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한국외국어대학교 중국연구소> 중국연구> 조선사(朝鮮詞) 「억진아(憶秦娥)」의 사률(詞律)을 통해 본 당송사(唐宋詞)의 수용(受容) 양태(樣態)

KCI등재

조선사(朝鮮詞) 「억진아(憶秦娥)」의 사률(詞律)을 통해 본 당송사(唐宋詞)의 수용(受容) 양태(樣態)

On the Acceptation of the Tangsongci by Yiqin’e of Chosun Ci

류기수 ( Ryu Gee Soo )
  • : 한국외국어대학교 중국연구소
  • : 중국연구 81권0호
  • : 연속간행물
  • : 2019년 12월
  • : 63-84(22pages)

DOI


목차

Ⅰ. 들어가는 말
Ⅱ. 唐宋詞의 「憶秦娥」 詞牌 분석
Ⅲ. 朝鮮詞의 受容 樣態
Ⅳ. 나가는 말

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초록 보기


						
Koryo and Chosun had acquired the Tangsongci and created their own which eventually became one "Genre" of their classical literature.
The standardized form of Yiqin’e, Double tones, 46 characters in total, has the entering tone of rhyme and five sentences in the upper and lower sections respectively, with overlap of three word sentences. It is said that Li Bai, the great poet of Tang Dynasty, first coined this tune.
The Ci writers of Chosun composed on Li Bai, Zhu Xi & Lee Huang's Yiqin’e. It shows respect and a kind of spiritual communication between the participants and their predecessors. In the same era, singing harmony of Yiqin’e with the same rhyme sequence was not only communicative, sportive and competitive, but also had the complementarity and the profound cultural connotation.
This paper provides a detailed account of the acceptation of the Tangsongci by Yiqin’e of Chosun Ci.

UCI(KEPA)

간행물정보

  • : 인문과학분야  > 동양사
  • : KCI등재
  • :
  • : 계간
  • : 1225-8695
  • :
  • : 학술지
  • : 연속간행물
  • : 1975-2020
  • : 1365


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1김치, 조선 - 장률의 <망종>을 중심으로

저자 : 김영미 ( Kim Young Mi )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 3-22 (20 pages)

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Zhang Lv's [Grain In Ear] (2005) by Chinese-Korean Director Zhang Lv is a dramatic film that reflects the general reality of Chinese ethnic minorities in post-socialist China.
The film [Grain In Ear] seems to retain the character of the reality report expressed by the existing Socialist Realism, but in fact it could be called a new type of film because the whole word 'Chinese-Korean' which is a group of symbolic things is brought out into the stories. The film composition of the director, Zhang Lv is not a narrative flow, but several symbolic objects form a paradigm, and these series are connected to the homonym, creating a syntagme outside the film.
First of all, the object called “Kimchi” continues to travel in red as the source of Korean ethnic heritage. "Kimchi" is "Paocai" in Chinese, and its homonym "Pao" refers to the fact that the Koreans tried to flee to Korea from the post-Socialist Chinese capitalist reality in 2005.
The second important object of the series is “Chicken”. The chicken is read as “ji” in Chinese, and is also affiliated with 'Courtesan (Ji)', which is an homonym. In addition, a Korean woman Soon-hee is placed side by side between the 'Courtesans- Chicken'. Here, Soon-hee is not a Korean-Chinese woman but rather a representative of Joseon(ethnic Koreans), the double abbreviation of Post-Socialist China. And this is where the Koreans are forced to sell their bodies to work.
The central object of the third series is “wind”. The wind is read in Chinese as “Feng”, and in the film, it is combined with 'Fan - Kite'. It is read in Chinese as a homonym, “Feng,” which in turn dictates a reality of people that they cannot live without going insane.
The minority of life and identity of Koreans in the film [Grain in Ear] is difficult to explain in the diaspora of Korean people. They have a number of identities that move around Korea and China, and are either Chinese or Korean, depending on the conditions of their lives. Thus, the sign of the Chinese-Korean is not a single ethnic Korean demanded by Korea, but rather a minority worker not applicable to both China and Korea, and a special worker who can work in both China and Korea.

