The purpose of this research is to examine Wonju Maeji Nong-ak having a variety of unique jinpulis and Kim Baik Bong`s < Flow of Line > showing a number of changeable dance composition in order to find the way of utilising the composition changes for Korean traditional dance. The jinpuli of Wonju Maeji Nong-ak shows 28 composition changes: 13 curve structures and 12 straight linear structures and 3 compound structures. < Flow of Line > shows 41 composition changes: 23 curve structures, 9 straight linear structures and 9 compound structures. Each work has distinctive composition changes and also has 11 similar composition structures.