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The journal of chinese language and literature

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수록정보
수록범위 : 1권0호(1994)~75권0호(2021) |수록논문 수 : 1,129
중국어문학지
75권0호(2021년 06월) 수록논문
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KCI등재

1樓鑰『詩經』學思想之蠡測

저자 : 高爭爭 ( Gao Zhengzheng )

발행기관 : 중국어문학회 간행물 : 중국어문학지 75권 0호 발행 연도 : 2021 페이지 : pp. 7-34 (28 pages)

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Lou Yue is a great Confucian in the Southern Song Dynasty, but he has no book on the annotations of “Shi King”. However, he and his friend Yang Jian, a scholar of the same era, had exchanges on the annotations of the “Shi King”, and his collection also contains a lot of quotations from the “Shi King”. In this paper, the author sorts out and analyzes the content of the “Shi King” quoted in his literary works, so as to explore his “idea of the Shi King”. His attitude towards “Shi King” is recognized, and his knowledge is very profound. He used some historical knowledge and custom knowledge to verify the meaning of “Shi King”, which is very inspiring for current scholars to study the “Shi King”.

KCI등재

2양지군(楊志軍)의 『장오(藏獒)』에 나타난 생태의식 연구

저자 : 姜에스더 ( Kang Esther )

발행기관 : 중국어문학회 간행물 : 중국어문학지 75권 0호 발행 연도 : 2021 페이지 : pp. 35-65 (31 pages)

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This study examined the ecological consciousness in Zhijun Yang(楊志軍)'s Zang Ao(『藏獒』). This work provides an opportunity to examine the ecological problems that threaten the survival of Xizang native species behind the government's civilizational development ideology. By analyzing various solutions to internal conflict of Xizang, it can be confirmed that the most important role in maintaining the balance and order of Xizang ecology is their natural religious mechanism. From this point of view, it is very important to preserve the ecological system and concept of minority in order to achieve harmony without being discriminated against in multiracial countries. The unique way of life that minorities have formed through long interactions with their ecological environment is closely related to their identity.
Continuous environmental improvement is essential for the progress and development of human society. However, it is believed that the direction should proceed in the aspect of preserving the unique identity derived from each individual's ecological environment. Excessive uniformity can be a factor that causes inequality by dividing the leading and the latecomers, the mainstream and the periphery. This is not just a problem within a specific country, but a global problem. Ecological imperialism regards the global ecological problem as a structural problem similar to that of capitalist imperialism. From this point of view, there is a risk that the political and economic imbalances caused by ecological conquest and imbalance will again act as a vicious circle to justify ecological conquest. If humanities attempts to present such a perception and to present a new view of nature in the long term are continually progressing, it will be a significant help in improving the awareness of environmental issues.

KCI등재

3에코페미니즘의 관점에서 읽는 영화 <捉妖記>의 의미 분석

저자 : 鄭宣景 ( Jung Sun Kyung )

발행기관 : 중국어문학회 간행물 : 중국어문학지 75권 0호 발행 연도 : 2021 페이지 : pp. 67-97 (31 pages)

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In this paper, I pay attention to the point that the ecological consciousness shown in the movie < Monster Hunt > released in China in 2015 is very similar to the ecofeminst narrative. Investigating the interconnected relationship between human's rule over nature and man's rule over women, several important problem awareness and implications which can be seen in < Monster Hunt > are considered in three categories as follows.
In 'chasing man and chased monster', it is disclosed that the confrontation between humans and monsters is not only reproducing the hierarchy of human and non-human beings but also showing the violence contained in the structure of human and nature, capital and colonization, and civilization and savagery. in 'the femininization of fathers, the maleization of mothers', it is looked into that the biological genes cannot coerce or entrench the social sex roles through the reversal of male and female roles. In 'animals as 'meat' and vegetarian education', it is considered that the respect for life and the community spirit are the way for human and the earth to co-exist.
It is revealed that it is just a gender-specific issue, but a matter of relationship between humans and all living things around them and a paradigm shift in the perception of ecological relationships that each one is not above the other but is supporting each other reciprocally, is necessary.

KCI등재

4천카이거(陳凱歌) 영화 <요묘전(妖猫傳)>의 성당문화(盛唐文化) 재현에 대한 일고찰 ― 성당(盛唐) 아니마의 표상인 양귀비(楊貴妃)와 페르소나 사이의 관계를 중심으로

저자 : 滕曉陽 ( Teng Xiao-yang ) , 文炫善 ( Moon Hyoun-sun )

발행기관 : 중국어문학회 간행물 : 중국어문학지 75권 0호 발행 연도 : 2021 페이지 : pp. 99-122 (24 pages)

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The movie “Legend of Demon Cat(妖猫傳)” is a work by Chen Kaige(陳凱歌), the fifth-generation Chinese director. This film is an adaptation of a Japanese novel based on the historical events of Tang dynasty(唐朝), depicting Tang's culture from its peak to decline as a fantasy embodied by spectacular spectacles. In this article, the director's cinematic reproduction reflects his complex about his ideal cultural prototype, and attempted to detox from Jung's analytic psychological perspective. In other words, Yang guifei(楊貴妃), the symbolic Anima of ShengTang(盛唐, the Great Tang Period), and the male characters surrounding her can be analyzed as a multifaceted personas attempting to project an anima. The rationality of this analysis is related to the aesthetic pursuit of cultural anima, which the director has consistently emphasized. Thus, this archetype analysis can be decoded as the director's own spiritual projection of Chinese culture and its cultural ideals. Through the analytical psychological approach to the characters in the film and the deciphering of the animatic projection, the director critically depicts cultural oppression by the dominant power, and at the same time has an ambivalent orientation that longs for the brilliant exhibition of culture. In addition, it was found that he repeatedly resisted in the process of pursuing an ideal culture that respects heterogeneous things and allows free communication and fusion, and that the frustration of that resistance is converging into personal transcendence and return to daydream and fantasy.

