes: number of articles, authorship, categories of research type, research target writers, and keyword frequency. The results of the study demonstrate not only the academic performance of the journal, but the current challenges facing scholars of feminist studies in English literature. This quantitative evaluation of the journal can serve as a valuable resource for scholars engaged in discussions about the identity of the journal, and will help the journal both diversify and expand the spectrum of research subjects for promoting the overall quality of the journal.

KCI등재

저자 : 조선정 ( Sonjeong Cho )

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 30권 2호 발행 연도 : 2022 페이지 : pp. 111-140 (30 pages)

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This essay presents a brief historiography of contemporary feminist literary criticism from the perspective of subjectless critique. Believed to be centered around the core concept of female subjectivity, feminist literary criticism is supposed to address issues related with what it means to be a woman, to write as a woman, to be constantly aligned with collective traits of femininity. Nonetheless, the very category of woman has always been contested as it needs to be deconstructed in its essentialist assumptions and to be reconfigured in pursuit of multiplicity, singularity, irreducibility, and, most importantly, difference not just among women but rather within a subject. Such perpetual instability or impossibility of the category of woman, paradoxically enough, enables feminist discourses to remain open to re-negotiation with intersecting axes of subjectivity formation. This essay attempts to examine how the discourse of feminist literary criticism can be decentered through radical intervention with the linear temporality and ceaseless re-significations of feminine difference as well. The structure of the essay consists of the following components. First, feminist literary criticism is contextualized under the rubric of 'critique' elaborated by Michel Foucault. Then, I revisit Virginia Woolf's A Room of One's Own to tap into its audacious dismissal of binary gender definition and its nuanced proposal of subjectless writer. Next, drawing on Julia Kristeva's formulation of literary inscription of feminist temporality, I discuss the ways in which sexual difference can be theorized in relation with subjectless state. The final thesis 'feminism which is not one' is demonstrated with emphases on disidentifying process of becoming, which requires a critical distance from amenable storytelling of feminist history. The essay concludes with a brief illumination of political reverberations of subjectless critique in this increasingly post-critical times.

KCI등재

저자 : 한국영미문학페미니즘학회

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 30권 2호 발행 연도 : 2022 페이지 : pp. 141-153 (13 pages)

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KCI등재

저자 : 이주리 ( Joori Lee )

발행기관 : 한국영미문학페미니즘학회 간행물 : 영미문학페미니즘 30권 2호 발행 연도 : 2022 페이지 : pp. 155-176 (22 pages)

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Virginia Woolf's novel To the Lighthouse (1927) describes an exquisite moment of eating a dish called “Boeuf en Daube,” which is beef stew cooked according to a French recipe. Boeuf en Daube is the main dish at a dinner party designed by Mrs. Ramsay, a middle-aged woman who evokes a Victorian angel in the house. Represented as an altruistic woman having compassion toward poor and solitary people, Mrs. Ramsay wants her guests to acquire a moment of bliss at her party. Through a lot of hard work, she accomplishes a well-made Boeuf en Daube. Mrs. Ramsay serves the cuisine to family members and guests who have suffered from emotional hunger. Through this scene, the novel creates an analogy between Mrs. Ramsay's dinner and the Last Supper, suggesting that the people eating Boeuf en Daube are consuming the flesh and blood of a woman who has devoted herself to feeding others. In previous studies that analyze the dining scene, there are two opposing interpretations. Some critics praise Mrs. Ramsay's spirit of compassion and her creative ability to engender a moment of joy through food. Other critics are dissatisfied with Mrs. Ramsay's domestic role, asserting that she reinforces a servile subjectivity that was internalized in Victorian England. This paper argues that both interpretations fail to articulate the deep and complex implications of Boeuf en Daube. In seeking to unravel the layered meanings of food in the novel, this paper offers an opportunity reconsider the identity Mrs. Ramsay, and thus offers a fresh approach to To the Lighthouse.

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