隨著經濟的全球化發展, 各國之間的交流互動變得頻繁, 而陶瓷貿易交流是唐代的中國與國外文化交流的第一個高峰, 也表現出相互影響和融合的特點。中國銅官窯是唐代著名的商業性外銷瓷窯, 其陶瓷產品沿海上絲綢之路遠銷東亞、南亞、西亞、北非等地, 創造了一千多年前藝術與商品結合的典範。本文以跨文化貿易與交流歷史語境中的銅官窯陶瓷文化為研究對象,目的是分析銅官窯陶瓷在造型、紋飾、色彩等方面表現出的跨文化特點。通過文獻研究、對比研究等方法,找到銅官窯陶瓷文化元素的文化淵源、傳播路徑以及內在的關聯。結果證明銅官窯陶瓷在向外傳播的同時,與外銷各國人民進行了文化互動,其產品受伊斯蘭、佛教藝術的影響而獨具特色, 銅官窯成功的秘訣在於其兼收並蓄、大膽創新的跨文化設計, 本文對其跨文化元素進行梳理與研究, 這對於當代跨文化產品設計將提供重要的參考借鑒作用。

With the development of economic globalization, the exchanges and interactions between countries became frequent, and the ceramic trade exchange was the first peak of cultural exchanges between China and foreign countries in the Tang Dynasty, which also showed the characteristics of mutual influence and integration. The Chinese Tongguan kiln was a famous commercial export porcelain kiln in the Tang Dynasty. Its products created a model of the combination of art and commodities more than 1,000 years ago. This paper takes the culture of Tongguan kiln ceramics in the historical context of cross-cultural trade and communication as the research object, aiming to analyze the cross-cultural characteristics of Tongguan kiln ceramics in modeling, decoration, color and other aspects. Through literature research, comparative study and other methods, the cultural origin, transmission path and internal correlation of the cultural elements of tongguan kiln ceramics are found. It proves that Tongguan kiln ceramics had cultural interaction with the people of export countries while spreading abroad, and its products were unique under the influence of Islamic and Buddhist art. The secret of the success of Tongguan kiln lies in its eclectic, bold and innovative cross-cultural design. This paper combs and studies its cross-cultural elements, which will provide an important reference for contemporary cross-cultural product design.