KCI등재

5갑골문(甲骨文) □(直)과 □(德)에 대한 소고(小考)

저자 : 金赫 ( Kim Hyeok )

발행기관 : 중국어문학회 간행물 : 중국어문학지 75권 0호 발행 연도 : 2021 페이지 : pp. 123-147 (25 pages)

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In this paper, we conduct research on □ and □ of oracle bone inscriptions in two aspects. Through the logic of graphonomy, I revealed that □ is the original letter of zhi(直) and □ is the original letter of de(德). It is argued throughout the usage that the word zhi(直) in the oracle bone inscriptions was used to mean ritual and adequate. The □ of oracle bone inscriptions is summed up in four meanings. The first is related to war, and the second is related to ancestral rites. The third relates to the positive, and the fourth to the acquisition. The first and second eventually share the same meaning. It is to read □ as zhi(陟). When the king goes on a pilgrimage, he goes up to the mountain, holds a memorial service, and subdues various countries. This argument has already been put forward by Liuhuan(劉桓). However, I further supplemented his theory through contextual circumstances by carefully analyzing numerous literary practices. The third positive meaning can represent royal virtue, a concept of the Zhou(周) Dynasty. If you approach it in a strict manner, it is better to withhold presenting specific meaning for now than to interpret it directly in conjunction with royal virtue. It's good to conclude that it just represents a positive meaning. The fourth is to read □ as de(得). That means to acquire. This also suggests a way of interpreting through specific contexts.

KCI등재

6현대중국어 'V도(到)'의 개념적 연결과 상호관계

저자 : 李雲宰 ( Lee Woon Jae )

발행기관 : 중국어문학회 간행물 : 중국어문학지 75권 0호 발행 연도 : 2021 페이지 : pp. 149-168 (20 pages)

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This paper categorizes semantic function of 'V-dao' into space domain, time domain, rating domain, degree domain and resultive domain, and explains that they form conceptual connections in interrelationship through conceptual metaphor and image schema. The five semantic domain have the basic meaning of reaching the target point, and the conceptual metaphor of TIME IS SPACE is based on the 'V-dao' semantic extension. A metaphor hierarchy is formed based on the conceptual reason of TIME IS QUANTITY, TIME IS QUANLITY, TIME IS SCALE OF CHANGE, and THE RESULT IS ACCUMULATION OF TIME. It can be confirmed from the image schema that “V-dao” is conceptually connected in the interrelationship. The image schema, which shows semantic domain of the “V-dao”, includes the starting point, ballistic body, target point, path, etc. The dotted line was processed because the path was hidden, but it remained consistent as soon as the ballistic body touched the target point. On the other hand, the name of the ballistic body is given in relation to the semantic domain, and displayed so that it is easy to input and process in accordance with the context of the situation. This is because the semantic expansion of “V-dao” is connected while maintaining interrelationship.

KCI등재

7언어유형학적 관점에서 본 현대중국어 동사중첩의 어법특성과 발전기제 고찰

저자 : 柳秀京 ( Yu Su Kyong )

발행기관 : 중국어문학회 간행물 : 중국어문학지 75권 0호 발행 연도 : 2021 페이지 : pp. 169-201 (33 pages)

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This paper examines the grammatical characteristics and developmental mechanism of verb reduplication.
This paper divides the functions of verb reduplication into a basic level and a derived level, and presents a repetitive, continuous, lightness of action on the basic level, and the tentative on the derived level. These functions are systems with semantic relevance and have several common characteristics. With the development of the function, the expansion of appearance verbs and forms of use (“VV”, “V一V”, “V了V”) emerged, and the pragmatic and contextual elements sometimes cause changes in meaning or use. In short the function can be summarized as a change to “quantitative reduction” starting from a repetitive, continuous meaning. Contrary to the characteristics of Chinese verb reduplication, the function of verb reduplication of other languages showed a pattern of “quantitative increase” in conformity with the iconic principle cross-linguistically.
This paper argues that the grammatical characteristics of verb reduplication is not due to iconicity, but due to a different mechanism, and originates from the 'V一V' structure. This origin and developmental mechanism gave rise to the language-specificity of the modern Chinese verb reduplication function. At the same time, however, it can be confirmed that the cognitive and pragmatic factors that acted in the process are universal mechanisms found in change and development of languages.

KCI등재

8글로벌 중국어 권역 간 공통어계 어휘 교류 양상 연구

저자 : 金錫永 ( Kim Sok-yong )

발행기관 : 중국어문학회 간행물 : 중국어문학지 75권 0호 발행 연도 : 2021 페이지 : pp. 203-227 (25 pages)

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This paper analyzed the spread of 9,874 regional standard vocabulary to understand the vocabulary interchange among global Chinese regions. The data used for the analysis were constructed through the items included in 4 kinds of global Chinese vocabulary dictionaries and 9 local field surveys conducted over 8 times. As a result of the analysis, it was confirmed that the influence of vocabulary in mainland China was overwhelmingly high, and that of Taiwan was not as high as expected. In addition, it was confirmed that the further away from the center of the global Chinese concentric circle distribution, the higher the dependence on the vocabulary of other regions. It was also confirmed once again that Hong Kong and Macau, Singapore and Malaysia each form one block in terms of vocabulary, and within each block, it was found that Hong Kong and Singapore had a high influence.

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