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The Korean Journal of Dance Studies (KRSDS)

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수록정보
81권1호(2021) |수록논문 수 : 12
간행물 제목
82권2호(2021년 06월) 수록논문
최근 권호 논문
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KCI등재

1부토에서 '육체'의 인식에 따른 춤 형태 연구

저자 : 신효영 ( Shin Hyoyoung )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 82권 2호 발행 연도 : 2021 페이지 : pp. 1-13 (13 pages)

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This paper aims to understand the form and change of Butoh dance from the perspective of the body. Hijikata Tatsumi's dark butoh has discovered the “materiality” of the body, including grotesque and self-killing, regression of the body toward the darkness of the source, and fall. In the case of Ohno Kazuo, the spirits of the dead are accepted by his body, and his dances presented mainly improvised, entertaining, colorful, and dynamic movements by combining various opposite entities. The next generation, including Shankai Juku, is showing a different physicality from the previous generation. It shows the pursuit of "universal physicality" rather than individuality, or “physical retreat,” which is approaching universality by carving and refining the special form of dark Butoh with internationalization.

KCI등재

2펠든크라이스 ATM® (Awareness Through Movement)방식이 무용수의 신체자각 능력에 미치는 영향에 관한 연구 - 대학 3년 현대무용 전공생을 중심으로 -

저자 : 서채린 ( Seo Che-rin ) , 최상철 ( Choe Sang Cheul )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 82권 2호 발행 연도 : 2021 페이지 : pp. 15-34 (20 pages)

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The objective of this study is to explore the effect of warm-up activities using the Feldenkrais Awareness Through Movement (ATM)® method on the physical awareness of dance major students in a university dance improvisation class. To achieve this, scripts for 12 ATM® classes were selected, based on which warm-up activities were being conducted for the junior year dance major students at University C in Gyeonggi Province, South Korea.
Warm-up activities employing the Feldenkrais ATM® Method were reported to be the most effective in Physical Relaxation, among the components of physical awareness. It was followed by “Physical Alignment”, “Sensory Reception”, “Sensory Restoration”, “Sensory Recognition”, “Mind-Body Connectivity”, “Self-image Formation”, “Concentration Control”, “Trust Factor” and “Movement Factor” respectively.
The study proved that the warm-up activities using Feldenkrais ATM® method were effective in all of the above mentioned physical awareness factors.

KCI등재

3윌리엄 포사이드 작품의 초현실주의 표현기법 분석 - 「추상화된 도시」, 「흩어진 군중」, 「헤테로토피아」를 중심으로 -

저자 : 안현민 ( Ahn Hyunmin )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 82권 2호 발행 연도 : 2021 페이지 : pp. 35-48 (14 pages)

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This study aims to find surrealism expressions in three pieces of William Forsythe by referencing four surrealism techniques : automatisme, dépaysement, collage, frottase. To analyze the works, the author enumerates notions and traits of surrealism techniques referring to other scholarly papers, books and videos. The City of Abstracts has a rubbed effect of audience's body image. Scattered Crowd puts thousands of ballons in the space which, looks unfamiliar and irrelevant. Heterotopia emphasizes unconsciousness, which is the point of surrealism using props and sounds of dancers. Through these analyses, Forsythe's works exemplify how surrealism techniques affect on contemporary dance works.

KCI등재

4노장사상의 무(無)사유형식을 적용한 무용창작작품 「현해(玄海)」의 공간 연구

저자 : 이은정 ( Lee Eun Jung )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 82권 2호 발행 연도 : 2021 페이지 : pp. 49-63 (15 pages)

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This study investigates the space of the creative dance work “Hyeon-hae (Dark Sea)”, in application of Lao-Tzu's philosophy of “no-reason form.” The philosophy of no-reason form views the changes in the world as a process of a continuous cycle that is generated from emptiness to something, and reduced from something to emptiness.
Hyeon-hae uses the space referencing the various diagrams of Lao-Tzu and Chuang-Tzu and art works of Woohwan Lee to express 'dao' in diverse methods.
The purpose of this study is to identify the correlation between Taoism and the dance work by examining the process of visualizing Lao-Tzu's philosophical form of emptiness. Through this, the paper aims to clarify the process in which the theme of the dance work is revealed not only in the movements, but also in the formal aspect of the dance space. Hence, the study presents one aspect of the creative dance work that is based on Eastern philosophy.

