Focusing on the analysis and comparison between the aesthetic concept of the music and dance spirit(樂舞精神) of Peng Jixiang, and the “Philosophy of Musical Dance(樂舞觀)” in Chinese traditional culture, and analyzing the artistic expression on the music and dance spirit in Chinese animation film “Green Snake(白蛇2:青蛇劫起)”, and interpreting the external presentation and universal applicability of the internal spirit of Chinese traditional art in modern popular culture. In accordance with Peng Jixiang’s modern aesthetic theory, it analyzes the visualization of the script by centering on the dynamics of Tao(道), the spiritual space and artistic lines, thereby grasping the vital means of pushing the inner spirit of Chinese art into a complete concretization. As the second film of the White Snake series produced by Light Chaser Animation(追光動畫), this film not only successfully recaptures the essence of the aesthetic tradition embedded in Chinese animated films once again, but also surpasses the ancient and aesthetic style of ‘White Snake: The Origin(白蛇: 緣起)’ and introduces an adventurous style that integrates ancient and modern cultures. The film uses the dynamic dancing image to represent the spiritual freedom and the escape from obsession in the city of Shura(修羅城), where reality and time are tangled and united, and visualizes it on screen. Therefore, the inherent beauty of Chinese traditional culture is boldly innovated and extended in the modern cultural genre, also with the realization of the modern image transformation. Since the rapid diffusion of modern pop culture, the traditional spirit of Chinese art has been progressively influencing and guiding its inner spirit.