This study standardized the Instrumentation and Voicing structure, which were shown in the film score titled "Raiders of the Lost Ark: Raiders March" by John Williams (1932~), into the structure suggested by a writer, comparatively analyzed how they are operated by each passage and phrase, from the horizontal perspective, and then examined about principle of progression in orchestration based on this. Above all, in operating the instrumentation structure, some of the operating techniques, which become the important standard, were discovered as follows. Every phrase(4~8 measures), which was suggested the basic paragraph in each theme, is intentionally pursued consecutively a change in instrumentation structure. And the Fore Ground in the phrase, which is repeated the same theme, is maintained unity with the consecutive instrumentation. On the contrary to this, the Middle Ground or Rear Ground is operated the instrumentation structure that is weak in a change of timbre due to adding, omitting or replacing the supplementary instrument for reinforcing diversity. Nextly, the phrase, which is shown new theme, aims to strengthen diversity. Thus, the change of timbre in the Middle Ground and Rear Ground including replacement of musical instrument in the Fore Ground leads to being operated the big instrumentation structure. Also every transition is given a change in timbre and tone volume by adding, omitting or replacing the musical instrument by each functional part. Thus, the instrumentation structure is indicated that forms a sense of paragraph of each phrase. Lastly, even basic operating techniques are applied differently every passage. In other words, it is distributed fully to the operating technique in the prior phrase. Otherwise, new instrumentation structure is operated on the basis of the changed operating technique. Next, even in operating the voicing structure, a few operating techniques, which become the important standard, were discovered. Every phrase(4~8 bars), which was suggested the basic paragraph in each theme, is distributed so that thinness and thickness in voicing concentration can be contrasted vertically between functional parts in each (Fore Ground-Middle Ground-Rear Ground), and also is intentionally pursued consecutively a change in the voicing structure. And the phrase, which is repeated the same theme, is operated the voicing structure with a small change by overlapping or adding part in the middle ground or rear ground in order to reinforce diversity in addition to the basic voicing structure in exposition. And also, the phrase, which is shown new theme, is operated the voicing structure with a big change in voicing concentration from thin part to thick part and from thick part to thin part in order to emphasize diversity. Finally, every transition is shown the voicing structure, which forms a sense of paragraph in each phrase, by giving a change such as adding or omitting part and replacing thickness and thickness over each functional part. This study aimed to establish on the standard point in the principle of progression in orchestration by having sample as the operating technique, which was used in this work. In conclusion, a method of approaching the completion of the balanced orchestration is what considers relationship of horizontal progression based on the technique of vertical perspective. Also, it will be a good learning method even to practice the orchestration performance technique in the whole of this music as one sample, along with the contents of general conclusions that were suggested in the above. An analytical research in this aspect is desired to become an opportunity of new development in theoretical system and educational establishment in the orchestration technique.