When the author(=choreographer) was creating dancing performance “Heike Fantasy”, I found out Heike story and the circumstances described in the story had a similar factor of Han, a Korean emotion, thus I could mix the story and Han together. In “Heike story” which is about the Heike family that fell from their great time and were chased to ruin, I could think about Han and especially the Heike women who had to be extremely patient about their situation. This is my Korean-style way to find Han that attaches great importance to emotion. This kind of expression can be found in the Pansori. Monologue in Pansori which is like a crying sound which appeals Han intensively fits for the story like Heike. In Korean Dance, it comes under the dancing which amplifies the emotion, the dancing, like Salpuli, repeated pathetic expression according to the “Kemyonjo” (an extremely sorrowful tune of Korean music). Heikyoku sung by Handa Junko is so solemn and sorrowful that we can feel Han, however, it is objective and in the third person’s point of view. And the lyrics of “Heike Story” itself is in the third person’s point of view, which caused me to feel a sense of incongruity. It was like the incongruity in Mugenno, that's because Site sings it in monologue. However, that monologue is different from the monologue in the Pansori and, because it refers to Japanese cannon or old Japanese songs, we can make it more beautiful and narrative with it. Furthermore, although it is like the first person’s point of view, the subjective emotional expression is restrained to be objective. It is contrary to the monologue in the Pansori which is subjective and amplifies one’s emotion by repeating direct confession of lamentation. Comparing that Site of Mugenno constraints emotional expressions and dances in an extremely abstract and sublimated way. The subjective emotion restraint is the common reason which Heikyoku in Hand Junko and the expressions in Mugenno made me feel the sense of incongruity. In Japanese Art, even though we can find Han rooted in shamanism and the occlusion like Korean Art, the way they express is a different factor. That is, a problem is presented that the emotional expressions go to an amplification or a restraint. On the contrary, the Korean Han is deeply rooted in the positive thinking of human emotion, hence, it beautifies Han and makes an emotional expressions amplify.In this thesis, I used a method that describes the meaning of Han which was revealed during the creating procedure of “Heike Fantasy” which I came up with when I had contacted with Japanese culture. This thesis is a meaningfully experimental method in that I made my own personal experience during the creation period a target and, by comparing it with Japanese one, I made sure my identity through it. This method, so called creating process of one's own work analysis, is to make the problem that only the creator knows universal, thus, it is expected that it can be applied to plenty of themes. Finally, the research on creating process of one's own work has a great meaning in itself in describing analystically the process of creating. That is because we can find out complex problems which occur in the creating process objectively, and that is because it is expected that all the presented problems can offer another possibilities.