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KCI 등재
현대 문화에 나타난 신화의 전복과 전도의 기호학적 의미 연구 - 애니메이션과 동화의 탈신화성을 중심으로 -
A Semiotic Study about the Mythical Subversion and Upset of Modern Culture - Focusing on the Post-Mythicality of Animation and Fables -
표정옥 ( Pyo Jung Ok )
UCI I410-ECN-0102-2021-800-000458337

This article is to study about the Mythical semiosis of modem children's animations and fables. This is the course of reading the wider cultural aspects rather than a narrow culture. This method of reading culture will show the reason that children's cultures are going through Post-Mythicality ,subversion, and upset. This article will show three points to reveal the mythical semiosis of animations and fables. The First, through 〈Shrek 1,2,3〉, 〈Hoodwinked〉, 〈Prince and Princess〉, and Miyazaki Hayao's Works, we will find out the meaning of Mythical semiosis of the subversion and upset. The second, through 〈Horton hears a who〉, 〈Bee story〉, 〈Ponyo on the cliff〉, and 〈drengen Der Ville Vaere Bjorn〉, we will see the Mythical semiosis of becoming the collective "I". The third, through 〈Bolt〉, 〈Kung Fu Panda〉, and 〈WallㆍE〉, we will discourse the non-ecology and non-humanism of postmodern society. The center and the neighbor are dismantled and broken up. The signifer has the ludism through a cultural simulation. This study is the inductive method to understand the subversion and upset of the Post-mythicality in children's animations and fables.

1. 들어가며
2. 타자화를 위한 기표와 기의의 미끄러짐
3. 비생태주의와 비인간에 의한 집단적 ‘나’의 기호작용
4. 전복과 전도에 의해 해체된 기표의 놀이성
5. 나오며
대상작품
참고문헌
[자료제공 : 네이버학술정보]
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