This paper aims to explore storytelling methods and the meanings of stories in Margaret Atwood’s Hag-Seed. This work consists of three Tempest theatres. Two theatres focus on experiments with the storytelling methods of postdramatic theatre. The third one focuses on the content of narrative through social drama. In the Tempest one, theatrical media such as body, music, and chorus as well as dance and technological devices are emphasized instead of dramatic logos and language. Tempest two is Felix’s regietheater (director’s theater), in which the audience actors play important roles in the success of the performance. The third performance emphasizes the content of narrative by representing Felix’s life as a social drama. Hag-Seed is a work that pursues both storytelling and story through three amazing theatres.