2말레이시아 화인의 다문화 수용성 조사

저자 : 김주아 ( Kim Ju-a )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 23-39 (17 pages)

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The purpose of this study is to find out the current state of Malaysia's multiculturalism, which is felt by Malaysian Chinese, a minority ethnic group in Malaysia. To this end, we reviewed the actual conditions of accepting multiculturalism and analyzed their attitudes, social relations and political participation in Malaysia's immigrant policies.
The Malaysian Chinese society is the most active national community activity, and it can be said to be the country where Chinese culture is best maintained and preserved in regions except for mainland China and Taiwan. The Malaysian Chinese society has been very supportive of ethnic education and culture, mainly from the Chinese community, and the exchange with China is also active.
Malaysian society carries out new politics centering on religion (Muslim) with Malay-first policy, but forms a multicultural coexistence society by giving the option of minority and other religious activities.
According to the survey, Malaysian Chinese have no major complaints about their country of residence, but they have a reserved attitude as a Malaysian who does not feel strong belonging and pride. In terms of 'social relations and political participation', intimacy between the Chinese people was high, but the frequency of exchanges was higher in the case of conflict with the Chinese. Regarding political participation, the respect for the ethnic minority rights of the Malaysian government showed that the majority enjoyed equal rights in political and participation as members of Malaysian society.
From the above results, the Malaysian Chinese society was able to find itself as a part of Malaysia, as its history of immigration has passed 200 years, solidifying its position in the country of residence and becoming independent but integrated.

3만당(晩唐) 온(溫)·이(李) 시(詩)에 나타난 완약성(婉約性) 초탐(初探)

저자 : 김현주 ( Kim Hyun Ju ) , 배경진 ( Bae Gyoung Jin )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 41-62 (22 pages)

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The Wan-Tang(晩唐) period was the time of political and social gloom. This background gave the poets deep thought and sorrow. Therefore, the poets were so emotional that they displayed sensitive and delicate strokes. The poets of this period made metaphorical and symbolic expressions to escape from the gloomy reality and created poems with a sweet mood. They wrapped their sufferings and sorrows in a gentle and beautiful way. In particular, Tingyun,Wen(溫庭筠) and Shangyin,Li(李商隱) were the representative poets of this period. They wrote poems using colorful and soft expressions to escape the dark realities. Their Wan-Yue(婉約) style was also the result of learning the splendor and beauty of the Qi(齊) and Liang(梁) period, meanwhile they were building their own aesthetic art world, which is different from the splendor of the the Qi(齊) and Liang(梁) period.
Therefore, this study used poems by Tingyun,Wen(溫庭筠) and Shangyin,Li(李商隱) as analysis targets, and studied 'Wanyue(婉約)' style that appear in Wan-tang(晩唐) period. The 'Wanyue(婉約)' style wasn't just the originality of the 'Ci(詞)'. We found that the time of the cross between poetry and 'Ci(詞)' was formed from a common social and literary background and the creative psychology of poets.

4조선사(朝鮮詞) 「억진아(憶秦娥)」의 사률(詞律)을 통해 본 당송사(唐宋詞)의 수용(受容) 양태(樣態)

저자 : 류기수 ( Ryu Gee Soo )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 63-84 (22 pages)

다운로드

(기관인증 필요)

초록보기

Koryo and Chosun had acquired the Tangsongci and created their own which eventually became one "Genre" of their classical literature.
The standardized form of Yiqin'e, Double tones, 46 characters in total, has the entering tone of rhyme and five sentences in the upper and lower sections respectively, with overlap of three word sentences. It is said that Li Bai, the great poet of Tang Dynasty, first coined this tune.
The Ci writers of Chosun composed on Li Bai, Zhu Xi & Lee Huang's Yiqin'e. It shows respect and a kind of spiritual communication between the participants and their predecessors. In the same era, singing harmony of Yiqin'e with the same rhyme sequence was not only communicative, sportive and competitive, but also had the complementarity and the profound cultural connotation.
This paper provides a detailed account of the acceptation of the Tangsongci by Yiqin'e of Chosun Ci.

