In the history of Korean literature, 1940s is a kind of "Dark Age," which meant not material poverty rather figuratively described the literary darkness under the Japanese imperialism. Baebaengie Gut(『배뱅이굿』) was written in Japanese at the times of "National Literature", which made the work inevitably be able to be read as dualism, the Empire Japan and the Colony Chosun. The work was based on Pansori "Baebaengi Gut," and adapted from it. The work focused on shamanic Korean ritual to portray the locality and the Chosun flavor of the times. Owing to this, it was possible to read 1940s` locality of Chosun in Oh Young-jin`s Baebaengie Gut. This study explores how the locality represented through folk ritual and colonial sentiment of the times, how expressed in the work by taking a close look at the underlying purpose, and analyzed the differences between the Empire Japan and the Colony Chosun. The author`s attempt to be Chosun, however, seemed to be successful, because he tried to establish a new identity of Chosun by suggesting a new vision for the contemporary reality which was forced by Japanese imperialism.