This paper is focused on the mutual relationship between korean modern novels and the film though cinematic techniques that is shown korean modern novels in 1930`s and the commentator`s recognition about films. It is particularly studied cinematic techniques that are based on 1930`s modern novels and is focused on the functional relationship between technical innovation of creative writing and cinematic techniques. As a result, I was able to identify that anyone else Park Tae-Won was aggressively made a plan carry out various cinematic technique in his all creative works so consequntly he had literary effect redoubled. These approaches offer us a lot of suggestion to find out the interrelationship between korean modern novels and the film.