It is said the purpose of play direction is the picturization of drama, since the most media of play director are to be seen and to be heard as actors, drama, setting, lights, costumes etc. it may be so important to visualize everything in a drama. But the task of play director is more than a merely picturization. It is related rather with the creation of the rhythm and tempo. Thus the purpose of this thesis is to be certain what the rhythm and tempo in a scene create. Rhythm may be defined as `the regular recurrence of emphasis or beat` and tempo as `an impression of speed`. But what we have to be careful is that two words, tempo and speed are not a synonym. The term, tempo refers to an impression of speed and the term, speed is related with actually slowness and fastness. If the task of play director is a creation of the rhythm and tempo, it is nearly the same with a conductor of a musical production. Thus the play director have to score all aspects of a scene. With his sense, every visual and auditory elements are calculated by the means of rhythm and tempo. Especially, pitch, force, rate and quality are considered as the direct factors which are able to create rhythm and tempo in a scene. But this thesis did not handle how the director can create rhythm and tempo in a scene. It will be discussed later.