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The Collected Papers of Chinese Prose

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11권0호(2021) |수록논문 수 : 12
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1공자의 가르침, 모호함에서 오묘함으로 : 『논어』의 “무언(無言)”과 “색사거의(色斯舉矣)” 문장을 중심으로

저자 : 박영희 ( Park Younghee )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 8-20 (13 pages)

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This treatise explores to clarify that the words and actions that had been considered ambiguous so far in the Analects were rather the teaching methods and processes that allowed disciples to learn the abstruse logic of life of Confucius. Among them, we looked at the sentence "wordless" that Confucius declared in the Analects and the sentence "Se si ju yi" that is famous for being difficult because of the unexpected words and actions between Guru and the disciples. These two sentences are cleverly linked, and Confucius declared that he would not speak in teaching, and as if dramatically reflecting this, Confucius answers Zaro's actions silently in the sentence "Se si ju yi". Until now, Confucius's silence had been treated only as a matter of language and practice, and the sentence "Se si ju yi" in the Analect was considered difficult and ambiguous.
In this treatise, it can be seen that Confucius, in fact, tried to lead the disciples in a way similar to koan. Confucius led to the acquisition of the mysterious truth of life, especially based on the feelings and empathy between Guru and the disciples. Prior to Buddhism's koan, Confucius had already pursued the realization of similar methods and processes.

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2美盛德而述形容:『骈体文钞』萧纲三颂的王权书写

저자 : 钟涛 ( Zhong Tao )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 21-37 (17 pages)

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Li Zhaoluo selected Xiao Gang's Southern Suburbs Song, Dafa Song and MaBao Song in the second volume of the first part of parallel style Wen Chao. Although the writing origin and content are different, they are respectively praising the ancestors, praising the Dharma, and singing the god horse, but the theme is to promote the king's power and praise the prosperous times. Southern Suburbs Song reflects Xiao Gang's pride in the glorious times of the dynasty and and his enthusiasm to extol the imperial government. The nature of the rites and the stylistic characteristics of the eulogy determines that the main content of Southern Suburbs Song is to eulogize the emperor's merits, to promote the politics of the king's power, and depict the glorious times. Xiao Gang's Dafa Song and MaBao Song are not pure Buddhist texts, but the combination of Buddhism and the concept of royal power, which fully exaggerates Xiao Yan's literary governance and martial arts, benevolence and morality, and the majesty of the emperor. In the end, although it is attributed to praising Buddhism and pursuing all living beings, the essay has a large part of the praise of literary and martial arts, and the prosperity of benevolence, which fully demonstrates Xiao Gang's enthusiasm for the political writing of royal power. Compared with the traditional writing of eulogizing the royal power, the introduction of Buddhist concepts into the political level of royal power, the knowledge concept and the way of discourse have changed. The fu and song styles are all derived from the Confucian classics. The prefaces and texts of Xiao Gang's three songs are written in the form of fu, and they are basically pure and elegant, avoiding extravagance. Xiao Gang's three Songs focuses on the writing of royal power, which is also closely related to the stylistic nature of eulogizing virtues and praising success. Xiao Gang's writing of the royal power in his eulogies combines Confucianism and Buddhism systems in concept and discourse, which is not limited by the traditional concept of formal and variant in song style and has transcending significance.

KCI등재

3宋代亭臺楼阁记空间观念转型研究

저자 : 權錫煥 ( Kwon Seokhwan )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 38-52 (15 pages)

