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한국연극 : 한국전통극 꼭두각시 놀음 텍스트 연구 3 - Ras Shamra Ougarit 서사시와 연금술 이미지 corpus 에 의한 동위성과 관련하여
Kkoktugaksi Text Study 3 in Korean Traditional Theatre : - in Relation to the Isotope by Corpraof Ras Shamra - Ougarit Epic and Alchemic Image
김청자(Cheong Ja Kim)
한국연극학 vol. 13 37-55(19pages)
UCI I410-ECN-0102-2009-680-005854295

As the archetype of Kkoktugaksi norum, the Ras Shamra epic of the fourteenth century BC swiftly established itself in the East as a branch of Oriental studies. The insightful eye will see this epic as possessing a world view of plant cycles. With a view that displays a mofit of life to the fullest and the overcoming of suffering, this epic could be every man`s story, possessing as it does an image of driving devotion to surmounting the human condition amid the joys of life. This study which moved from Baal of Ras Shamra to Ahura Mazda affirms traces of transmission in Inspector Pyong An by interpreting scenes of a horse`s broken leg, hawk hunting and funeral images, grounded in the doctrine of pre-zoroaster with its dualism of the creative Spenta Mainyu and the devious and deceptive Angra Mainyu, along with the symbols and emblems found in ritual. In the mid-seventh century, as Iran was becoming Islamized, Hossein, the son of Ali, was assassinated, In the passion drama, Taziye, which exalts Hossein as a martyr, the mythical elements of old Ras Shamra are found. Jabir iban Hayyan, an alchemist who belonged to the eighth century Ismail sect of Islam, attempted to bring to life the statues and idols of the ancient myths, This effort suggests why the alchemistic tradition of Ras Shamra is of a puppet genre. In particular, the building and demolishing of the temple in the last scene of Inspector Pyong An is extremely schematized and suggests the highly sublimated and integrated spirit of Islamic esoterism.

[자료제공 : 네이버학술정보]
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