간행물

현대사진영상학회> 현대사진영상학회 논문집

현대사진영상학회 논문집 update

The Society of Modern Photography & Video

  • : 현대사진영상학회
  • : 예체능분야  >  기타(예체능)
  • : KCI등재
  • :
  • : 연속간행물
  • : 연3회
  • : 1229-3512
  • :
  • :

수록정보
수록범위 : 1권0호(1998)~24권3호(2021) |수록논문 수 : 236
현대사진영상학회 논문집
24권3호(2021년 11월) 수록논문
최근 권호 논문
| | | |

KCI등재

1스포츠 빅이벤트에 대한 신문 사진 보도 분석 : 2020 도쿄올림픽을 중심으로

저자 : 안준철 ( Ahn¸ Jun Chul ) , 이상욱 ( Lee¸ Sang Wook )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 24권 3호 발행 연도 : 2021 페이지 : pp. 5-31 (27 pages)

다운로드

(기관인증 필요)

초록보기

The purpose of this study is to examine how the media handles and reproduces the Olympics by grasping the trend of photographic reporting at the Tokyo Olympics in daily newspapers, identifying topics and reports, and analyzing photographic images published in newspapers. It is also important to observe how our media reproduce by looking at the differences in media that appear through Olympic photo images.
For this study, a total of 539 photos were analyzed by selecting press photos posted in general daily newspapers such as the Chosun Ilbo, the Hankyoreh Newspaper, and the Hankook Ilbo from July 23 to August 9, 2021.
As a result of the analysis, the area average of the photos showed significant differences between media. In addition, in the case of a front-page article, the media to be analyzed reported more than one related photo during the Olympics. Even when the subject of photography was women, the degree of exposure differed from medium to medium. The main contents of the photo report were “physical athletic ability” and “the joy, pleasure and cheers of victory.” However, the Chosun Ilbo showed a lower percentage of reports related to COVID-19 than the other two media companies. The theme of all newspapers was “victory advantage.” However, the increase in the proportion of humanism is interpreted as meaning that the tendency to report gold-oriented past Olympics is changing.

KCI등재

2사진기반 디지털 휴먼 제작 연구

저자 : 왕신 ( Wang Xin ) , 이병춘 ( Byung-chun Lee )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 24권 3호 발행 연도 : 2021 페이지 : pp. 33-48 (16 pages)

다운로드

(기관인증 필요)

초록보기

In this paper, the production process of new digital human based on photos will be studied. Firstly, through various literature and media, this paper will make a theoretical investigation on the development process of digital human. Second, for a better to create the 3D model of digital human, it is necessary to make and study the digital human scanned based on photos. Then, in order to represent a more real digital human, Author will explain their materials which based on photos. Finally, using the computer 3D scanning technology, the production of 3D digital human which can show the sense of three-dimensional, reality and devotion is studied. Based on photos, digital human production goes beyond simple images and reproduces the new production environment of digital human with distinctive personality, which is an essential research at present. Especially, it can greatly reduce the human, materials and the time's consumption. Expecting the direction of this research can help the producer quickly improve the 3D model and material based on photos in the future, and save the budget.

KCI등재

3중국 대학의 광고사진 교육에 관한 연구

저자 : 이정문 ( Li¸ Jingwen ) , 최종인 ( Choi¸ Jongin )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 24권 3호 발행 연도 : 2021 페이지 : pp. 49-72 (24 pages)

다운로드

(기관인증 필요)

초록보기

From the 2011 interview with Professor Xie Aijun of Xi'an Academy of Fine Arts, I learned that the current photography education is developing more and more in two aspects. On the one hand, the photography education of traditional art colleges that adhere to elite education, on the other hand, to cultivate the photography education of professional photographers, and each has space for development. There are more and more universities majoring in photography, and in addition to a few colleges with long qualifications and profound academic background with a distinct overall appearance, the appearance of many colleges and universities is vague and ambiguous, with heavy traces of imitation of each other, and the photography practice and theoretical research of some college teachers lack.
To this end, the purpose of this paper not only through questionnaire survey, using data analysis to understand the current situation of advertising photography in Chinese universities, to the university teachers, and the arrangement of advertising photography courses, and through the university of each school website search, found the United States, South Korea part of the advertising photography training goals and curriculum compared with Chinese universities, understand their own advantages and disadvantages, hope advertising photography education can get the attention of university education. Combined with the advantages and resources of university photography education in other countries, we hope to provide some reference for Chinese photography education, and also let other countries better understand the advantages and disadvantages of Chinese advertising photography, and give enlightenment for the development of university advertising photography in the future.