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This study analyzes the contents of 90 the narration of the pavilion (亭臺楼阁记) which contained in 『QuanSongWen全宋文』·『SongWenJian宋文鉴』. The narration of the pavilion (亭臺楼阁记) of Song Dynasty (宋代) is one of the most representative prose of Song Dynasty. It has two characteristics. First, it is deeply related to Otium culture and suffering consciousness (忧患意识). Second, the argumentative (议论性) of this prose dilutes the pleasure of relaxation. The reasons of these two characteristics are complex, but both are closely related to contemplation of space.
The geographic environment was the reason of the first feature. The location of the creative site of the narration of the pavilion of Song dynasty is distributed in safe and bustling areas in eastern and central China. This geographical environment made Song Dynasty's resting culture popular. Also, it became a place to experiment with the spirit of thinking about danger in comfort (居安思危) for Song Dynasty's noblemen, who were seeking comfort. By reaching Song Dynasty, the narration of the pavilion as the Otium culture revealed suffering consciousness for the country. People expressed concerns about the military and national defense crisis occurring on the periphery and politics at the time. Therefore, the narration of the pavilion, which was a resting place, became a place and medium in which Song Dynasty's Otium culture and suffering consciousness were closely combined.
The reason of second characteristic is Song Dynasty's scholar-bureaucrats have emerged as the central class of society through the imperial examinations. The sufficient vacation and high salary given to them made the culture of entertainment and relaxation popular. They built a resting place where the scenery beautiful to relieve stress and gain mental freedom. The pavilion was built there, and literary creation was very active. They resolved their feelings through having a deep discussion. As the number of scholar-bureaucrats increased through the imperial examinations, social competence also increased. Based on their increased political power and status, they actively presented opinions on real politics and social issues, which appeared as the narration of the pavilion.

KCI등재

4宋代文人之伍子胥人物品評小考

저자 : 朱文亮 ( Zhu Wenliang ) , 高光敏 ( Ko Kwangmin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 53-73 (21 pages)

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The stories of Wu Zixu could originate from the Pre-Qin period and be summarized as “Loyal Gentleman”, “Filial Piety” and “Revenge”. Since “Loyal Gentleman” and “Revenge” are two contrast words, Wu Zixu has always been a debatable figure in the views of the men of letters in later ages. With the proses in Song Dynasty as the major texts, this thesis has referred to both Confucian classics and historical materials, to probe into the characters, reasons and meaning of commenting on Wu Zixu. By taking a panoramic view of the overall history of commenting on Wu Zixu, it's discovered that Song Dynasty was the turning period. At the beginning of the Northern Song Dynasty, the overall comments on Wu Zixu had relied on the fork beliefs, the scholars had worshiped Wu Zixu for the actual sacrifice demand, indoctrination and benediction. Such a surficial acceptance had been consistent with the comments on Wu Zixu in Tang Dynasty and lasted until the end of Song Dynasty. Although the rational criticism had shown up in the Southern Song Dynasty, worshiping and depreciation of Wu Zixu had existed side by side. With the interpretations of the Confucian classics, the scholars in the Southern Song Dynasty had deepened the exploration in the academic comment on Wu Zixu. The assessment range had been gradually expanded, from “loyal gentleman” to “revenge” and “death”. As the assessment goes deeper, specific arguments and logics have been proposed, the reasonable solution for self-adaptation and dream realization has been presented. The scholars in the Southern Song Dynasty had ushered in the history of comment on Wu Zixu and displayed a sense of distinct critical consciousness, forming up a certain scale and trend of comment on Wu Ziwu for the people in later ages.

KCI등재

5南宋词科考试与鄱阳洪氏四六家学的生成

저자 : 戴路 ( Dai Lu )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 74-90 (17 pages)

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Cike (the subject of extensive learning and great literary talent) examination in the Southern Song dynasty contributed to the development of the family literature of parallel prose, which is represented by the Hong lineage from Poyang. The exercises, presented works, and exam essays of Hong Kuo, Hong Zun, Hong Mai are well preserved, which show that they gave special attention to the refinement of phrasing in Biao and the use of proverbs and allusions. These features decisively influenced the development of the family literature. Through writing on each other's behalf and revising on works, those from the Hong lineage promoted the passing down of Parallel prose, particularly the tradition of using allusions from the poetry of Du Fu and the imitation of Liu Yuxi. Hong Mai, in striving to teach the descendant about the standard and technique, expanded the influence of Parallel prose within the whole Hong lineage.

