18.97.14.86
18.97.14.86
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单篇幅全本白蛇故事年画的图像和叙事 -从图像与故事互文的角度切入
Image and Narration of Single Folk-Picture About the Whole White Snake Story: From the View of Image and Story Intertextuality
庞建春 ( Pang Jianchun )
중국문학 vol. 101 53-65(13pages)
UCI I410-ECN-0102-2021-700-000678909

This paper interprets the story deduction information contained in the Folk-Picture of White Snake Story from the perspective of image and story intertextuality. 6 full-text Folk-pictures of White Snake Story are divided into two categories: Gongjian, and Sancai genres of Folk-Picture have different units and ways of connecting stories. In this way, even if the story is roughly the same, it can bring different “reading” enjoyment. The Sancai of story comic books are practical and relatively close to the Chinese folk rap text. With the help of some scenes, we can judge which kind of story text the original is. However, because White Snake story has a rich form of popular literature, it is very difficult to determine which script the folk painter draws from. The deductive features of Folk-Picture can be interpreted according to some unfamiliar and common plots in the pictures. This paper points out that story Folk-Picture are not simply pictorial texts, but a kind of story telling relying on oral inheritance. For story study, the rich White Snake story Folk-Pictures are a treasury to be developed.

1. 绪言: 从图像和故事互文的角度切入
2. 全景式故事年画的图像结构和叙事
3. 连环画式故事年画的图像形式和叙事
4. 结语: 单篇幅全本故事年画的民间传承
[자료제공 : 네이버학술정보]
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