This paper tries to examine female writers` writing during the nation modernization period and the heterogeneous part of feminist literature that had been diminished as the conventional "female" and "the bring intelligence" at the same moment, which went to the flow all the while, as examining a work that negotiates the subject position of women within the relationship with the patriarchal modern nation of the long novels serially written by female writers in the main women`s magazine focused on the concept of ``refinement``. While the discourse of refinement that was developed based on a women`s magazine is a matter that creates the modern lifestyle, and, at the same time, ``an instrument of gender`` that builds the internal qualities of femininity, it is also a space where a crack may be occurred in the patriarchal discourse as the women`s desire is making itself. We need the change of sight to evaluate amicably the process that corrects the women`s modern subject, which the process of women`s refinement has become the dynamic space that upsets the value of patriarchal system, interrogates and deconstructs. The "refinement" and the discourses related with refinement were discussed positively for the wide knowledgeable public in the postwar and the 60`s, especially, female writers engaged actively in producing the discourse of women`s refinement focused on various media besides a women`s magazine. As a women`s magazine played a role as a literary teacher for an unprofessional woman reader, it led women readers to have a dream of being female writer, then literature was a hobby and was a space where the modern women`s refinement was formed. Moreover, on the one hand, feminist literature borrowed the men`s refinement discourse through the discourse such as the advance of modern and the enlightenment, human rights and the awakening of individual consciousness, on the other hand, it participated in making woman as a subject habituated who internalized self-monitoring for gender norms and sexuality, not a liberated modern, as spreading the gendered refinement discourse through sex-separatist that was focused on the mysterious power of femininity and an authority of maternity. However, it needs to discuss again more carefully around femininity and the popularity of feminist literature in the 60`s. This article tries to open the possibility of not only disruptive existence of female subjectivation, but also multiple culture that is made by encountering women with modern, as paying attention to both disciplining and reflection of the female bildungsroman for 『Chung Chunui Bulmunyul (An unwritten rule of youth)』, 『Taindeul (Strangers)』that were the novel serially written by Gang sin jae, Park kyung-ni respectively who were the regular authors of a women`s magazine in the 60`s.