KCI등재

5수행성 관점으로 본 보리스 샤르마츠의 '미술관의 춤'

저자 : 정수동 ( Jung Soo Dong )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 82권 2호 발행 연도 : 2021 페이지 : pp. 65-80 (16 pages)

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This study investigates Erika Fischer-Lichte's perspective of performance emerged in three works of Boris Charmatz's Dancing Museum: Flip Book (2008), Expo Zero (2009), 20 Dancers for the XX Century (2012). From Fisher-Lichte's principles of performativity, I identify the concepts of feedback loop, event, changing the role, and reproduction to discuss the characteristics of Charmatz's choreography. The three works presented new frames avoiding the proscenium stage, allowing to form a feedback loop with the audience in a museum. By presenting past performances to the present, representation occurs, activating continuous events and changing roles. The choreographer presented the movements, actions, and actions of the dancer as a performativity dance. At the same time, Charmatz attempted interaction with the audience, expanding the idea of choreography.

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6발레계의 블랙페이스/옐로우페이스 논쟁 연구

저자 : 정옥희 ( Jeong Ok Hee )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 82권 2호 발행 연도 : 2021 페이지 : pp. 81-102 (22 pages)

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This study examines the recent trend of problematization of racism in ballet and discerns anti-racist activism on ballet repertoires. Particularly it focuses on Mikhail Fokine's Pétrouchka and Marius Petipa's Nutcracker, which are considered to be representative examples of blackface and yellowface in ballet, respectively. As a part of art activism in various fields of art as well as academia since the 2010s, anti-racist activism has proliferated in the ballet field, which helps revisionism to finally win over preservationism in classic ballet discourse. Analyzing the dispute over the customs of blackface and yellowface in Pétrouchka and Nutcracker, I suggest that the problem is not a simple matter of make-up as racism is deeply intertwined with non-visible areas such as choreography and script. In the end, if there is not enough reflection on racist works, these works return to us in the name of the classics or canon, or in the form of reinterpretation, dedication, motifs, and parodies, while perpetuating racism in ballet.

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7문화예술 도시의 조건

저자 : 박성혜

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 82권 2호 발행 연도 : 2021 페이지 : pp. 103-106 (4 pages)

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KCI등재

1전통 지역문화예술 복원에 대한 응시와 경계

저자 : 김주희 ( Kim Joohee ) , 박은혜 ( Park Eun-hye )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 1-21 (21 pages)

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The purpose of this study is to give suggestions for the restoration of Gupabal Sandaenori. Sandaenori means a mask dance which played at central districts in Korea. Currently handed down to Korea are Yangju Sandaenori and Songpa Sandaenori, as well as Toegyewon Sandaenori and Aeogae Sandaenori which have been reorganized today. Although Gupabal Sandaenori is not currently undergoing restoration work, there is a growing interest in its restoration. Thus, This study interviewed an elderly artist, a traditional performance researcher, and a new traditional performer.
The results of this study shows that first, continuous literature research is needed through the government's policy support. Second, this study proposes the expansion of Sandaenori into a festival rather than restoration. Third, it is necessary to produce a modernized stage of Sandaenori. Fourth, it must be provided through various school education programs. Fifth, Sandaenori dance should be emphasized. Sixth, it should be developed with various contents that young generation can relate to and identify with.

