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한국사진학회> 한국사진학회지 AURA> 포스트포토그래피 시대의 다큐멘터리 표현방법으로서의 연속사진 - ‘관광 공간Ⅱ’ 개인 작업을 중심으로 -

KCI후보

포스트포토그래피 시대의 다큐멘터리 표현방법으로서의 연속사진 - ‘관광 공간Ⅱ’ 개인 작업을 중심으로 -

Sequence Photos as a Documentary Method in the Age of Post Photography - Focusing on the private work ‘Tourism Space Ⅱ’ -

허용무 ( Heo Yong Moo )
  • : 한국사진학회
  • : 한국사진학회지 AURA 43권0호
  • : 연속간행물
  • : 2019년 08월
  • : 46-63(18pages)

DOI


목차

Ⅰ. 서 론
Ⅱ. 본 론
Ⅲ. 결 론
참고문헌

키워드 보기


초록 보기


						
The amazing technological prowess of the post photography age has made it very commonplace to doctor photographic images through transformation and composition of images. Such phenomenon made me consider what the essence of changed photographs were while transforming the status of authenticity of photos established ontologically. This study aimed at verifying whether sequence photo expression methods were still valid as documentary photo expression methods in the age of post photography through personal works. The personal work ‘Tourism Space II’ recorded the appearance of the global tourism industry that changes the world into a single massive tourism attraction through the behavior of tourists and the appearance of individual groups of people that exist anonymously in the midst of tourism spaces during the course of consuming tourism products. The sequence photo expression is a format found in the course of overcoming the concept of time and space formed by a ‘decisive moment’. Sequence photos are not only useful to provide various information, but also it has the advantage that it can also offer information on the environment surrounding the environment. Therefore it was evident that it is a useful expression method to analyze the structure of the diverse and complex contemporary society.

UCI(KEPA)

간행물정보

  • : 예체능분야  > 기타(예체능)
  • : KCI후보
  • :
  • : 반년간
  • : 1228-503x
  • :
  • : 학술지
  • : 연속간행물
  • : 1994-2019
  • : 528


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발행기관 최신논문
| | | | 다운로드

1'Chaosmos' 사진작품에 대한 연구

저자 : 리일천 ( Lee Il Chun ) , 임재문 ( Lim Jae Moon )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 6-20 (15 pages)

다운로드

(기관인증 필요)

초록보기

The researchers are the same position of the Pre-visualization photographers, and pursue the Pre-visualization approach, which presses the shutter after imagining the final scene of a subject. The researchers' background of Pre-visualization is Sunyata. It is a trial to make it visualized. The concept of Sunyata is to thoroughly look into an object itself. In the concept of Sunyata from Buddha, it closely focuses on that there is the will to carve out the destiny which cannot help human being contorted with sadness and pain. The demand of Buddha to look into inevitable problems in human being is satisfied with the photographic work. It is the reason why the researchers study into the concept of Sunyata. The demand of Buddha and the Pre-visualization photographic work are in common. The researcher's pre-visualization work is definitely different with the Post-visualization work. The Post-visualization work is surrealistic, that makes images by additional work on the photo taking and its process. By comparison, there is no artificial additional work in pre-visualization which the researchers pursue. The result of thorough looking, finding and choosing of objects, that has semantic structure brings the revolution of awareness. That is just 'the curable freedom.'

2< In the Beginning >전(展) 작품론

저자 : 김지영 ( Kim Ji Young ) , 신성균 ( Sheen Sung Kyoon )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 21-32 (12 pages)

다운로드

(기관인증 필요)

초록보기

In this photographic thesis work, 'In the Beginning', Kim, the 1st author of this study deals with the fundamental questions such as 'How did humans begin?', 'How did the time and space we inhabit start?', 'What did aspects of the very beginning look like?', and so on. Kim believes that the sights of the beginning might have been left behind as some traces; he wants to depict such aspects of the beginning by using photography which proves being of any object in front of camera by capturing a realistic image of it as an index. In common sense, vital elements for life are air, earth, water, and light; to put them altogether as subject matters in his photographic frame, Kim went to many seashores along the coastline in Korea since Fall 2015. By composing those objects in square format, which generates less tension but more balance, with some distinguished horizontal lines, he attempts to represent an atmosphere of order in the very beginning of the world. For this project, he used a 35mm DSLR camera and printed of 120x120cm, 70x70cm on Textured Cotton Paper using a pigment-based inkjet printer.

