Orhan Pamuk has been attempting to destroy genres in his many works to date, especially in the novel The Museum of Innocence in which ‘fiction’formed into ‘existence’ for the first time in history of global literary. In other words, through museum contents which bring fiction into reality, it shows the possibilityofextensioninliterature. The Museum of innocence is story about a man who longs for a woman all his life, a woman he met during a short love affair. He collected all the items which were soaked with the woman’s memory and towards the end he makes a museum to exhibit these collections. The main character Kemal does no prove his love with people or emotions but instead proves his love through objects related to his lover, and attempts to preserve them for eternity. This is like reminiscing and commemorating the object of fiction which does not exist as a tangible object, and as the evidence of its existence are collected and exhibited in the museum, artistic imagination can be created into reality. Furthermore it can be a belief and a commitment to prove that one can lead this without a doubt. The museum which treasures the past likes to recollect memories, and it is a location where the instinct of people who do not want to lose their memory can coincide. In the case of this novel The Museum of Innocence,it reflects the Turkish society of its time, and the museum is born againfilled with the love story between two young people of that period. The distinction between existing literary museums and The Museum of Innocence is that as Pamuk was writing his work piece, he bought a building to transform it into the museum. Furthermore, the structure or the layout of the exhibit was planned by the writer. A management similar to this has an impact on the means of description of the novel, and Kemal describes the displays in the museum and his tangled situations while they are unfolded. In other words, Pamuk used the museum and its collections as materials to write, and as it is described in the novel, the museum was built. Pamuk describes by persistently connecting the displayed objects in the museum with the story in the novel to draw the reader’s principles, which give the reader a feeling that they are walking around the museum while holding the book. For example, as The Museum of Innocence is a catalogue of novel and museum performing a double role, on one hand it makes people question whether the museum was established while the writer was writing the novel or after the whole novel was written. Like this The Museum of Innocence goes beyond the space of fiction of the novel and transforms it into physical space so that readers can personally experience the space of reality again, memories between the two lovers came to exist in the museum forever, and through their love and the exhibited objects in the museum, it becomes more memorable to the reader.