The works of Lee Cheong-Jun are composed of the various themes that are power, art, language, religion, war, history, etc. But we have a familiar feeling from each work as repetitions of the leitmotifs ― flashlight phobia, loss of personal history, hunger, affected part without hurt, forgiveness and reconciliation, korean folk song, death, anxiety neurosis; the narrative forms ― searching story, multi-structure, allegory; and the characters ― schizophrenic patient, doubting person. If that is the case, the theme is not merely a core of work but a skin. Because His works are structured around repetitions. The importance of repetition is more confirmed in three aspects of narrative ― story, text, narration. For example, returning home and leaving home over again, representation and indirect experience of something, centrifugal interpretation and narration denying constantly a unique meaning of affair, etc. Freud`s fort-da game is proper to explaining this repetition. An infant plays this game in order to overcome the separation anxiety of weaning period. At the same time, (s)he enters toward the world of language and is born newly with desiring subject. In other words, when (s)he enters into the symbolic from the imaginary, the gap of separation from mother is sutured and the desire is created by repeating the fort-da game. As ``fort(there)`` and ``da(here)`` are each other cause, becoming ``there`` of ``here`` and ``here`` of ``there`` must be repeated by denying each other infinitely. It is to provide subject with a causal point about any event which is accidental. Thus the subject has the world of time, the world of narrative. On the assumption, this study will find the possibility to have a distant view of Lee Cheong-Jun by centering on his first work, Leaving the hospital.