5아라이의 소설 「형 집행인 얼이」와 『색에 물들다』 속의 투쓰 삼부자의 '권력 욕망' 연구

저자 : 박정원 ( Park Jeong Weon ) , 배도임 ( Bae Do Im )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 85-112 (28 pages)

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Executioner Er Yi, writer A Lai's novel, was published in the Issue No. 1 in the magazine Flower City in 1997. The Dust Settles was finished in 1994 but was published in book form by People's Literature Publishing Company in 1998. 
The core point of Executioner Er Yi and The Dust Settles was who would be the next Tusi and who would grab the power. The common point that led the story was who the father Tusi would give his power to, first or second son. Accordingly, all three men, father and two sons, struggled for power in both works. In other words, around 'Tusi=Power', the power struggle among 'Gangtuo Tusi (father) and elder son and Pabasijia (second son)' and 'Maiqi Tusi (father) and Danzhengongbu (the first son) and the Fool(second son)' was the major events in the novels. Also, Monk Gongburenqin and Monk Wengboyisi disobeyed the authority of Tusi, who was an order-giver, and threatened to his power, so their tongues got cut. The headcutter(executioner) who obeyed his orders and was a slave, Er Yi (father) and Er Yi (his son) executed them.

6新兴类词缀结构“零X”研究

저자 : 王卉 ( Wang Hui ) , 朴興洙 ( Park Heung-soo )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 113-135 (23 pages)

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In recent years, a new component of the Chinese vocabulary system has gradually attracted people's attention, namely, Quasi-affix. In 1979, Lv Shuxiang clearly put forward the concept of “class affixes”, and the systematic research on quasi-affix began. The use of “zero” as a quasi-affix was first seen in the 1980s. With the continuous development of language, more and more “zero” has been used as a quasi-affix, and people have begun to study the “zero” as a quasi-affix. Through the research on the existing research results, the research on the “零X” structure is systematically insufficient. Therefore, based on the previous studies, this paper combines the actual corpus and conducts a systematic analysis of it, and based on its characteristics, predicts the development trend of “零X”.

7플립러닝과 질의응답 기반 중국어문법작문 수업 사례 고찰

저자 : 정연실 ( Jeong Yon Sil )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 137-160 (24 pages)

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This paper first introduces the case of Chinese grammar writing classes from 2014 to 2018. To address the problems raised in the class case, the preceding study is reviewed for Flipped Learning, motivation, and Question-Answer Teaching Method. Finally, classes based on Flipped Learning and Question-Answer Teaching Method are designed and applied to classes. The effects are analyzed through a lecture evaluation and reflection log. Classes for Chinese grammar writing in 2019 can be divided into pre-class, in-class, and after-class. Pre-learning through online lectures and practice questions before class, Q&A during class, and evaluation after class. In particular, it was effective to create motivation for learning and to resolve questions through questions-answer teaching method in class. In particular, it was possible to improve learning efficiency by repeatedly learning the same contents through pre-learning, classe, times evaluations.

8《아시연설가(我是演說家)》우승자와 준우승자의 레토릭 지수 비교 분석

저자 : 제윤지 ( Che Yun Ji ) , 나민구 ( Na Min Gu )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 161-197 (37 pages)

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This paper aims to find out how rhetorical the rhetoric effect is in the speeches of the winners and runners-ups in the final round of the fifth final title. The subjects of this paper are the speeches of the winners and runner-ups who won the 5th and 10th finalist finals of “I Am a Speaker”, which aired on Beijing TV on March 6, 2019. These speeches have images as well as texts, so we will look at the rhetorical expressions in the text and the speech and gesture language of the speakers. In addition, photographs presented as background data on stage when the winner and the runner-up each speak will be included in the analysis.
In this paper, we will apply the “Rhetorical Sensitivity Scale”, which quantifies the ability of persuasion as a methodology, and sets up the evaluation items based on the traditional theory of rhetoric and then analyzes two speeches. The traditional theory of rhetoric can be divided into five areas and three persuasive elements. The five areas include idea, disposition, expression, memory, and action delivery. The three persuasion elements are Ethos, Logos, and Pathos.
In order to pursue objectivity as much as possible, this paper will proceed with both text analysis with verbal expression and video analysis with field situations at the time of speech.

