This study analyzes Agamben’s interpretation of Pinocchio in his book, Pinocchio. Le avventure di un burattino doppiamente commentate e tre volte illustrate published in 2022. I reviewed previous studies to compare and analyze Agamben’s interpretation of Pinocchio. Agamben analyzed the creation of Pinocchio in three parts, and regarded the place where Pinocchio is located as hell, whether it is a Christian or pagan concept. He also examined the nature of Pinocchio as a wooden puppet (wild), an animal, and a human. Agamben noted that in the original tale, the puppet never became a person. In other words, he re-examined how we perceive ourselves in the present through the character of Pinocchio in Collodi’s, The Adventures of Pinocchio, published at the dawn of modernity in Italy. Through this work, Agamben “literally” showed that we have created an anthropological machine called modernity, but perhaps it is only an illusion.