This study looks into the aesthetic attributes of the films directed by Bang Han-Joon who produced various films during late Joseon dynasty under the Japanese colonial rule, focusing on his works from the 1930s, (1935), (1938), and (1939). In cinematic history, his works can be categorized into two: the popular films of the 1930s depicting the local culture of Joseon, and the propagandistic films of the 1940s created as part of the government effort to enlighten people of the time about military and production policies. The background, staff, purpose, and impact of work may be different each other, but all of them share common features of Bang Han-Joon films. He had a unique directing style of using long takes and tracking shots for meditative and tranquil objectification of characters, as well as humble and honest images of human amongst nature.