研究⽬的: 本研究通过对徐克导演的多部代表性电影进⾏分析, 探讨了中国古典园林场景在现代电影中的应⽤和表现,揭⽰其在电影叙事、⼈物塑造及情感表达中的重要作⽤。 研究⽅法: 本⽂通过⽂献综述、内容分析和影像分析的⽅法, 研究了园林场景在《黄飞鸿系列》、《青蛇》、《梁祝》、《七剑》、《龙门飞甲》和《狄仁杰系列》等影⽚中的具体呈现和象征意义。 研究内容: 第⼀,研究发现, 园林场景在电影中的作⽤包括提升视觉美感、营造情感氛围、承载⽂化内涵和推动情节发展等⽅⾯。第⼆,不同历史时期的电影园林景观设计反映了当时社会和⽂化的特征。第三,典型影⽚分析展⽰了徐克如何通过园林元素增强电影的叙事性和情感表达。 结论及建议: (1)徐克导演电影中的园林元素不仅在视觉上引⼈⼊胜, 更在情感和⽂化层⾯上给观众留下深刻的印象。(2)通过创新性地运⽤园林元素, 徐克不仅传承了中华⽂化的精髓, 也在现代电影艺术中展现出独特的美学价值和深刻的象征意义, 为中国电影艺术的发展提供了新的视⾓和⽅法。(3)通过这项研究, 我们能够更深⼊地理解古典园林在现代电影中的多层次价值, 以及这种跨学科的研究⽅法如何促进古典⽂化与现代艺术的交融与创新。

This study analyzes multiple representative films directed by Tsui Hark and explores the application and representation of Chinese classical garden scenes in modern films, revealing their important roles in film narrative, character development, and emotional expression. Through literature review, content analysis, and image analysis methods, Studied the specific presentation and symbolic significance of garden scenes in films such as the “Huang Feihong Series”, “Green Snake”, “Butterfly Lovers”, “Seven Swords”, “Flying Armor of Dragon Gate”, and “Di Renjie Series”. Research has found that the role of garden scenes in movies includes enhancing visual aesthetics, creating emotional atmosphere, carrying cultural connotations, and promoting plot development. The landscape design of films from different historical periods reflects the characteristics of society and culture at that time. Typical film analysis demonstrates how Tsui Hark enhances the narrative and emotional expression of films through garden elements. This study summarizes that the garden elements in director Tsui Hark’s films are not only visually captivating, but also leave a deep impression on audiences emotionally and culturally. By innovatively utilizing garden elements, Tsui Hark not only inherits the essence of Chinese culture, but also showcases unique aesthetic values and profound symbolic meanings in modern film art, providing new perspectives and methods for the development of Chinese film art. Through this study, we can gain a deeper understanding of the multi-layered value of classical gardens in modern cinema, and how this interdisciplinary research approach promotes the integration and innovation of classical culture and modern art.