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중국 민족민간 무용의 무대 예술화에 나타난 상호텍스트성에 관한 연구
Study on Performances of Chinese Folk Dances Seen from Standpoint of Intertextuality - Focused on Analysis of Yang Liping's Dance Drama Peacock -
진양 ( Chen Yang ) , 김영미 ( Young-mi Kim )
DOI 10.21317/ksd.76.3.10
UCI I410-ECN-0102-2018-600-004232585

This study, which sought to identify traditionality shown in dance dramas made by accommodating traditional dance among China's dance culture as well as characteristics during their modernization, conducted analysis borrowing the concept of intertextuality. Of these, the analysis was done on contemporary accommodation of the peacock dance, one of China's splendid traditional dance - imitating the movement of birds. The peacock dance has been handed down as a folk dance of the Dai people and was reborn by Yang Liping's dance drama Peacock. Based on this relatedness, the study analyzed intertextuality and found following results.

Ⅰ. 서론
Ⅱ. 상호텍스트성의 이해
Ⅲ. 전 텍스트로서 태족의 <공작무> 의 발전
Ⅳ. 양리핑의 <공작>에 나타난 상호텍스트성
Ⅴ. 결론
참고문헌
[자료제공 : 네이버학술정보]
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