This article examines the possibility of representation of “Holocaust History” in Steven Daldry’s Film < The Reader >. Many Filmmaker warn people not to repeat the Holocaust history through visualization. Films about Holocaust bring the topic: “remembering” the history up in mind. They reflect the gruesome history by visualization of “remembering”. It’s an obligation of human beings to talk about Holocaust, and film is one of the most proper media to reveal that kind of memories to the public. The movie < The Reader > based on the Bernhard Schlink’s novel < Der Vorleser >, tries to express the sufferings of the postwar generation caused by the past generation. The movie shows the new methods of storytelling about Holocaust. It not only visualizes the history, but also brings it in to the present moment by using various ways like ‘confessing’ or ‘testifying’. The movie shows Michael constantly thinking of the past to express that he is still stuck on the heartbreaking memories of the past. Michaels ‘confessing’ in the last scene implies that he finally escapes from the suffering of the past, and that the history comes into the present, getting out of the oblivion. “Reading” ist the theme of the film. The theme of reading has connected with the motiv of illiteracy. Holocaust Films have a strong influence to the living world by getting us to remember the history of violence. The history of violence is still on under different names. The reason why many filmmakers still constantly talking about Holocaust history, is to make sure that there should be no repetition of the history of violence through the visualization of “remembering”.