KCI등재

6백과사전을 독서하다, 『야항선(夜航船)』 연구

저자 : 이은진 ( Lee Eunjin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 91-112 (22 pages)

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This paper attempts to explore the small encyclopedia “Yahangchuan(夜航船)” from the perspective of a new style of Leishu(類書) that reflects the changed reading habits of writers and readers. The title of this book, “Yahangchuan(夜航船)” has long served as a social discourse center through travel. The author provided the reader with a keyword that could be a social issue, that is, the essential knowledge that must be known at that time.
This book is the fruit of knowledge and data collected by Zhang Dai as a literary man, and is an encyclopedia written for knowledge that can be used in daily life. “Yahangchuan(夜航船)” can be said to be a differentiated Leishu(類書) that shows the purpose of acquiring knowledge for a specific class, the convenience of collecting knowledge that can be used immediately, and excellent editing skills.

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7龚自珍的文章书写与阳湖文派

저자 : 李金松 ( Li Jinsong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 113-128 (16 pages)

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Gong Zizhen were been thought “a prose author with no school” by academic circles. However, the fact of Gong Zizhen's writing prose that tell us: His writing prose not only followed the example of the various schools of thought in pre-Qin, but also imbued with magnificent words, mixed up odd and parallel sentences. The artistic characteristic of Gong had highly corresponded to literary view from Yanghu(阳湖) school's on prose. Gong often got together with Lu Jilu、Li Zhaoluo、Song Xiangfeng, etc of main writer of Yanghu school, and sown greatest esteem for them. In a sense, Gong was Zhang Huiyan's second student. Therefore, Gong's writing prose was affected by Yanghu school, had put Yanghu school's literary idea into practice, and highly possessed Yanghu school's artistic characteristic. So it was evident that Gong was not “a prose author with no school”, but he belonged to Yanghu school.

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8咀汉吮魏:论李慈铭骈文的“汉魏”取向

저자 : 常亮 ( Chang Liang )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 129-139 (11 pages)

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Ignoring the “Han-Wei” style of Li Ciming's parallel prose is the deep reason for misunderstanding that Li Ciming's parallel prose theory is not unified with the creation practice. Li Ciming respected parallel prose in the Six Dynasties and complied with the development trend of parallel prose in the late Qing Dynasty. Particularly, he respected the parallel prose of “Han-Wei Style”, which is elegant, pure and combines the parallel prose with scattered prose. The “Han-Wei” orientation of Li Ciming's parallel prose shows academic and realistic characteristics in the content, with the style of elegance and sincerity being created. The formation of the “Han-Wei” orientation is affected by academic thoughts, political evolution and emulating the outstanding methods.

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9知人论世 以意逆志 -清代骈文集序跋作家论

저자 : 王正刚 ( Wang Zhenggang )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 140-150 (11 pages)

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In the preface and postscript of the parallel prose collection of the Qing Dynasty, there are a lot of literature materials about the writer's life. Only through this person can we understand the time. Through the literature, we can understand the parallel prose writer's life deeds and his creative intention. Combined with the era background, social conditions and the talent and character of the parallel prose writer, on the basis of careful examination of the text, "Inferring the author's intention with his own intention" can objectively understand and grasp the ideological content and artistic characteristics of the work.

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10论中国古代檄文的骈化及其艺术特质

저자 : 陈鹏 ( Chen Peng )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 151-167 (17 pages)

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The ancient Chinese dynasties have seen repeated military campaigns and battles, and the creation of diatribes has flourished since the Six Dynasties. Not many diatribes from the Northern Dynasty have been preserved, and they are basically in loose form, but the creation of Lubuwen was more prosperous than that of the Southern Dynasty. In the Song dynasty, diatribe and Lubuwen became one of the contents of the Song imperial examinations, as opposed to diatribe, which was not even tested at one time, but Lubuwen was a compulsory part of the examination, and therefore became more and more important. The diatribe is not in prose either, because to inspire the soldiers to make common cause and to kill the enemy, it is necessary to fully mobilize the rhetorical techniques such as counterpoint, prose and exaggeration to intimidate the enemy, so even the prose diatribe is often used in a certain amount of parallelism or prose. The ancient Chinese diatribe fully exploited the advantages of parallel prose, and was full of vigor and majesty. Some ancient monks, in order to propagate Buddhism and attack heretics, also created parallel game diatribes and Lubuwen, which strongly exaggerated the strength of Buddhism and vividly depicted the magnificent battle of gods and demons, thus enriching the creation of ancient Chinese diatribes and Lubuwen.

