This essay is focused on a common theme, a wish for returning to Wholeness of the heroes of Hamlet, Othello and The Winter’s Tale. The internalized fear of the female sexuality is illustrated by the anger and jealousy of heroes’ contaminated women in Shakespeare’s works. Hamlet’s excessive fury about the seemingly contaminated mother projects his strong shadowy wish for re-owning holy Life Source, Wholeness. Othello’s love for Desdemona began from Desdemona’s maternal pity for Othello’s predicaments. From the first, Othello pursued the special maternal love of Desdemona, which should be constant and clean forever. The excessive suspicion against Desdemona projects the fear of betrayal of the female sexuality, the Life Force, which can be kept in safety only by ceasing through murder. Leontes, the hero of The Winter’s Tale abused his innocent wife and daughter misbelieving that his wife cheated on him. After 16 years of painful repentance he recovers his wife, Hermione, who has been kept in a stone statue and daughter, Perdita, a symbol of Natural Life Force. All three heroes projected their fear about female sexuality on the infidelity of women. Their underlying fearfulness for the possibility of contamination of the pure Source, Mother, is projected on their wish for returning to the pure Wholeness. While Hamlet and Othello have tragic outcomes, Leontes ends up re-owning his home. This conclusion implies that Being with the ultimate Wholeness could come from overcoming the internalized fearfulness about female sexuality.(Daejeon University)