This thesis is a study concerned with the poetry-sprit and historical recognition of Yuk Sa, Lee Woen Rok, who was well known to us a representative resistance-poet in the colonial ages. Above all, Searching the historical situation after 1930 times when Yuk sa lived, I refered to his keen life against it. In order that I may search his thoughts and sprit which based such a life, I devided his prose which was left by Yuk sa into two parts, comments on comtemporary topics and artistic prose. Also, I refered to objective, logical, and hystorical recognition on the china and world state in the comments on contemporary topics at that time. Additionally, I refered to his human anguish and conflict on the gloomy reality in the artistic prose which could be devided into novel and essay. Deviding his poems which show his poetry-sprit and historical recognition evidently into content and form, I argued them potently. In content, his poems contain homelessness, loitering, pessimistic reality-recognition, and will which was concerned with the recovery of homeland` as a leitmotif (central thought) . And this fact also reveals his poetry-sprit and changing-process of his historical recognition. In form, his poems symbolize the poetic word, antagonistic structure of image, balanced arrangement of column and ream, and the symbolism of poetic word. Among his poems, We can recommend the following works which represenred his poems like `Climax (Chul Jung)`, `Arbor (Kyo mok)`, `Blue grape (Chung po do)`, `Flower (Kkoch)`, `Desolate plain (Kwang ya)`. And those poems harmonize such a charactor (symbol) of content and form well. The idea which Yuk sa dreamed through his poetry works to recover it was just the `Homeland of past`. And it was resulted from his individual limitation and the limitation of his class which belonged him, Thus, his poems revealed the consciousness of anti-imperialistic, anti-external situation strongly, but his poems could not distinguish the consciousness of anti-feudialistic. Yuk sa has enhanced a magnificent, continental, and masculine temper to the Korea-poetry, announcing the poems which made effective use of the balanced form-beauty and the refined expressing method. As mentioned above, Yuk sa aws a anti-imperialistic national poet who has enlightened the darkness of late colonial ages which could be thought as a gloom period in Korea literature history.