18.97.14.81
18.97.14.81
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展示를 위한 土器와 靑磁의 復元 - 土器器臺, 爐形器臺, 靑磁四耳蜜를 中心으로 -
Restoration of Pottery and Celadon for Exhibition
姜照數 ( Hee-suk Kang ) , 安秦燥 ( Byong-chan Ahn )
UCI I410-ECN-151-24-02-088867854
* This article is free of use.

국립김해박물관 개관전시 유물인 가야시대 土器 器臺 2점과 중앙박물관의 특별전 “고대국가의 형성” 전시회 출품 유물인 靑磁四耳蓋에 대한 보존처리를 수행하였다. 육안 및 실체현미경 관찰을 통하여 처리전 상태, 文樣과 製作技法 등을 파악하였고 이를 토대로 각 유물의 특성에 맞는 보존처리를 실시하였다. 기대는 결실부분이 커 에폭시系 복원재료를 이용해 파손된 토기 面과 직접 접착시켜 형태를 복원하고 문양과 색, 질감을 類低하게 처리하였다. 청자는 토기와 같은 복원재를 이용했지만 파손된 청자 면과 分離시켜 형태를 복원하여 해체가 가능하도록 조치한 다음 색과 질감도 구분이 되도록 처리하였다.

Conservation treatment was done for the pottery-stand of Kaya period which was to be exhibited in celebration of the opening of Kimhae National Museum and for the jar of Chinese celadon which was to be exhibited in Korea National Museums special exhibition formation of Ancient States”. Through the examinations by naked eyes and under the microscope, condition before treatment, patterns and manufacturing techniques of the objects were observed. According to these examinations, conservation treatments, suitable for each object was finished. As the pottery-stand was damaged severely, the epoxy resin was pasted directly on the broken surface of the pottery to restore the original shape and pattern, color and feeling similar to original state were given to the restored area. Although same restoration material was applied on the celadon, it was not pasted directly on the broken surface of the celadon so that the restored area could be dismantled, and color and feeling were also treated somewhat differently.

Ⅰ. 머리말
Ⅱ. 처리전 상태와 처리방침
Ⅲ. 처리내용
Ⅳ. 맺음말
[자료제공 : 네이버학술정보]
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