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2낭만발레에 나타난 환상의 분석심리학적 이해

저자 : 노영재 ( Roh Youngjae )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 23-39 (17 pages)

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The purpose of this study is to examine the fantasy in the 19th century Romantic Ballet by paying attention to the romantic fantasy of dance works and C. G. Jung's collective unconscious theory. By discussing the structure of the human psyche projected in the works, I suggest that ballet is a meaningful symbol of the process of self-realization of the integration of consciousness and unconsciousness. Ballet has long been recognized for its value in both historical and aesthetic terms, while a sociological perspective that raises questions about existing aesthetic perceptions has emerged through criticism in the late 20th century. However, this study, which illuminate the unconscious, is a more thorough interdisciplinary study that links the typical structure of classical ballet with the essence of the universal human mind, thereby providing a theoretical basis for illuminating new interpretations and meanings of ballet as an art.

KCI등재

3피핑톰 무용단의 작품에 나타난 초현실주의 특성에 관한 연구 - 가족 3부작 작품 「아버지」, 「어머니」, 「아이」를 중심으로 -

저자 : 왕자목 ( Wang Zimo ) , 조은숙 ( Cho Eunsook )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 41-55 (15 pages)

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In order to study the surrealism in the Family Trilogy of the Peeping Tom Dance Company, this research centers on the video materials and literature materials of these three works. The Peeping Tom dance troupe in this study has been conveying a certain message to the audience through a surreal expression. The work 「Vader」 expresses the real human heart and the surrealism of desire through the combination of realistic and non-realistic dream scenes. 「Moeder」 also uses the combination of reality and non-reality to create a dream-like stage atmosphere. In addition, the work 「Kind」 also makes use of irrational violent scenes to show the audience an irrational surrealism stage scene that breaks away from moral constraints. This examination illuminates the Family Trilogy has the characteristics of surrealism, and also reflects the influence of surrealism on the style of dance works and has long-term significance for future dance creation.

KCI등재

4치매 전문 무용교육에 관한 대학 무용전공생의 인식도 조사

저자 : 이지원 ( Lee Ji-won ) , 전민수 ( Jeon Min-soo )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 57-69 (13 pages)

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This study aims to identify the level of perception of dance majors in college on dance education specialized in dementia, and to provide basic data on the direction of specialized dance education and employment. The questions in the survey were divided into questions about perception of dementia and questions about dance education. In addition, frequency analysis was conducted to analyze the response results. Frequency analysis was conducted using the Excel 2013 and SPSS 18.0 programs. The results of the study showed that the perception of dementia among dance majors is somewhat higher than that of ordinary college students. We hope that the dance program specializing in dementia for college students will be expanded in the future. It is also expected that dance-specialized education programs related to dementia can be developed in a systematic and multi-layered direction.

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5중국 혁명 무용극 「소도회(小刀會)」 작품의 정치적 배경 분석

저자 : 장신 ( Zhuang Chen ) , 이주희 ( Lee Ju-hee )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 71-81 (11 pages)

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This paper examines the revolutionary dance drama Small-Sword Society to verify its political meaning and artistic value. Small-Sword Society is the first revolutionary dance drama in China, and consists of seven chapters. Each part shows the forms of early China dance, social life, political image, history, and red culture which represents the pioneers' revolutionary struggle and spirit of sacrifice. Small-Sword Society video (1:17:41) is analyzed to understand the historical background, and cultural forms of revolutionary dance drama of China. This analysis verifies the value of Small-Sword Society. Also, we can check the changing pattern of Chinese revolutionary dance drama.

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6안무가가 인식하는 무용비평의 기능탐색

저자 : 전지은 ( Jeon Ji Eun ) , 박인자 ( Park In Ja )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 83-100 (18 pages)

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This study aimed to diagnose the functions of dance criticism by considering dance choreographers' perception of criticism that is placed in the center of dance arts as an object of criticism. For this study, the open-ended survey was conducted, and the results were drawn through the inductive analysis. In the results of this study, most of the choreographers approached criticism through various media, and they had the conceptual and stereotyped perception of the functions of criticism. However, the choreographers who experienced criticism of their own works in field, reviewed works based on experts' various opinions, and also perceived it as a means of introspection. At the same time, they raised problems like absence of objectivity and professionalism, distortion of meanings, lack of validity, and narrow mindedness. Therefore, to set up the value that could be accepted in field, it would be certainly necessary to understand and analyze the object of criticism.