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KCI등재

1공자의 가르침, 모호함에서 오묘함으로 : 『논어』의 “무언(無言)”과 “색사거의(色斯舉矣)” 문장을 중심으로

저자 : 박영희 ( Park Younghee )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 8-20 (13 pages)

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This treatise explores to clarify that the words and actions that had been considered ambiguous so far in the Analects were rather the teaching methods and processes that allowed disciples to learn the abstruse logic of life of Confucius. Among them, we looked at the sentence "wordless" that Confucius declared in the Analects and the sentence "Se si ju yi" that is famous for being difficult because of the unexpected words and actions between Guru and the disciples. These two sentences are cleverly linked, and Confucius declared that he would not speak in teaching, and as if dramatically reflecting this, Confucius answers Zaro's actions silently in the sentence "Se si ju yi". Until now, Confucius's silence had been treated only as a matter of language and practice, and the sentence "Se si ju yi" in the Analect was considered difficult and ambiguous.
In this treatise, it can be seen that Confucius, in fact, tried to lead the disciples in a way similar to koan. Confucius led to the acquisition of the mysterious truth of life, especially based on the feelings and empathy between Guru and the disciples. Prior to Buddhism's koan, Confucius had already pursued the realization of similar methods and processes.

KCI등재

2美盛德而述形容:『骈体文钞』萧纲三颂的王权书写

저자 : 钟涛 ( Zhong Tao )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 21-37 (17 pages)

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Li Zhaoluo selected Xiao Gang's Southern Suburbs Song, Dafa Song and MaBao Song in the second volume of the first part of parallel style Wen Chao. Although the writing origin and content are different, they are respectively praising the ancestors, praising the Dharma, and singing the god horse, but the theme is to promote the king's power and praise the prosperous times. Southern Suburbs Song reflects Xiao Gang's pride in the glorious times of the dynasty and and his enthusiasm to extol the imperial government. The nature of the rites and the stylistic characteristics of the eulogy determines that the main content of Southern Suburbs Song is to eulogize the emperor's merits, to promote the politics of the king's power, and depict the glorious times. Xiao Gang's Dafa Song and MaBao Song are not pure Buddhist texts, but the combination of Buddhism and the concept of royal power, which fully exaggerates Xiao Yan's literary governance and martial arts, benevolence and morality, and the majesty of the emperor. In the end, although it is attributed to praising Buddhism and pursuing all living beings, the essay has a large part of the praise of literary and martial arts, and the prosperity of benevolence, which fully demonstrates Xiao Gang's enthusiasm for the political writing of royal power. Compared with the traditional writing of eulogizing the royal power, the introduction of Buddhist concepts into the political level of royal power, the knowledge concept and the way of discourse have changed. The fu and song styles are all derived from the Confucian classics. The prefaces and texts of Xiao Gang's three songs are written in the form of fu, and they are basically pure and elegant, avoiding extravagance. Xiao Gang's three Songs focuses on the writing of royal power, which is also closely related to the stylistic nature of eulogizing virtues and praising success. Xiao Gang's writing of the royal power in his eulogies combines Confucianism and Buddhism systems in concept and discourse, which is not limited by the traditional concept of formal and variant in song style and has transcending significance.

KCI등재

3宋代亭臺楼阁记空间观念转型研究

저자 : 權錫煥 ( Kwon Seokhwan )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 38-52 (15 pages)

