This study is about the scale of "Daepungryu" Kyeong-gi shaman music which is the same music in "Ji Younghee traditional music research" but two different scales are marked on it. Focus on "Ji Younghee traditional music research", music scores appeared in "Daepungryu" by Park Seungryul, "introduction of traditional music" by Kim Jeong-ju and "music study of Chi-ta" by Kim Jeongrim and "the study about scales of Kyeong-gi music" are compared and analyzed. First copying of accurate tune, distinguishing scales by the length of note appearing and distinguishing scales through the function of tune. The research result are followings. First in copying accurate notes, two different scales of sol-scale and re-scale in Ji Younghee`s study, sol-scale in Kim Jung-ju`s study, sol-scale in Kim Jeongrim and re-scale in Choi Sangwha`s study are appeared Respectively. Overall, re-scale is appeared rather than sol-scale. Second in note appearing, the length of notes and frequency, five persons` studies have similar result. The fifth note which is most important in deciding scales is a short grace note in a ``Piri`` and a key note in ``Daegeum``. A key note in ``Daegeum`` than a short grace note is more accurate. As these fifth note and forth note are copied with major third by Choi Sangwha and Younghee and Park Seungryul marked major third on a few places, it is possible to be re-scale not so-scale. Last five persons` studies are the same result in the function of note. The first note is vibrato, the second note is following down note, the third note is general tone, the forth note is playing with low tone, the fifth note is a short grace note. This function of notes in "Yeom-Bul of Daepungryu" is similar to Pyeong-Jo of "Pan Sori" and "Si-Jo" but it`s impossible to see in sol-scale of Kyeong-gi area. Therefore scale in Yeom-Bul of Daepungryu is re-scale not sol-scale.