Female characters and women questions are indispensable parts of the literature in the late Victorian period. Many British adventure novel writers voiced their apprehensions about the circumstance of the Britain Empire threatened by women in the time of transformation. Sir Henry Rider Haggard is one of them. This paper compares Rider Haggard’s early work She (1886) with his late work She and Allan (1921) to examine the change of female image from the perspective of “structures of feeling”, which is developed by Raymond Williams for capturing the implicit and changing social feelings in culture. This research combines close reading with distant reading through a couple of digital humanity tools and tries to balance the digital and humanity as far as possible. By quantitatively and qualitatively comparing the sentimental dynamics in these two novels, it is found that different from the threat posed by New Women in the 1880s, men’s fear towards women was mitigated to some degree in the 1920s, the time after the first world war. In delivering the emotions and corresponding status of characters, Haggard emerges as deeper, more wide-ranging and sophisticated in his use of the language of eyes, which turns out to be an effective device for him to present sentimental change of characters. (Yonsei University)