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This study analyzes the contents of 90 the narration of the pavilion (亭臺楼阁记) which contained in 『QuanSongWen全宋文』·『SongWenJian宋文鉴』. The narration of the pavilion (亭臺楼阁记) of Song Dynasty (宋代) is one of the most representative prose of Song Dynasty. It has two characteristics. First, it is deeply related to Otium culture and suffering consciousness (忧患意识). Second, the argumentative (议论性) of this prose dilutes the pleasure of relaxation. The reasons of these two characteristics are complex, but both are closely related to contemplation of space.
The geographic environment was the reason of the first feature. The location of the creative site of the narration of the pavilion of Song dynasty is distributed in safe and bustling areas in eastern and central China. This geographical environment made Song Dynasty's resting culture popular. Also, it became a place to experiment with the spirit of thinking about danger in comfort (居安思危) for Song Dynasty's noblemen, who were seeking comfort. By reaching Song Dynasty, the narration of the pavilion as the Otium culture revealed suffering consciousness for the country. People expressed concerns about the military and national defense crisis occurring on the periphery and politics at the time. Therefore, the narration of the pavilion, which was a resting place, became a place and medium in which Song Dynasty's Otium culture and suffering consciousness were closely combined.
The reason of second characteristic is Song Dynasty's scholar-bureaucrats have emerged as the central class of society through the imperial examinations. The sufficient vacation and high salary given to them made the culture of entertainment and relaxation popular. They built a resting place where the scenery beautiful to relieve stress and gain mental freedom. The pavilion was built there, and literary creation was very active. They resolved their feelings through having a deep discussion. As the number of scholar-bureaucrats increased through the imperial examinations, social competence also increased. Based on their increased political power and status, they actively presented opinions on real politics and social issues, which appeared as the narration of the pavilion.

KCI등재

4宋代文人之伍子胥人物品評小考

저자 : 朱文亮 ( Zhu Wenliang ) , 高光敏 ( Ko Kwangmin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 53-73 (21 pages)

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The stories of Wu Zixu could originate from the Pre-Qin period and be summarized as “Loyal Gentleman”, “Filial Piety” and “Revenge”. Since “Loyal Gentleman” and “Revenge” are two contrast words, Wu Zixu has always been a debatable figure in the views of the men of letters in later ages. With the proses in Song Dynasty as the major texts, this thesis has referred to both Confucian classics and historical materials, to probe into the characters, reasons and meaning of commenting on Wu Zixu. By taking a panoramic view of the overall history of commenting on Wu Zixu, it's discovered that Song Dynasty was the turning period. At the beginning of the Northern Song Dynasty, the overall comments on Wu Zixu had relied on the fork beliefs, the scholars had worshiped Wu Zixu for the actual sacrifice demand, indoctrination and benediction. Such a surficial acceptance had been consistent with the comments on Wu Zixu in Tang Dynasty and lasted until the end of Song Dynasty. Although the rational criticism had shown up in the Southern Song Dynasty, worshiping and depreciation of Wu Zixu had existed side by side. With the interpretations of the Confucian classics, the scholars in the Southern Song Dynasty had deepened the exploration in the academic comment on Wu Zixu. The assessment range had been gradually expanded, from “loyal gentleman” to “revenge” and “death”. As the assessment goes deeper, specific arguments and logics have been proposed, the reasonable solution for self-adaptation and dream realization has been presented. The scholars in the Southern Song Dynasty had ushered in the history of comment on Wu Zixu and displayed a sense of distinct critical consciousness, forming up a certain scale and trend of comment on Wu Ziwu for the people in later ages.

KCI등재

5南宋词科考试与鄱阳洪氏四六家学的生成

저자 : 戴路 ( Dai Lu )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 74-90 (17 pages)

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Cike (the subject of extensive learning and great literary talent) examination in the Southern Song dynasty contributed to the development of the family literature of parallel prose, which is represented by the Hong lineage from Poyang. The exercises, presented works, and exam essays of Hong Kuo, Hong Zun, Hong Mai are well preserved, which show that they gave special attention to the refinement of phrasing in Biao and the use of proverbs and allusions. These features decisively influenced the development of the family literature. Through writing on each other's behalf and revising on works, those from the Hong lineage promoted the passing down of Parallel prose, particularly the tradition of using allusions from the poetry of Du Fu and the imitation of Liu Yuxi. Hong Mai, in striving to teach the descendant about the standard and technique, expanded the influence of Parallel prose within the whole Hong lineage.

KCI등재

6백과사전을 독서하다, 『야항선(夜航船)』 연구

저자 : 이은진 ( Lee Eunjin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 91-112 (22 pages)

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This paper attempts to explore the small encyclopedia “Yahangchuan(夜航船)” from the perspective of a new style of Leishu(類書) that reflects the changed reading habits of writers and readers. The title of this book, “Yahangchuan(夜航船)” has long served as a social discourse center through travel. The author provided the reader with a keyword that could be a social issue, that is, the essential knowledge that must be known at that time.
This book is the fruit of knowledge and data collected by Zhang Dai as a literary man, and is an encyclopedia written for knowledge that can be used in daily life. “Yahangchuan(夜航船)” can be said to be a differentiated Leishu(類書) that shows the purpose of acquiring knowledge for a specific class, the convenience of collecting knowledge that can be used immediately, and excellent editing skills.