3시니어를 위한 포트레이트(Portrait) 사진교육 프로그램에 대한 연구 - '인생사진(영정사진) 프로젝트'를 중심으로 -

저자 : 김문정 ( Kim Moon Jung )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 33-45 (13 pages)

다운로드

(기관인증 필요)

초록보기

The origin of this research stared from the consideration of necessity about educational program toward various targets, especially senior generation. Compare to former period, photography educational programs had been exploded to various age targets and ranges, but its curriculum and contents need to be more specific and particular in order to cover their needs. This research focuses on portrait photography educational program to seniors who requires differentiated photographic experiences. Seniors, who retired from main decade of their life, deeply interested in their portrait photography which may be used for their portrait of the deceased. Thus, this research mainly focuses on how to apply portrait photography to senior class range who are eager to learn and utilize their portrait.

4포스트포토그래피 시대의 다큐멘터리 표현방법으로서의 연속사진 - '관광 공간Ⅱ' 개인 작업을 중심으로 -

저자 : 허용무 ( Heo Yong Moo )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 46-63 (18 pages)

다운로드

(기관인증 필요)

초록보기

The amazing technological prowess of the post photography age has made it very commonplace to doctor photographic images through transformation and composition of images. Such phenomenon made me consider what the essence of changed photographs were while transforming the status of authenticity of photos established ontologically. This study aimed at verifying whether sequence photo expression methods were still valid as documentary photo expression methods in the age of post photography through personal works. The personal work 'Tourism Space II' recorded the appearance of the global tourism industry that changes the world into a single massive tourism attraction through the behavior of tourists and the appearance of individual groups of people that exist anonymously in the midst of tourism spaces during the course of consuming tourism products. The sequence photo expression is a format found in the course of overcoming the concept of time and space formed by a 'decisive moment'. Sequence photos are not only useful to provide various information, but also it has the advantage that it can also offer information on the environment surrounding the environment. Therefore it was evident that it is a useful expression method to analyze the structure of the diverse and complex contemporary society.

5유머가 군(軍)의 홍보효과에 미치는 영향 연구 - 유머의 강도와 수용자 관여도를 중심으로 -

저자 : 김종현 ( Kim Jong Hyun ) , 김진수 ( Kim Jin Su ) , 양종훈 ( Yang Jong Hoon ) , 이상은 ( Lee Sang Eun )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 43권 0호 발행 연도 : 2019 페이지 : pp. 64-81 (18 pages)

다운로드

(기관인증 필요)

초록보기

Republic of Korea Army is actively utilizing advertising contents with humorous factors in order to effectively deliver its policies and military life information to its users. Rather then whether humorous advertising contents are effective or not, this research focuses on how humorous military advertising contents affect the users' attention-emotion-trust in message-change in attitude, especially between different types of users by analysing the characteristics of the participants, henceforth advising contributing to the betterment of future Army advertisement policies. For this research, Web-based shows that Republic of Korea Army has created to advertise Outstanding Warrior policy that was posted on Facebook and documentary genre video clips were used. These clips were shown to high involvement group composed of 100 commissioned officers, and low involvement group composed of 67 university students, and then were surveyed through questionnaires to analyse the reaction. The result demonstrated that both high and low involvement groups showed positive effect on humor. Furthermore, high involvement groups showed greater positive effect to humor. As such, the analysis showed Army using humor as advertising method is contributing to providing positive perspective to its users.

1
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