KCI등재

4신체적 경험과 인간관계의 사진적 표출 : The Weight, Most Beautiful 작품을 중심으로

저자 : 천경우 ( Chun¸ Kyungwoo )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 24권 3호 발행 연도 : 2021 페이지 : pp. 73-90 (18 pages)

다운로드

(기관인증 필요)

초록보기

The fundamental characteristic of photography, which always requires an object, is tied to the routine and repetitive human action of first confirming one' s own existence through the existence of others, especially in the category of object individual.
In this thesis, I would like to look back on two works from the artist's point of view based on the recognition that a human being is always connected with others, the value of existence is formed, and is an independent and interdependent existence. It deals with the visualization of the unconscious revealed in the performance process of the work, the recognition of new senses discovered through the act of non-routine physical contact with others, and the results of the image consciously formed as a participant.
This project was realized with the invitation by the Macval (MAC/VAL - musée d'art contemporain Val-de-Marne), a contemporary art museum in Vitry-sur-Seine, France in conjunction of commemorating the 130th anniversary of diplomatic ties between Korea and France. It contains information about the background and process of the production of the realized work. In addition, I would like to describe the possibility of new artistic expression discovered through the process of this project, which was produced while traveling between France and Korea during the project period.
By introducing the conception background and process of the two works The Weight(2016) and Most Beautiful(2016), it is not a directing for an image, but an example of the possibility of expressing an image through real experience and imagination, giving researchers and artists a new perspective on the photographic medium.

KCI등재

5디지털 아트에서 사진의 활용 - 빌렘 플루서의 기술 이미지를 바탕으로

저자 : 황민수 ( Minsoo Hwang ) , 이용환 ( Yonghwan Lee )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 24권 3호 발행 연도 : 2021 페이지 : pp. 91-106 (16 pages)

다운로드

(기관인증 필요)

초록보기

This study examines the use of photography in digital art based on the philosophy of Vilém Flusser. Photography in digital art has a different appearance from ordinary photography. Therefore new framework of theory is required to see this new images which move pixels by audiences or generating music. Vilém Flusser explained the technical image of modern society. He gave a warning that humans could falling under the control by devices of technical Image. In this situation, he found a little hope in the digital art field. Digital artists resist the automaticity of the device and create new results that the device maker did not expect. Flusser named 'new Imagination' for this phenomenon. In addition, they are not independent individuals, but jointly created a art work through communities. Therefore, digital art is an art that is completely different from the previous classical art and presents a new paradigm for a new era which called digital generation.

KCI등재

6다큐멘터리 <나의 문어 선생님>에 대한 분석과 고찰

저자 : 최우 ( Woo Choi )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 24권 3호 발행 연도 : 2021 페이지 : pp. 107-118 (12 pages)

다운로드

(기관인증 필요)

초록보기

Recently, the popularity of Netflix has begun not only in movies and dramas but also in documentaries. Materials and grammar that have not been seen on existing TV are bringing about changes in the documentary genre. The documentary < My Octopus Teacher > is also an example with a unique subject matter and story.
I will examine the documentary < My Octopus Teacher >, which contains the special meeting, communion, and healing process between humans and octopus, and analyze its characteristics. Craig, the protagonist, regained his lost purpose of life through the communion of nature, and his surrounding relationships were restored. And through this, it gives healing and comfort to the audience, and makes them look back on the relationship between nature and humans. Although the documentary does not directly talk about the risk of environmental destruction or animal protection, it conveys another message on how humans should live in harmony with nature as members of the Earth, not owners, by drawing sincere communication between humans and creatures.
In this paper, I would like to examine the content and formal characteristics of the documentary < My Octopus Teacher >, which contains a special connection between humans and octopus. Communication with Craig and Octopus is the main theme that penetrates the entire work. This stage of exchange is analyzed by alternating analysis, and < My Octopus Teacher > also examines that the stage according to the time structure of alternating analysis, which is gradually moving toward the intimate stage, is progressing. And Craig, the cast and producer of < My Octopus Teacher >, was co-founder of the Sea Change Project, and the documentary was produced as part of the Sea Change Project. I would also like to examine documentaries on environmental preservation and communion with nature of similar characteristics, and examine the differentiated characteristics of < My Octopus Teacher >.

KCI등재

7가족사진 형식을 차용한 예술사진 연구 - 연작 < New-Family Portrait >와 <신(新) 한국의 가족> 작업을 중심으로 -

저자 : 최은주 ( Choi¸ Eunju ) , 천경우 ( Chun¸ Kyungwoo )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 24권 3호 발행 연도 : 2021 페이지 : pp. 119-138 (20 pages)

다운로드

(기관인증 필요)

초록보기

Family is the reason and purpose of life for many people. But for some, the family could be a group that you can force the ideal role of a family member and constantly demands duty and sacrifice. My experience of a personal complex with family naturally led to an interest in the stereotypes of 'family photography', which only shows the ideal appearance of “family” in a large concept. Therefore, I studied the history of family photography and the formality of family and completed the series < New-Family Portrait > (2019) and < New Korean Family > (2020) through various explorations and experimental images.
I observed that many family photographs are very similar because the form of formal family photography is implicitly defined, and taken within that fixed format. We have watched the many images of ideal families defined by society for a long time, and trained by these images, prejudices against the concept of the family have naturally emerged. These stereotypes impoverish the imagination of family photographs and make the viewer prejudiced. The purpose of this study is to express the strong stereotypes of family photographs through two pseudofamily photograph series, < New-Family Portrait > which is reconstructed from amateur family photographs and < New Korean Family > which is reconstructed from documentary photographs by Joo Myung-Duck. I aim to break apart the stereotypical forms of family photographs through the two experimental series of work by creating fictional families and raise questions about the meaning of family today.

1
권호별 보기

내가 찾은 최근 검색어

최근 열람 자료

맞춤 논문

보관함

내 보관함
공유한 보관함

1:1문의

닫기