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7龚自珍的文章书写与阳湖文派

저자 : 李金松 ( Li Jinsong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 113-128 (16 pages)

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Gong Zizhen were been thought “a prose author with no school” by academic circles. However, the fact of Gong Zizhen's writing prose that tell us: His writing prose not only followed the example of the various schools of thought in pre-Qin, but also imbued with magnificent words, mixed up odd and parallel sentences. The artistic characteristic of Gong had highly corresponded to literary view from Yanghu(阳湖) school's on prose. Gong often got together with Lu Jilu、Li Zhaoluo、Song Xiangfeng, etc of main writer of Yanghu school, and sown greatest esteem for them. In a sense, Gong was Zhang Huiyan's second student. Therefore, Gong's writing prose was affected by Yanghu school, had put Yanghu school's literary idea into practice, and highly possessed Yanghu school's artistic characteristic. So it was evident that Gong was not “a prose author with no school”, but he belonged to Yanghu school.

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8咀汉吮魏:论李慈铭骈文的“汉魏”取向

저자 : 常亮 ( Chang Liang )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 129-139 (11 pages)

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Ignoring the “Han-Wei” style of Li Ciming's parallel prose is the deep reason for misunderstanding that Li Ciming's parallel prose theory is not unified with the creation practice. Li Ciming respected parallel prose in the Six Dynasties and complied with the development trend of parallel prose in the late Qing Dynasty. Particularly, he respected the parallel prose of “Han-Wei Style”, which is elegant, pure and combines the parallel prose with scattered prose. The “Han-Wei” orientation of Li Ciming's parallel prose shows academic and realistic characteristics in the content, with the style of elegance and sincerity being created. The formation of the “Han-Wei” orientation is affected by academic thoughts, political evolution and emulating the outstanding methods.

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9知人论世 以意逆志 -清代骈文集序跋作家论

저자 : 王正刚 ( Wang Zhenggang )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 140-150 (11 pages)

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In the preface and postscript of the parallel prose collection of the Qing Dynasty, there are a lot of literature materials about the writer's life. Only through this person can we understand the time. Through the literature, we can understand the parallel prose writer's life deeds and his creative intention. Combined with the era background, social conditions and the talent and character of the parallel prose writer, on the basis of careful examination of the text, "Inferring the author's intention with his own intention" can objectively understand and grasp the ideological content and artistic characteristics of the work.

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10论中国古代檄文的骈化及其艺术特质

저자 : 陈鹏 ( Chen Peng )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 11권 0호 발행 연도 : 2021 페이지 : pp. 151-167 (17 pages)

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The ancient Chinese dynasties have seen repeated military campaigns and battles, and the creation of diatribes has flourished since the Six Dynasties. Not many diatribes from the Northern Dynasty have been preserved, and they are basically in loose form, but the creation of Lubuwen was more prosperous than that of the Southern Dynasty. In the Song dynasty, diatribe and Lubuwen became one of the contents of the Song imperial examinations, as opposed to diatribe, which was not even tested at one time, but Lubuwen was a compulsory part of the examination, and therefore became more and more important. The diatribe is not in prose either, because to inspire the soldiers to make common cause and to kill the enemy, it is necessary to fully mobilize the rhetorical techniques such as counterpoint, prose and exaggeration to intimidate the enemy, so even the prose diatribe is often used in a certain amount of parallelism or prose. The ancient Chinese diatribe fully exploited the advantages of parallel prose, and was full of vigor and majesty. Some ancient monks, in order to propagate Buddhism and attack heretics, also created parallel game diatribes and Lubuwen, which strongly exaggerated the strength of Buddhism and vividly depicted the magnificent battle of gods and demons, thus enriching the creation of ancient Chinese diatribes and Lubuwen.

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