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The journal of chinese language and literature

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수록정보
수록범위 : 1권0호(1994)~77권0호(2021) |수록논문 수 : 1,150
중국어문학지
77권0호(2021년 12월) 수록논문
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KCI등재

1『史記』“謗書”說之補論 ― 以「平准」「匈奴」「貨殖」「遊俠」四篇為中心

저자 : 高爭爭 ( Gao Zheng Zheng )

발행기관 : 중국어문학회 간행물 : 중국어문학지 77권 0호 발행 연도 : 2021 페이지 : pp. 7-28 (22 pages)

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The theory that “Shi Ji(史記)”, is a slander book was first put forward from Wang Chong's remarks in “Hou han shu(後漢書)”. Ban Gu examined through “Huo zhi lie zhuan(貨殖列傳)“, “Ping zhun shu(平准書)”, and “You xia lie zhuan(遊俠列傳)” that Shiji is a slander book, and scholars in the past mostly followed Ban Gu's point of view. The author believes that “Xiong nu lie zhuan(匈奴列傳)” should be included in the scope of investigation. Based on the analysis of the contents of these four articles, “Si ma qian(司馬遷)” mainly criticized “Han wu di(漢武帝)” from two perspectives. First, “Han wu di(漢武帝)” doesn't understand the change of truth. Second, because of “Han wu di” often goes to war, which led to the demise of benevolence and righteousness in the whole society. And “Si ma qian” personally experienced the adverse consequences of the disappearance of social benevolence and righteousness, so his reflection on the disappearance of social benevolence and righteousness was written in the “You xia lie zhuan(遊俠列傳)”. At the same time, speaking of the whether the “Shi Ji(史記)” is a slander book(謗書) or not, the word “謗(bàng)” here doesn't mean “slander, calumniate, libel”, it means just a “criticism of bad politics at that time”. The above is the main content of this paper.

KCI등재

2『문심조룡(文心雕龍)』 작품 구조론 탐색 ― <부회(附會)>편, <용재(鎔裁)>편, <장구(章句)>편을 중심으로

저자 : 金民那 ( Kim Min Na )

발행기관 : 중국어문학회 간행물 : 중국어문학지 77권 0호 발행 연도 : 2021 페이지 : pp. 29-60 (32 pages)

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Among the 50 chapters of WenXinDiaolong(文心雕龍), especially Fuhui(附會), Rongcai(鎔裁), and Zhangju(章句) chapters discuss very realistic and specific ways to achieve the ideal structure of works in which content and form are harmonized.
The core of the structural theory of works in WenXinDiaolong(文心雕龍) is also the basic principle of '附會', 'arrangement of linguistic characters(附辭)' and 'arrangement of meanings(會義)', which is based on '情采觀'. More specifically, '會義' is explained as 'establishing the gist of a work according to the content(鎔意)', and it is necessary to 'remove unnecessary expressions(裁辭)' for an appropriate '附辭'. It is emphasized in the Rongcai(鎔裁) chapter. Also, in the Zhangju(章句) chapter, it is said that '附辭' and '會義' in a work are ideally achieved when letters, phrases, and paragraphs are flawless. In Zhangju(章句) chapter, LiuXue (劉勰) describes the structural theory of the work in WenXinDiaolong(文心雕龍) by describing '鎔意' for '會義' and '裁辭' for '附辭' from the consideration of letters, phrases and paragraphs, which are the specific units of composition of the works, showing the meticulousness of the theory of structure of works. Through the Fuhui(附會), Rongcai(鎔裁), and Zhangju(章句) chapters, it is possible to know the coherent theoretical system of the structural theory of works in WenXinDiaolong (文心雕龍).

KCI등재

3도연명(陶淵明)의 시문에 나타난 슬픔의 표현에 관한 고찰

저자 : 李顯雨 ( Lee Hyunwoo )

발행기관 : 중국어문학회 간행물 : 중국어문학지 77권 0호 발행 연도 : 2021 페이지 : pp. 61-87 (27 pages)

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This paper examines the expressions of grief in Tao Yuanming(陶淵明)'s poems and proses. The purpose of this paper is to examine the causes of his grief, how the emotion of grief was expressed, and how the grief was resolved through the expressions of grief.
First, examples of expressions representing grief were extracted from Tao Yuanming's poems and proses, and the causes of grief were examined. The expressions of grief can be broadly divided into types Beiai(悲哀), Chouchang(惆悵), Qice(悽惻), Kangkai(慷慨), and Canqi(慘戚), and among them, type Beiai(悲哀) accounts for the largest number, 65(57.5%). Among the causes of grief, death was the most common with nine, and among the expressions of grief, death also accounts for the largest number, 26.
With regard to the meanings of expressions, the meanings of type Beiai(悲哀) are expressions of grief such as heartbreak due to external factors and compassion or sympathy for others, while those of type Chouchang(惆悵) are disappointment, regret, and anguish, those of type Qice(悽惻) are sympathy and miserableness, type Kangkai(慷慨) are rage, and type Canqi(慘戚) are depression, anxiety, and agony.
Among the patterns of internal resolution of grief, the effort to overcome grief and reach the level of philosophical ripeness with transcendence of reality through drinking, the resolution to be a “gentleman sticking to poverty(君子固窮)”, relieving depression by wandering(遊), and pursuing a moral life are remarkable.
Exploring the expressions of grief projected on Tao Yuanming's works can be said to be meaningful in terms of the theory of the author and the theory of the works, in view of his position and influence in Chinese literary history.