9『시경(詩經)』 의성어 음성상징 연구

저자 : 홍현지 ( Hong Hyun Ji ) , 이현진 ( Lee Hyun Jin )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 199-223 (25 pages)

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This paper analyzed sound symbolism in 42 onomatopoeia that appeared in 'shijing'. Firstly we summed up the annotation of previous scholars and reconstructed old chinese. Then, based on the annotation and sound reconstructed, analyzed sound symbolism. The results showed a partial but graphic relationship between the 'sound' represented by the onomatopoeia and the phonetic properties of a particular phoneme.
Chinese is a phonetic alphabet that conveys sound and meaning together, and as Lim Dong-seok (1996) and Choi Young-ae (2007) have already pointed out, they are often involved in meaning even if they want to express sound purely. For this reason, it can be a difficult task to understand the tone of the onomatopoeia in old literary works, including 'shijing'. In addition to the existing literal or morphological studies, this paper has the meaning of introducing a new perspective of phonetic symbolization. Of course, some examples would not generalize the tone of a particular phoneme and we well recognize the study of sound symbolism is fundamentally convergent and has a tendency to discuss trends rather than conclusive conclusions. This being so we expected that various analysis of language corpus in subsequent studies will reveal the tendency more than the deterministic conclusion.

10중국 전국인민대표대회의 법률해석권과 홍콩 보통법체계의 충돌과 과제

저자 : 김준영 ( Kim Jun Young )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 81권 0호 발행 연도 : 2019 페이지 : pp. 227-255 (29 pages)

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Hong Kong's protests, which began in June 2019 with Anti-Extradition Bill Protests, have already lasted for months, and the demonstrations have a significant impact on China and Hong Kong as a whole. The protests began in opposition to the Hong Kong government's revision of the extradition bill, but in substance, it has a strong nature as a test of China's “One Country Two Systems” policy.
Since the establishment of the Hong Kong Special Administrative District on July 1, 1997, the primary legal norm between China and Hong Kong is the Basic Law of Hong Kong. However, conflicts of legal standards have occurred frequently due to the difference between socialism and the capitalist legal system, and there has been a continuous controversy over the interpretation of the Basic Law of Hong Kong. Moreover, the core of the legal conflict between China and Hong Kong has always been China's “One Country Two Systems” policy. This paper examined the issues related to the “Right of Legal Interpretation” of Standing Committee of the National People's Congress, the characteristics and interpretation rights of the Basic Law of Hong Kong, the direct election system of the administrative minister, the implementation of the universal suffrage, and the legislative issues of the application of Article 23 of the Hong Kong Basic Law. Furthermore, this paper also investigated the laws and systems newly introduced by China to solve these legal conflicts.
The integration of the legal system of the divided state is a complicated process beyond the combination of the legal system by integrating the multiple legal systems that have separated for a long time under heterogeneous political, economic, and social networks. Moreover, the adjustment and integration of various legal systems under the premise of a single Constitution is the starting point for the actual inclusion of various fields after the unification as well as unification process and provides a basis for achieving full integration. Therefore, the unification of the divided countries should be the first step in a long journey toward becoming a practical one, not a goal itself. It is crucial to reduce trial and error and cost, and achieve stable unification in our unification process in Korea, by learning lessons from the contradictions and conflicts that appear in the “One Country Two Systems” unification between China and Hong Kong.

12
주제별 간행물
간행물명 수록권호

KCI등재

명청사연구
53권 0호 ~ 53권 0호

KCI등재

사림(성대사림)
72권 0호 ~ 72권 0호

KCI등재

선사와 고대
62권 0호 ~ 62권 0호

KCI등재

동양학
79권 0호 ~ 79권 0호

KCI등재

중국사연구
125권 0호 ~ 125권 0호

KCI후보

학림
45권 0호 ~ 45권 0호

KCI등재

중국학논총
67권 0호 ~ 67권 0호

복현사림
37권 0호 ~ 37권 0호

KCI등재

중국연구
82권 0호 ~ 82권 0호

KCI등재

석당논총
76권 0호 ~ 76권 0호

KCI등재

동양예술
46권 0호 ~ 46권 0호

KCI등재

명청사연구
37권 0호 ~ 46권 0호

KCI등재

대구사학
138권 0호 ~ 138권 0호

KCI등재

명청사연구
36권 0호 ~ 52권 0호

KCI등재

중국지역연구
7권 1호 ~ 7권 1호

KCI등재

고문서연구
56권 0호 ~ 56권 0호

KCI등재

동아연구
78권 0호 ~ 78권 0호

KCI등재

몽골학
60권 0호 ~ 60권 0호

KCI등재

중국사연구
124권 0호 ~ 124권 0호

KCI등재

동아시아문화연구
80권 0호 ~ 80권 0호
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