This study is about an expression method that can more effectively convey the meaning of a photograph by using an object that produces and directs meaning in a photograph. The function of an object has evolved over time, from simple reproduction in the 19th century to production and transformation in the 21st century. The focus of this study is a method of image production that uses the photographed object itself. The carbon print is a process that can complete an image with photosensitive paper made by mixing pigments and gelatin. The photographed object is burned to make ash and soot, which are then used as pigments necessary for photo production. The image completed using the object has the effect and meaning of further expanding the quality of work by escaping from the meaning of the object as a photographic object and returning it to a work of art.