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평조와 계면조의 음정 연구 -박종선류 아쟁산조를 중심으로-
Research about interval of Pyeongjo and Gyemyeonjo -About Parkjongseon`s Ajaengsanjo-
정경조 ( Kyung Jo Jung )
음악과 현실 vol. 49 227-258(32pages)
UCI I410-ECN-0102-2015-600-002034418

Current Sanjo is learned using most staff notation. But, Sanjo’s interval can not appear correctly to staff notation because is different from temperament. So, purpose of this research is measuring difference of Sanjo’s interval and temperament. I studied about Parkjongseon’s Ajaengsanjo that many performers play in concert. Used Praat that is sound analysis software to measure Sanjo’s pitch. Used Microsoft Excel to calculate pitch data efficiently. And compared with temperament of staff notation after change pitch data to Pyeongjo and Gyemyeonjo’s interval. Pyeongjo’s scale has been known as “sol-la-do-re-(mi or fa)”. According to analysis result, “sol”, “la”, “fa” is similar with pitch of scale known when based “do” that is keynote. But, “re, mi” may have to appear as “re b, mi b” because was measured low more than 100cent. Last sound of Pyeongjo scale is very unstable sound if see “mi or fa” as one. But, if see it as two, Pyeongjo is scale that have 6 note. Is going to need much research and discussion to solve these question. Gyemyeonjo’s scale has been known as “mi-sol-la-si-do-re”. But, if follow in measurement result, “sol” that is second sound appeared higher than “sol #”.

Ⅰ. 머리말
Ⅱ. 프라트를 이용한 음정 계산 과정
Ⅲ. 평조와 계면조
Ⅳ. 선법별 음고 측정
Ⅴ. 평조와 계면조의 음정
Ⅵ. 결론
[자료제공 : 네이버학술정보]
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