KCI등재

4주희가 제기한 궐문설(闕文說)의 의미와 작용 ― 『논어』의 “색사거의(色斯舉矣)” 문장을 중심으로

저자 : 朴英姬 ( Park Younghee )

발행기관 : 중국어문학회 간행물 : 중국어문학지 77권 0호 발행 연도 : 2021 페이지 : pp. 89-108 (20 pages)

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Zhu Xi concludes there are missing words in “Se si ju yi” sentences of Lunyu without presenting its grounds. This is a significantly meaningful interpretation beyond Queyi's point that absence of understanding leaves vacant without interpretation. The missing words has largely relevance to two aspects. One is Missing Words in Sutra is not significant in Neo-Confucianism based upon Zhu Xi's annotation in Daxuezhangju and Zhouyibenyi, The other is “Se si ju yi” sentences is interpreted by Taoism more than a few. As it is presumed that Zhu Xi especially susceptible to Taoism addresses Missing Words in a way of removing traces of Taoism in Lunyujizhu Annotations, Taoistic interpretation can be misinterpreted as a wrong one by annotations interpretation without difficulty being negated in a lump. However, Missing Words issue generates diverse interpretations on the contrary of Zhu Xi's intention.

KCI등재

5민국시기 『서상기』 전파 및 수용 양상 연구

저자 : 尹智楊 ( Yoon Jiyang )

발행기관 : 중국어문학회 간행물 : 중국어문학지 77권 0호 발행 연도 : 2021 페이지 : pp. 109-137 (29 pages)

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This paper examines variable aspects of spread and reception of Xixiangji during the Republican period. While Kunqu Xixiangji was still performed until the 1940s, Xixiangji in various styles of local dramas and talking-and-singing performances became popular, and the scripts of them were published in magazines. At the same time, various versions of Xixiangji with Jin Shengtan's commentaries were published.
The re-creation of Xixiangji was actively carried out through new genres and media that appeared at that time. Cartoons and novels of Xixiangji story using pictures and easy colloquial language were created and serialized in magazines. Also, two films titled Xixiangji were very successful at the box office.
In this new flow, new interpretations of the characters and themes of Xixiangji emerged. With the advent of a new view of women, Hongniang was treated as more important character than Yingying, the female protagonist of the work, and the tendency to find the significance of the work in the innovativeness of the story itself was also prominent.

KCI등재

6연희사적(演戲史的) 관점에서 본 대만(臺灣) 북항(北港) 조천궁(朝天宮) 영마조(迎媽祖)

저자 : 安祥馥 ( An Sang-bok )

발행기관 : 중국어문학회 간행물 : 중국어문학지 77권 0호 발행 연도 : 2021 페이지 : pp. 139-165 (27 pages)

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Although the scale is small, it is classified as a traditional festival held in the shrine of Mazu, which is said to have the widest religious area in South China. The festival of this commercial city has continued its tradition relatively intact for over 300 years due to the special historical and geographic factors of Taiwan, and has traces of changes that have occurred in modern and contemporary times.
Although this marching groups of Yingmazu remains at an appropriate level for the small city in terms of its size and detailed composition at this point, it is evaluated to have historical significance in that it shows a case of constant growth for about 300 years until the 18th-20th century.
It is clear that Yiges(藝閣) are historically derived from the roots of chinese Shanche(山車) and Taige(擡閣), but from attempts such as the use of trucks and electric lights, it is believed that they have already begun their journey to a different future from the continent. In addition, in the East Asian scope, it is evaluated to have a middleman status located spatially between the Chinese continent and Japan.

KCI등재

7팬데믹과 중국 방역에서의 돌봄 문제 ― 사구(社區) 방역을 중심으로

저자 : 金正秀 ( Kim Jung Soo ) , 任佑卿 ( Im Woo Kyung )

발행기관 : 중국어문학회 간행물 : 중국어문학지 77권 0호 발행 연도 : 2021 페이지 : pp. 167-191 (25 pages)

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This paper will discuss the gender bias of care work revealed in the process of overcoming the corona crisis. During the corona period, the crisis was overcome through lockdown or isolation. In this process, the family's roles such as hygiene, education, and quarantine in addition to caring were increased, and this role was mainly shifted to women. What is unique about China's quarantine is that shequ(社區) exists between the country and the family, and social quarantine was carried out.

KCI등재

8『설문해자(說文解字)』의 '자기해설자' 연구

저자 : 廉丁三 ( Yum Jungsam ) , 文準彗 ( Moon Joonhye ) , 鄭鎭傑 ( Jeong Jingeol ) , 金孝信 ( Kim Hyoshin ) , 文秀貞 ( Moon Sujeong )

발행기관 : 중국어문학회 간행물 : 중국어문학지 77권 0호 발행 연도 : 2021 페이지 : pp. 193-214 (22 pages)

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In Shuowen Jiezi, there are cases where the title letter reappears in the description of itself. If we regard Shuowen Jiezi as a dictionary explaining the meaning of the letters, this phenomenon is unreasonable and inappropriate. However, Xushen's purpose of writing Shuowen Jiezi was not limited to explain the meaning of single letters. He had the intention of organizing a meta-commentary and text commentary that correctly interprets the characters that appeared in main classics during Later Han Dynasty, especially Shi詩 Shu書 Yi易 Li禮 Chunqiu春秋. Considering the purpose of writing Shuowen Jiezi by Xushen, it is possible to grasp the characteristics of this text not only as a dictionary but also as a commentary on the classics. The analysis of “circular definition” in Shuowen Jiezi reveals these characteristics of this text more clearly.
This paper first compared the characteristics of Shuowen Jiezi and Er Ya, which were written under a specific academic background at the time, and examined the characteristics of “circular definition” by classifying and analyzing the aspects of “circular definition” seen in Shuowen Jiezi.

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