Film directors display their own styles and thoughts by visualizing characters` thoughts under their lines and movements in the texts through the camera, which can photograph thoughts in two different senses. Firstly, camera can record those barely perceptible and often unconscious ``shadow movements`` of the face, and this is the thoughts of the character. And secondly, by the choice of camera angle, the shot size, the movement of camera, the editing patterns, and the sound, film can communicate the thought of the director about the actor and the situations. Subtext means these internal thoughts and hidden truth of characters` dialogue and action, which can be both characters` and director`s. In women cinema, the subtext, the moments of truth, is subtler than those in men cinema, which might imply women considered minors in this society for a long time, have developed their own methods, most of times, in complex and different ways, to show their opinions toward the world and people. To expose the subtext, dir. Yim Soon-Rye mainly used old popular songs instead of intercut-shots, and other traditional editing patterns in Waikiki Brothers. And dir. Yim prefers long shots and medium shots, which have slow paces compared with the close-ups to photograph dramatic moments and situations. Dir. Yim proposes a woman as a guide to realize the real dream come true in our lives even if it is small and humble not enough to make us feel a success that we expected in the first place. In this film, women are described as just ``human beings`` to neglect the different roles between women and men, sorted by the social standards, without special reasons and motivations. Those women never try to fight against the custom, but they accept and endure the hardships on their ways to live their given lives. In this part of song by Ham Joong-ah, "how much I can enjoy my life if I can tell the stories in my heart…….", we see the strong message and unspoken truth from dir. Yim through the subtext, which tell dir. Yim desires to tell a story as a sincere film maker and a good story-teller, not just as a woman director.