KCI등재

7코로나 시대, 무용예술의 본질에 대한 고찰

저자 : 최문정 ( Choi Moon Jung )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 101-113 (13 pages)

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This study aims to clarify the ontological meaning and value of dance as an art form in the era of COVID-19, based on an observation of the difficult situation that dance currently faces. First, it identifies the ecosystem of dance in the wake of the COVID-19 crisis and identifies the artistry as well as forms of dance that have been transformed during the crisis. e.g., cases of dance shifting to digital and online platforms. Second, the study distinguishes dance from its social function and views its aesthetic meaning as pleasure. This indicates that the identity of dance lies in the beauty of the body, in expressing joy and imagination. As a result, the source of beauty in dance art is independent from its practical interests. Dance art is, as it always has been, a body art and mental art that reveals the fragmentary processes of our lives through bodily moves.

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82015개정 초등체육 표현영역 교과서에 구현된 세계시민교육

저자 : 최선 ( Choi Sun ) , 이정연 ( Lee Jeong-yeon )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 115-129 (15 pages)

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The purpose of this study is to analyze the contents of elementary P.E. textbooks in terms of the subject and core competency areas of global citizenship education to see if the areas of expression in elementary P.E. textbooks under the 2015 revised education curriculum reflect the perspective of global citizenship education. In order to achieve the research objectives, the subject areas of global citizenship education were classified into human rights, environment, multiculturalism, and community. The analysis results are as follows.
First, the subject of human rights reflects the contents of discrimination and human dignity. Second, the environmental theme reflects the contents of natural environment, resources and sustainable development. Third, the multicultural theme reflects the contents of cultural diversity, pride in one's culture, and interest in other cultures. Fourth, the community theme reflects the contents of harmony, order, and rules.

KCI등재

9남한에서의 북한 지역기반 무형문화재 전승과 보존에 관한 제도 분석 연구

저자 : 최희아 ( Choi Hee Ah )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 131-152 (22 pages)

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This study analyzes the practical aspects of the system regarding the transmission and preservation of intangible cultural heritage originated from the North Korean region. The state, city, ibuk5do considered how the intangible cultural heritage system protects intangible cultural assets based on North Korea, and their ways of consideration has been changing through time. As the Cultural Heritage Protection Regulation was enacted on May 1, 1998, Ibuk5do intangible cultural heritage was classified and an independent system was established. However, there is still a problem with insufficient support measures, because there are no actual local governments. Although the system was established, problems such as poor subsidies and lack of professional operations have arisen due to the lack of practical conditions. Therefore, it is necessary to prepare an independent policy support system for intangible cultural heritage originated from the North Korean region in North Korea.

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10탈춤의 창발성 - 물질성과 의미의 창발을 중심으로 -

저자 : 하진숙 ( Ha Jinsook )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 81권 1호 발행 연도 : 2021 페이지 : pp. 153-166 (14 pages)

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This study analyzed the emergence in Talchum (Korean mask dance) based on Erika Fisher-Richte's performance theory. The research method examined how the materiality and meaning of talchum emerged during the performance process. Talchum creates materiality by using body, sound, movement, and tools. Materiality is revealed through the performers' actions, and the audience perceives materiality through the performers' actions. As the audience's perception is expressed as a physical reaction, the meaning is experienced aesthetically, and the performance appears as an unpredictable event. The artistry of talchum lies in the fact that physical and conscious changes occur in the process of creating meaning and experiencing meaning while the actor and the audience continue to perceive and react.

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