This research has as an objective how a grotesque character is designed and how it is visually presented in the stage, and how the character shown on the stage was analyzed in a grotesque view. The methodology used for this research will propose the theory and concept based on bibliographical research and by presenting visual materials such as opera, musical, theater, Korean classical opera and other show stages directed by researcher and will analyze it`s design. This research divides the grotesque characteristic of stage make-up in 4 categories as P. Thomson`s classifications which are devil image, animal image, merrymaking image and mechanical image, and concretized the form of expression by analyzing the each character. The devil image is presented by using inhuman colors and partially using the Foam latex and Gelskin and adds horns, dogtooth, artificial ears, artificial jaw, artificial nails and others to empathies the grotesque image. The animal image is constructed by animal hair and using the same color of animal skin tone and uses sometimes the Glatzan, Latex or Bald Cap. The image is emphasized by adding beak, artificial nail and hair. The merrymaking image`s skin presentation presents am inhuman image by using a huge variety of colors and uses different, abnormal designs of eyebrow and modified, distorted eyes and lips to satire and amuse. The mechanical image presents a futuristic image using colors like metallic silver or white and adds 2 kinds of extraneous matter which the first one is to use something made with latex and the second is representing by drawing.